Böcker av Charlotte Macleod

"According to Max Bittersohn, he and Sarah Kelling have witnessed enough murder and unhappiness, so it's high time they got married. And though Sarah hasn't yet agreed to such drastic measures, she invites Max to summer with her at Ireson's Landing. But they haven't been in the house ten minutes when they stumble upon summer's first mystery--a mint-condition, antique Spanish mirror that is tremendously rare and valuable. Sarah has never seen it before and she doesn't know how it ended up in the summerhouse, but the sleuthing couple will soon find this looking glass to be more troublesome than anything Lewis Carroll ever invented. As the zany Kelling clan descends on Ireson's Landing, Sarah and her beau try to uncover the mystery of the Bilbao looking glass--a quest that is disrupted when a vicious next-door neighbor is found hacked to death with a woodshed ax. By summer's end, Sarah and Max will learn that some murders can be solved simply by looking in the mirror."--Provided by publisher.

"Murder upstages a Kelling family theatrical production-and Boston's art sleuths are on the case. "The screwball mystery is Charlotte MacLeod's cup of tea" (Chicago Tribune). Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling's Aunt Emma has supervised these annual productions-from The Pirates of Penzance to The Mikado-and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars drugs the cast and crew to make off with a priceless portrait. Theft or no theft, Aunt Emma insists the show must go on. Even when one of the cast dies suddenly, she finds a replacement and continues rehearsal. But when Sarah begins to suspect the actor was murdered, it becomes clear that dear Aunt Emma may be in danger of taking her final bow."--Provided by publisher.

"The angry old men of the Comrades of the Convivial Codfish club celebrate yuletide doing what they do best: eating, drinking, and greeting the season of giving with a spirited "bah, humbug!" Though well past sixty, Jem Kelling is a relative infant compared to some of the club's elder statesmen, and he has waited decades to host their annual Christmas scowl. And during his first evening as Exalted Chowderhead, he is thrilled to find the wine abundant, the chowder superb, and the humbugs as lusty as ever. But as the night winds down, Jem is horrified to find that the ceremonial Codfish necklace has vanished--right off of his neck! His nephew-in-law, art investigator Max Bittersohn, is convinced his new uncle was the victim of a practical joke. But when the old man takes a hip-snapping tumble, Max is forced to conclude that one of the scrooges is trying to perpetrate a deadly Christmas jeer."--

"Sarah Kelling and her husband, Max Bittersohn, have made names for themselves tracking down stolen paintings, sculptures, and, when necessary, the occasional murderer. But this is the first time they have been asked to find a missing Rolls Royce. When Bill Billingsgate's prize 1927 New Phantom disappears, they head for his estate on the Massachusetts coast, arriving--to their horror--just in time for Billingsgate's annual Renaissance fair. Donning period dress, they grab pints of mead and start searching the crowd for the thief. Instead they find a corpse. When the local police bungle the investigation, Max and Sarah take it upon themselves to find the killer. In the course of their search, they confront a car thief, corruption at a radio station, and a horde of murderous bees. If this is the Renaissance, Max and Sarah can't wait to return to the present."--Provided by publisher.

At Balaclava Agricultural College, a kidnapping and pig-napping are followed by murder Newlyweds Peter and Helen Shandy are picking out flatware when a pair of gun-toting hooligans bursts into the silversmith's shop, emptying the safe and leaving with Helen as their hostage. Although the police recover Helen quickly, her professor husband is badly shaken by the ordeal. Early the next morning, the college's head of animal husbandry frantically reports another hostage situation in progress. Belinda, the school's beloved sow, has been kidnapped, and only Peter can bring home the bacon. There's a possible witness to the pig-napping in Miss Flackley, the farrier, but before she can point Peter toward the vanished porker, she's found dead in the barn's mash feeder. By the time Peter discovers the link between the two heists, pigs may really fly.

"Though the inheritance from her dearly departed Alexander was meant to set Sarah Kelling up for life, it vanishes quickly in the face of hounding from charitable organizations and the IRS. Facing the loss of her stately Back Bay brownstone, Sarah opens her home to lodgers--deciding she prefers a boardinghouse to the poorhouse. Soon she's cooking meals and serving tea for a cast of quirky residents, a cozy little family that would be quite happy were it not for the unpleasant presence of a certain Barnwell Augustus Quiffen--a man so rude that no one really minds when he's squashed beneath a subway car. Sarah replaces her lost boarder quickly, and the family dynamic is restored. But when another lodger dies suddenly, the boardinghouse appears to be cursed. Now it'll take more than a glass of sherry to soothe Sarah's panicked residents, and she must turn to detective Max Bittersohn for help before her boarders bolt."--

"A professor ponders the possibility of an ancient Viking curse while investigating a death by quicklime. When 105-year-old Hilda Horsefall tells young reporter Cronkite Swope of a stone carved with Norse runes that once sat in the nearby woods, the writer starts salivating at the thought of breaking the news that Vikings once marauded through their sleepy Massachusetts countryside. But while he's jotting down notes, a scream rings out, and Cronkite finds an even bigger story. A farmhand has been burned to death by quicklime, and Cronkite gets an exclusive scoop. In this neck of New England, strange deaths are invariably referred to Prof. Peter Shandy, the only local with the know-how to connect fearsome quicklime to the Vikings of old. But as he digs into the ancient mystery, the professor finds the forgotten Norse gods aren't above demanding a modern sacrifice."--Back cover.

"It's only been a few months since Sarah Kelling's elderly husband passed away, and she's struggling to adapt to life as a penniless young widow. To make ends meet, she converts her stately Boston home into a boardinghouse, a decision that brings something even better than money: the company of art-fraud investigator Max Bittersohn. The budding couple is standing on a balcony, recovering from a second-rate concert at a third-rate museum, when something plummets past them. The museum has been robbed, and a guard has fallen to his death. Dozens of priceless paintings have been stolen and replaced with forgeries, and recovering these masterworks will mean tearing the lid off the quiet life of the Boston upper crust. But it's a chance Sarah and Max must take, lest they join the guard on his long trip down."--Amazon.com

"An unpleasant man in every respect, university professor Herbert Ungley is exceedingly vain. One morning, his landlady catches her cat coming in with Ungley's hairpiece between its teeth. It's clear something has happened to the old grouch, because he would never be caught without his toupee. Ungley is found in the yard behind his social club, with his head bashed in and his baldness plain for the world to see. Although the police are content to call it an accident, sleuthing horticulturalist Peter Shandy is unconvinced, and finds there are too many unanswered questions: How did Ungley come to have such a bulging bank account? Who was Ungley's long-lost heir, and what did he have to do with the professor's lost hair? And whose is the second body in the woods? Shandy must answer these questions and more if he's to discover who pulled the rug out from the balding corpse."--Provided by publisher.

A Christmas scrooge discovers a murdered librarian in this holiday novel from an Edgar Award finalist known for her "witty, literate, and charming" mysteries (Publishers Weekly). Each December, the faculty of Balaclava Agricultural College goes wild with holiday decorations. The entire campus glitters with Christmas lights, save for one dark spot: the home of professor Peter Shandy. But after years of resisting the school's Illumination festival, Shandy suddenly snaps, installing a million-watt display of flashing lights and blaring music perfectly calculated to drive his neighbors mad. Then the horticulturalist flees town, planning to spend Christmas on a tramp steamer. It's not long before he feels guilty about his prank and returns home to find his lights extinguished-and a dead librarian in his living room. Hoping to avoid a scandal, the school's head asks Shandy, sometimes detective, to investigate the matter quietly. After all, Christmas is big business, and the town needs the cash infusion that typically comes with the Illumination. But as Shandy will soon find out, there's a dark side to even the whitest of white Christmases.

A copycat crime on Groundhog Day brings out Professor Peter Shandy's inner sleuth in this Edgar Award finalist from the international bestselling author. The rural town of Balaclava greets Groundhog Day as an excuse for one last cold-weather fling. The students and faculty of the local agricultural college drink cocoa, throw snowballs, and when the temperature allows, ice skate. But Oozak's Pond is not quite frozen this year, and as the celebrations reach their peak, the students see someone bobbing through the ice. Long past help, the drowning victim is badly decomposed and dressed in an old-fashioned frock coat with a heavy rock in each pocket. First on the scene is Peter Shandy, horticulturalist and-when the college requires it-detective. But solving this nineteenth-century murder mystery will take more than Shandy's knack for growing rutabagas. Relying on his wife's expertise in local history, the professor dives headfirst into a gilded-age whodunit that cloaks secrets potent enough to kill.

An aging stripper's fresh corpse turns up in an old family tomb at Boston Common in this "first-rate suspense whodunit" (The Cincinnati Post). Like many old New England families, the Kellings live to die. Although their family vault is spacious and comfortable, it will not do for Sarah Kelling's Great-Uncle Frederick. In his will, he demands to be buried inside the ancient family tomb at Boston Common, which hasn't admitted a new member in over a century. But when the Kellings crack the old vault's door, they find a recently built brick wall-and behind it lays a surprisingly fresh corpse, a skeleton with rubies in its teeth. Her name was Ruby Redd, and many years ago she was the toast of Boston's burlesque scene. Her murder case is ice cold, but when Sarah begins investigating it, she finds that the fiery passions behind Ruby's death still burn white hot. With the help of art-fraud investigator Max Bittersohn, Sarah will solve the mystery of the stripper's murder-or take her own place in the family vault.