A fun romp through one man's life's events with a quirky look at what he learned. The facts are pretty comedic and irreverent to the extent that he was constantly being lectured or dressed down for expressing his off the cuff opinion. You know that filter we're supposed to have that prevents us from saying really dumb things? Apparently, the author's filter is broken.
A fun romp through one man's life's events with a quirky look at what he learned. The facts are pretty comedic and irreverent to the extent that he was constantly being lectured or dressed down for expressing his off the cuff opinion. You know that filter we're supposed to have that prevents us from saying really dumb things? Apparently, the author's filter is broken.
The novels of Jane Austen are typified by their comedic power, often most powerfully demonstrated by the singular voice of their narrators. This work argues that despite the difficulties in adapting Austen's writing for the screen, there have been many successes.
Offers a challenge to critics informed by new theories about the essential indeterminacy of language and hence literature. Nevertheless, post-structuralist methodologies have played an increasingly important part in studies of "Emma" during the last 20 years.
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