Explores the use made by poets and novelists of street songs and cries with a particular focus on nineteenth and early twentieth century writers including William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust.
Why did poets continue to call themselves singers long after the formal link between poetry and music had been severed? Daniel Karlin explores the origin and meaning of the 'figure of the singer', offering a profound and stimulating analysis of the idea of poetry as song.
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