This book examines how the apparently secluded theatrical culture of the universities became a major source of inspiration for Shakespeare and his contemporaries. It offers groundbreaking new readings of plays from throughout Shakespeare's career, illustrating how their depictions of academic culture were shaped by university plays.
Since the 1920s, scholars have promoted a set of manuscripts, long abandoned by Marx and Engels, to canonical status in book form as The German Ideology, and in particular its 'first chapter,' known as 'I.
Since the 1920s, scholars have promoted a set of manuscripts, long abandoned by Marx and Engels, to canonical status in book form as The German Ideology, and in particular its 'first chapter,' known as 'I.
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