A comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse.
Argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather within early-twentieth-century Viennese portraiture.
Analyzing the myth of the artist in western culture, this work considers the social construction of the artist from the 15th century to the present.
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