Böcker av Christopher Moore

From New York Times bestselling author Christopher Moore comes a hilariously deranged tale of a mad scientist, a famous painter, and an undead woman's electrifying journey of self-discovery. Vienna, 1911. Gustav Klimt, the most famous painter in the Austrian Empire, the darling of Viennese society, spots a woman's nude body in the Danube canal. He knows he should summon a policeman, but he can't resist stopping to make a sketch first. And as he draws, the woman coughs. She's alive!Back at his studio, Klimt and his model-turned-muse Wally tend to the erstwhile-drowned girl. She's nearly feral and doesn't remember who she is, or how she came to be floating in the canal. Klimt names her Judith, after one of his most famous paintings, and resolves to help her find her memory. With a little help from Sigmund Freud and Carl Jung, Judith recalls being stranded in the arctic one hundred years ago, locked in a crate by a man named Victor Frankenstein, and visiting the Underworld. So how did she get here? And why are so many people chasing her, including Geoff, the giant croissant-eating devil dog of the North? Poor Things meets Bride of Frankenstein in Anima Rising, Christopher Moore's most ingenious (and probably most hilarious) novel yet.

It is the color of the Virgin Mary's cloak, a dazzling pigmentdesired by artists, an exquisite hue infused with danger,adventure, and perhaps even the super natural. It is . . .Sacré BleuIn July 1890, Vincent van Gogh went into a cornfield andshot himself. Or did he? Why would an artist at the heightof his creative powers try to take his life . . . and then walk amile to a doctor's house? Who was the crooked little "colorman" Vincent claimed was stalking him? And why had Vincentrecently become terrified of a certain shade of blue?These questions confront baker-turned-painter Lucien Lessardand bon vivant Henri Toulouse-Lautrec as they seek the truthof their friend's untimely death, a quest that will lead them on asurreal odyssey through late 19th-century Paris.A delectable confection of intrigue, passion, and arthistory?with can-can girls, baguettes, and fine Frenchcognac thrown in for good measure?Sacré Bleu is anothermasterpiece from the one, the only, Christopher Moore.

New York Times Bestseller?Smart and funny and all sorts of raunchy in the best way.? ? San Francisco ChronicleRepeat New York Times bestselling author Christopher Moore returns to the mean streets of San Francisco in this outrageous follow-up to his madcap novel Noir.San Francisco, 1947. Bartender Sammy ?Two Toes? Tiffin and the rest of the Cookie's Coffee Irregulars?a ragtag bunch of working mugs last seen in Noir?are on the hustle: they're trying to open a driving school; shanghai an abusive Swedish stevedore; get Mable, the local madam, and her girls to a Christmas party at the State Hospital without alerting the overzealous head of the S.F.P.D. vice squad; all while Sammy's girlfriend, Stilton (a.k.a. the Cheese), and her ?Wendy the Welder? gal pals are using their wartime shipbuilding skills on a secret project that might be attracting the attention of some government Men in Black. And, oh yeah, someone is murdering the city's drag kings and club owner Jimmy Vasco is sure she's next on the list and wants Sammy to find the killer.Meanwhile, Eddie ?Moo Shoes? Shu has been summoned by his Uncle Ho to help save his opium den from Squid Kid Tang, a vicious gangster who is determined to retrieve a priceless relic: an ancient statue of the powerful Rain Dragon that Ho stole from one of the fighting tongs forty years earlier. And if Eddie blows it, he just might call down the wrath of that powerful magical creature on all of Fog City.Strap yourselves in for a bit of the old razzmatazz, ladies and gentlemen. It's Christopher Moore time.

Shakespeare meets Dashiell Hammett in this wildly entertaining murder mystery from New York Times bestselling author Christopher Moore--an uproarious, hardboiled take on the Bard's most performed play, A Midsummer Night's Dream, featuring Pocket, the hero of Fool and The Serpent of Venice, along with his sidekick, Drool, and pet monkey, Jeff.Set adrift by his pirate crew, Pocket of Dog Snogging--last seen in The Serpent of Venice--washes up on the sun-bleached shores of Greece, where he hopes to dazzle the Duke with his comedic brilliance and become his trusted fool.But the island is in turmoil. Egeus, the Duke's minister, is furious that his daughter Hermia is determined to marry Demetrius, instead of Lysander, the man he has chosen for her. The Duke decrees that if, by the time of the wedding, Hermia still refuses to marry Lysander, she shall be executed . . . or consigned to a nunnery. Pocket, being Pocket, cannot help but point out that this decree is complete bollocks, and that the Duke is an egregious weasel for having even suggested it. Irritated by the fool's impudence, the Duke orders his death. With the Duke's guards in pursuit, Pocket makes a daring escape.He soon stumbles into the wooded realm of the fairy king Oberon, who, as luck would have it, IS short a fool. His jester Robin Goodfellow--the mischievous sprite better known as Puck--was found dead. Murdered. Oberon makes Pocket an offer he can't refuse: he will make Pocket his fool and have his death sentence lifted if Pocket finds out who killed Robin Goodfellow. But as anyone who is even vaguely aware of the Bard's most performed play ever will know, nearly every character has a motive for wanting the mischievous sprite dead.With too many suspects and too little time, Pocket must work his own kind of magic to find the truth, save his neck, and ensure that all ends well. A rollicking tale of love, magic, madness, and murder, Shakespeare for Squirrels is a Midsummer Night's noir--a wicked and brilliantly funny good time conjured by the singular imagination of Christopher Moore.

Outrageously funny New York Times bestselling author Christopher Moore and award-winning screenwriter-director Ian Corson team up for a wacky and entertaining graphic tale of alien invasion and a motley crew of Earthlings trying to stay alive and, oh, yeah, save humankind.The mayhem begins when an ancient alien beacon is unwittingly activated, summoning behemoth spaceships from the far reaches of the galaxy. Hovering in Earth's atmosphere, they release a biblical stream of pods that transform into minivan-size, people-eating, flying lizardy things that look like mythological griffins. Destroying communications, emergency, and military infrastructure, they systematically kill everyone on the planet. Well, almost everyone.A pesky trio of New Yorkers isn't about to roll out the red carpet?or roll over and die?for these unwelcome intergalactic marauders. Unlikely heroes Mo, a snarky, Gothy game-goddess; Steve, a skateboard-punk schwag whore; and Curt, the obligatory buff commando expert in weaponry (and a genius with cosmetics), are going to take it to the aliens?and Florida is where the fight is. Armed with M-16s, a BFG (big f**king gun), and a surplus of guts, they'll battle their way from the Big Apple to Orlando, where a downed spacecraft is the most awesome new attraction. And in the Sunshine State another pair of courageous (and pretty damn lucky) humans who have outwitted the toothy überlizards await: Liz, a babelicious killer whale trainer at Ocean World, and Oscar, a chain-smoking middle-aged professional squirrel (seriously?he's paid to wear that squirrel costume).Once united, the intrepid warriors will attempt to infiltrate the alien spacecraft, defeat the spacer invaders, and save (what's left) of the world?and, if Steve plays his cards right, begin the fun of repopulating Earth all over again.

Being undead sucks. Literally.Just ask C. Thomas Flood. Waking up after a fantastic night unlike anything he's ever experienced, he discovers that his girlfriend, Jody, is a vampire. And surprise! Now he's one, too. For some couples, the whole biting-and-blood thing would have been a deal breaker. But Tommy and Jody are in love, and they vow to work through their issues.But word has it that the vampire who initially nibbled on Jody wasn't supposed to be recruiting. Even worse, Tommy's erstwhile turkey-bowling pals are out to get him, at the urging of a blue-dyed Las Vegas call girl named (duh) Blue. And that really sucks.

"One July day four hundred years ago, Samuel de Champlain stepped out of a small boat at Quebec and began a great adventure.” So begins Christopher Moore's riveting account of the life of the extraordinary, daring "father of New France.” Samuel de Champlain helped found the first permanent French settlement in the New World; he established the village that eventually became the great city of Quebec; he was a skilled cartographer who gave us many of our first accurate maps of North America; he forged alliances with Native nations that laid the foundations for vast trading networks; and as governor, he set New France on the road to becoming a productive, self-sufficient, thriving colony. But Champlain was also a man who suffered his share of defeats and disappointments. That first permanent settlement was abandoned after a disastrous winter claimed the lives of half the colonists. His marriage to a child bride was unhappy and marked by long separations. Eventually Quebec had to be surrendered temporarily to the English in 1629. In this remarkable book, illustrated entirely with paintings, archival maps, and original artifacts, Christopher Moore brings to life this complex man and, through him, creates a portrait of Canada in its earliest days. Champlain is illustrated with archival maps and paintings. Additional artwork has been provided by Francis Back.

The town psychiatrist has decided to switch everybody in Pine Cove, California, from their normal antidepressants to placebos, so naturally--well, to be accurate, artificially--business is booming at the local blues bar. Trouble is, those lonely slide-guitar notes have also attracted a colossal sea beast named Steve with, shall we say, a thing for explosive oil tanker trucks. Suddenly, morose Pine Cove turns libidinous and is hit by a mysterious crime wave, and a beleaguered constable has to fight off his own gonzo appetites to find out what's wrong and what, if anything, to do about it.

Take a wonderfully crazed excursion into the demented heart of a tropical paradise?a world of cargo cults, cannibals, mad scientists, ninjas, and talking fruit bats. Our bumbling hero is Tucker Case, a hopeless geek trapped in a cool guy's body, who makes a living as a pilot for the Mary Jean Cosmetics Corporation. But when he demolishes his boss's pink plane during a drunken airborne liaison, Tuck must run for his life from Mary Jean's goons. Now there's only one employment opportunity left for him: piloting shady secret missions for an unscrupulous medical missionary and a sexy blond high priestess on the remotest of Micronesian hells. Here is a brazen, ingenious, irreverent, and wickedly funny novel from a modern master of the outrageous.

In Christopher Moore's ingenious debut novel, we meet one of the most memorably mismatched pairs in the annals of literature. The good-looking one is one-hundred-year-old ex-seminarian and "roads" scholar Travis O'Hearn. The green one is Catch, a demon with a nasty habit of eating most of the people he meets. Behind the fake Tudor facade of Pine Cove, California, Catch sees a four-star buffet. Travis, on the other hand, thinks he sees a way of ridding himself of his toothy traveling companion. The winos, neo-pagans, and deadbeat Lotharios of Pine Cove, meanwhile, have other ideas. And none of them is quite prepared when all hell breaks loose.

¿Readers new to the work of Christopher Moore will want to know two things immediately. First: Where has this guy been hiding? (Answer: In plain sight, since he has a cult following.)...[H]e writes laid back fables straight out of Margaritaville, on the cusp of humor and science fiction.¿--Janet Maslin, New York Times Whale researcher Nathan Quinn has a problem. It's not a new problem; in fact, it's been around for nearly 20 million years. And Nate's spent most of his adult life working to solve it. You see, although everybody (well, almost everybody) knows that humpback whales sing (outside of human composition, the most complex songs on the planet) no one knows why. Nate, a Ph.D. in behavior biology, intends to discover the answer to this burning question--and soon. Every winter he and Clay Demolocus, his partner in the Maui Whale Research Foundation, ply the warm waters between the islands of Maui and Lanai, recording the eerily beautiful songs of the humpbacks and returning to their lab for electronic analysis. The trouble is, Nate's beginning to wonder if he hasn't spent just a little too much time in the sun. Either that, or he's losing his mind. Because today, as he was shooting an I.D. photo of a humpback tail fluke, Nate could've sworn he saw the words “Bite Me¿ scrawled across the whale's tail. . .

'Twas the night (okay, more like the week) before Christmas, and all through the tiny community of Pine Cove, California, people are busy buying, wrapping, packing, and generally getting into the holiday spirit.But not everybody is feeling the joy. Little Joshua Barker is in desperate need of a holiday miracle. No, he's not on his deathbed; no, his dog hasn't run away from home. But Josh is sure that he saw Santa take a shovel to the head, and now the seven-year-old has only one prayer: Please, Santa, come back from the dead.But hold on! There's an angel waiting in the wings. (Wings, get it?) It's none other than the Archangel Raziel come to Earth seeking a small child with a wish that needs granting. Unfortunately, our angel's not sporting the brightest halo in the bunch, and before you can say "Kris Kringle," he's botched his sacred mission and sent the residents of Pine Cove headlong into Christmas chaos, culminating in the most hilarious and horrifying holiday party the town has ever seen.Move over, Charles Dickens -- it's Christopher Moore time.

Venice, a long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from the Queen of Britain: the rascal-Fool Pocket.This trio of cunning plottersthe merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iagohave lured Pocket to a dark dungeon, promising an evening of sprits and debauchery with a rare Amontillado sherry and Brabantios beautiful daughter, Portia.But their invitation is, of course, bogus. The wine is drugged. The girl isnt even in the city limits. Desperate to rid themselves once and for all of the man who has consistently foiled their grand quest for power and wealth, they have lured him to his death. (How can such a small man, be such a huge obstacle?). But this Fool is no fool . . . and hes got more than a few tricks (and hand gestures) up his sleeve.Greed, revenge, deception, lust, and a giant (but lovable) sea monster combine to create another hilarious and bawdy tale from modern comic genius, Christopher Moore.

Everyone knows about the immaculate conception and the crucifixion. But what happened to Jesus between the manger and the Sermon on the Mount? In this hilarious and bold novel, the acclaimed Christopher Moore shares the greatest story never told: the life of Christ as seen by his boyhood pal, Biff. Just what was Jesus doing during the many years that have gone unrecorded in the Bible? Biff was there at his side, and now after two thousand years, he shares those good, bad, ugly, and miraculous times. Screamingly funny, audaciously fresh, Lamb rivals the best of Tom Robbins and Carl Hiaasen, and is sure to please this gifted writers fans and win him legions more.

A man of infinite jest, Pocket has been Lear's cherished fool for years, from the time the king's grown daughters?selfish, scheming Goneril, sadistic (but erotic-fantasy-grade-hot) Regan, and sweet, loyal Cordelia?were mere girls. So naturally Pocket is at his brainless, elderly liege's side when Lear?at the insidious urging of Edmund, the bastard (in every way imaginable) son of the Earl of Gloucester?demands that his kids swear their undying love and devotion before a collection of assembled guests. Of course Goneril and Regan are only too happy to brownnose Dad. But Cordelia believes that her father's request is kind of . . . well . . . stupid, and her blunt honesty ends up costing her her rightful share of the kingdom and earns her a banishment to boot.Well, now the bangers and mash have really hit the fan. The whole damn country's about to go to hell in a handbasket because of a stubborn old fart's wounded pride. And the only person who can possibly make things right . . . is Pocket, a small and slight clown with a biting sense of humor. He's already managed to sidestep catastrophe (and the vengeful blades of many an offended nobleman) on numerous occasions, using his razor-sharp mind, rapier wit . . . and the equally well-honed daggers he keeps conveniently hidden behind his back. Now he's going to have to do some very fancy maneuvering?cast some spells, incite a few assassinations, start a war or two (the usual stuff)?to get Cordelia back into Daddy Lear's good graces, to derail the fiendish power plays of Cordelia's twisted sisters, to rescue his gigantic, gigantically dim, and always randy friend and apprentice fool, Drool, from repeated beatings . . . and to shag every lusciously shaggable wench who's amenable to shagging along the way.Pocket may be a fool . . . but he's definitely not an idiot.

This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.Music Criticism in France examines the aesthetic battles that animated and informed French musical criticism during the interwar period (1918-1939). Drawing upon a rich corpus of critical writings and archival documents, the book uncovers some of the public debates surrounding classical music in the immediate aftermath of the Great War until the eve of World War II. As such, it provides new insights into the priorities, values and challenges that affected the musical milieu of this war-bound generation. This collection of essays brings together scholars from different areas of musicology and related humanities disciplines; it also draws on different anglophone and francophone intellectual traditions. As well as considering the reception of individual works, the contributors examine key individuals, composer-critic pairings, the composer as critic and technician, the role of influential journals, and music criticism as a pedagogical tool for concert-going and radio audiences. Focusing on the themes of authority, advocacy and legacy, it shows the contribution of principal critics such as Vuillermoz, Vallas, Prunieres, Schloezer and Koechlin to shaping our understanding of music in the first half of the twentieth century in France. We see how criticism contributes to national and transnational preoccupations and agendas, which were of considerable importance throughout the interwar period and continue to have relevance today. BARBARA L. KELLY is Director of Research and Professor of Musicology at the Royal Northern College of Music, Manchester. CHRISTOPHER MOORE is Associate Professor of Musicology at the University of Ottawa. Contributors: PHILIPPE CATHE, MICHEL DUCHESNEAU, KIMBERLY FRANCIS, JACINTHE HARBEC, BARBARA L. KELLY, PASCAL LECROART, CHRISTOPHER MOORE, RACHEL MOORE, JANN PASLER, CAROLINE RAE, DANICK TROTTIER, MARIANNE WHEELDON

In San Francisco, the souls of the dead are mysteriously disappearing-and you know that can't be good-in New York Times bestselling author Christopher Moore's delightfully funny sequel to A Dirty Job. Something really strange is happening in the City by the Bay.

Christopher Moore is a very sick man, in the very best sense of that word.Carl Hiassen[Moores novels] deftly blend surreal, occult, and even science-fiction doings with laugh-out-loud satire of contemporary culture.Washington PostIf theres a funnier writer out there, step forward.PlayboyAbsolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, Stephen King with a whoopee cushion and a double-espresso imagination has already lampooned Shakespeare, San Francisco vampires, marine biologists, Deatheven Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacr Bleu, the immortal Moore takes on the Great French Masters. A magnificent Comedy dArt from the author of Lamb, Fool, and Bite Me, Moores Sacr Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed suicide of Vincent van Gogh.