Böcker av Chang Tan

Attackers have to be only right once, but just one mistake will permanently undo them.Book DescriptionThe "Ultimate Cyberwarfare for Evasive Cyber Tactic" is an all-encompassing guide, meticulously unfolding across pivotal cybersecurity domains, providing a thorough overview of cyber warfare. The book begins by unraveling the tapestry of today's cyber landscape, exploring current threats, implementation strategies, and notable trends. From operational security triumphs to poignant case studies of failures, readers gain valuable insights through real-world case studies.The book delves into the force-multiplying potential of the Information Warfare component, exploring its role in offensive cyber operations. From deciphering programming languages, tools, and frameworks to practical insights on setting up your own malware lab, this book equips readers with hands-on knowledge. The subsequent chapters will immerse you in the world of proof-of-concept evasive malware and master the art of evasive adversarial tradecraft. Concluding with a forward-looking perspective, the book explores emerging threats and trends, making it an essential read for anyone passionate about understanding and navigating the complex terrain of cyber conflicts.Table of Contents1. History of Cyber Conflicts2. Notable Threats and Trends3. Operational Security Successes and Failures4. The Information Warfare Component5. Programming Languages, Tools, and Frameworks6. Setting Up Your Malware Lab7. Proof-of-Concept Evasive Malware8. Evasive Adversarial Tradecraft9. Emerging Threats and Trends Index

The Minjian Avant-Garde studies how experimental artists in China mixed with, brought changes to, and let themselves be transformed by minjian, the volatile and diverse public of the post-Mao era. Departing from the usual emphasis on art institutions, global markets, or artists' communities, Chang Tan proposes a new analytical framework in the theories of socially engaged art that stresses the critical agency of participants, the affective functions of objects, and the versatility of the artists in diverse sociopolitical spheres.Drawing from hitherto untapped archival materials and interviews with the artists, Tan challenges the views of Chinese artists as either dissidents or conformists to the regime and sees them as navigators and negotiators among diverse political discourses and interests. She questions the fetishization of marginalized communities among practitioners of progressive art and politics, arguing that the members of minjian are often more complex, defiant, and savvy than the elites would assume. The Minjian Avant-Garde critically assesses the rise of populism in both art and politics and show that minjian could constitute either a democratizing or a coercive force.This book was published with generous support from the George Dewey and Mary J. Krumrine Endowment.