Böcker av Charlotte Perkins Gilman

'The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.'Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Charlotte Perkins Gilman (1860-1935). Gilman's work is available in Penguin Classics in The Yellow Wall-Paper, Herland and Selected Writings.

Scholars have argued for decades over which constitutes the best possible version of Charlotte Perkins Gilman's much-anthologized story "The Yellow Wall-Paper." This book offers both Gilman scholars and scholars of textual studies a means of engaging with a work that exists in multiple forms, and includes fresh readings of this story.

First serialized in 1914, Social Ethics attempts to convince readers that individualist ethics have failed to make the world a safe place for children, and that we cannot progress to a fully social ethics unless we understand the morality of collective action from a specifically sociological point of view. The social ills she addresses in her attempt to advocate for a reexamination of our ethics include topics still relevant today: militarism, waste, religious intolerance, conspicuous consumption, greed, graft, environmental degradation, preventable diseases, and patriarchal oppression in its numerous manifestations. Hill and Deegan show not only that Gilman's central arguments remain largely valid and cogent today, but also that Gilman is a major and substantive contributor to the shape and importance of sociology in its formative years.

Offers a collection of short stories including "The Yellow Wall-Paper", the novel "Herland", and poems.

Presents an early feminist work which brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. This title tells the story of a group of New England women who move west to start a boarding house for men in Colorado.

It is stripped off - the paper - in great patches . . . The colour is repellent . . . In the places where it isn't faded and where the sun is just so - I can see a strange, provoking, formless sort of figure, that seems to skulk about . . .'Based on the author's own experiences, 'The Yellow Wallpaper' is the chilling tale of a woman driven to the brink of insanity by the 'rest cure' prescribed after the birth of her child. Isolated in a crumbling colonial mansion, in a room with bars on the windows, the tortuous pattern of the yellow wallpaper winds its way into the recesses of her mind.Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. In addition to her masterpiece 'The Yellow Wallpaper', this new edition includes a selection of her best short fiction and extracts from her autobiography.

Describes how social and sexual disparities between men and women are the result of economics. This book argues that the position of women as the property of men and their inability to earn in proportion to the amount of work they do, tend to the differences between men as 'providers' and 'competitors' and women as 'helpless' and 'unproductive'.

Originally serialized in 1915 in The Forerunner, and never before published in book form, The Dress of Women presents Gilman's feminist sociological analysis of clothing in modern society.

First published in 1892, this perfect novel portrays with chilling power the powerlessness of women within Victorian marriage.

The first novel from Charlotte Perkins Gilman, the author of "The Crux" and "The Yellow Wallpaper."