Böcker av Cecile Girardeau

In Renoir's first monographic exhibition in Hungary presenting almost seventy works, we explore an oeuvre spanning six decades, from the beginnings through the major impressionist works to the last masterpiece, The Bathers, completed shortly before his death. Portraits, genre paintings, and nudes illustrate the artist's unflagging, profound, and sincere curiosity in human life, the body, and the face. His models (friends, patrons, and members of his family) are part of a joyful, colourful, sensual world. The exhibition explores the master's entire oeuvre: the virtuoso portraitist of the artistic and literary circles in the paris of the 1860s-1870s; his detailed observation of contemporary life, with its dance and countryside scenes, and fêtes galantes in montmartre; the painter of intimate family life and childhood; and, of course, the master of the nude, who, at the beginning of the twentieth century was still one of the greatest painters of his day. By means of this selection of works, the exhibition also explores the painter's life and models. The way in which renoir observed and recreated the features and physiognomies of the men and - above all - women who sat for him, sketched them in balls and bathing, in the café and playing the piano, breast feeding or pampering their children, embodied an artistic ideal and an ideal of life, imbued with softness and light, individual happiness and social harmony. Renoir - The Painter and his Models, Museum of Fine Arts, Budapest, 22 September 2023 - 7 January 2024

Discover the evolution of Modigliani's art, through the prism of his relationship with his art dealer, Paul Guillaume. This beautifully illustrated catalogue and its accompanying exhibition at the Musée de l'Orangerie in Paris demonstrate how Modigliani's partnership with his gallerist Paul Guillaume influenced his painting. When Amedeo Modigliani arrived in Paris in 1906, the Jewish-Italian artist was a painter. His meeting with sculptor Constantin Brancusi in 1909 was a revelation, and inspired Modigliani to sculpt-almost exclusively-until 1914, when he met art dealer Paul Guillaume. The effects of this meeting were sudden and total. Modigliani would return to painting and never look back. This volume unveils the relationship that prompted this change through analysis of Modigliani's paintings and Guillaume's writings. With these resources at hand, the reader gains an intimate insight into this intriguing duo whose combined talents as artist and promotor left an indelible mark on the history of twentieth-century art. The book highlights their complicity and shared interests in African art, literature, and poetry.