Böcker av Dan Hofstadter

In diesem Buch beschreibt der Autor Mexiko in der Zeit zwischen 1946 und 1973 - von der Wahl von Miguel Alemán bis zur Herrschaft der Regierungspartei PRI. Er zeichnet ein lebendiges Porträt einer Nation im Umbruch und analysiert die politischen, wirtschaftlichen und sozialen Kräfte, die die mexikanische Entwicklung in dieser Zeit geprägt haben.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In these five profiles, four of which originally appeared in the New Yorker, the author evokes the life and work of seven gifted artists. Among those presented, often through lively conversations, are Jean Hélion, Mark Rothko, R.B. Kitaj, and Dennis Creffield. Chief among those portrayed however is Henri Cartier-Bresson (1908-2004), the great French photographer and photojournalist who, famed for dodging contact with the press, is here sketched in rare and fond detail. Of all these artists, only two still live: what emerges from this book is a picture, often bizarre, often hilarious, of a bygone bohemian world.

This series of entwined biographical sketches recounts how, in the Romantic Era, love affairs, often illicit, were transformed into novels, memoirs, and published correspondences. We make the intimate acquaintance of great writers like Mme de Staël, Chateaubriand, George Sand, and Anatole France, who, however, fall gradually under the suspicion of pursuing their amorous entanglements for “good material.” The tale ends with a moving account, based on unpublished sources, of the strange, intense friendship of Marcel Proust and Jeanne Pouquet, the girl who became the model for Gilberte in Swann’s Way. Disenchanted yet compassionate, this book explores how our affections may be exalted (and at times betrayed) by our desire to refashion them as stories.

A cogent portrayal of a turning point in the evolution of the freedom of thought and the beginnings of modern science.