Colin MacCabe's study places T.S. Eliot's poetry in the context of his journeys from philosophy to poetry and from modern scepticism to traditional Christianity, and uses Eliot's life to illuminate his poetry.
Jean-Luc Godard's early films revolutionised the language of cinema for everyone, from the "Superbrats of Hollywood" to the political cinema of the Third World. Yet in 1968, he abandoned one of the most brilliant careers in French cinema to pursue his investigations into sound and image on the periphery of the industry he had rejected.
This second edition of Colin MacCabe's James Joyce and the Revolution of the Word reprints a classic critical text on Joyce and adds a wealth of new material which places the text in its political and historical context.
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