Böcker av Caridad (Playwright USA) Svich

ARCHIPELAGO by Caridad Svich is a memory play, a love story, and a dream of life. This play for two actors premiered at Lighthouse Poole Centre for the Arts in England and later at Son of Semele Ensemble in Los Angeles in the USA. This edition is published with Santa Catalina Editions and NoPassport.

What happens when Julia meets Julia? CORAZON ETERNO (always in my heart) by Caridad Svich is a play about love ignited, denied, rekindled, rejected, and renewed; of love pragmatic and impossible, temporal and eternal; and ultimately the ability of love to transform the human experience. This play premiered at Mixed Blood Theatre in Minneapolis. This revised edition was written for the 2017 Ignite Festival of New Works at Repertory Theatre of St. Louis.

A Rave Fable. This play hurls one of Greek tragedy's most compelling sagas into a sleek netherworld of sex, drugs and trance music. Iphigenia is the daughter of a political celebrity who embraces sensuous excess with a transgendered glam rock star named Achilles in a desperate attempt to flee her inevitable fate."Svich's text is a unique language spoken by beings that inhabit the intermediate world that she creates. It vacillates between poetry and realism, composing a theatrical intercultural dialogue that fuses aspects of modern Latin American slang with US media lingo and original rock lyrics." -Chiori Miyagawa, The Brooklyn Rail"Sacrificial women haunt the darkling world created by Caridad Svich in her bold play. It creates a transfixing vision of hell on earth, buttressed by Svich's fractured poetic voice and her unblinking laser gaze at the ethical costs of cheap labor and disposable celebrity. Svich cunningly twists our expectations of class and gender roles." -Kerry Reid, The Chicago Tribune"Caridad Svich's IPHIGENIA ... A RAVE FABLE is an exhilarating play. The narrative subtlety is what makes Svich's redux of Euripides's IPHIGENIA IN AULIS so stirring. Through video projections, throbbing music and brand-name chemicals may offer escape, they punish the soul. Svich's remarkable poetry and crackling words reveals that the ravers, now permanently numb, also want Iphigenia dead. A play of mythic power." -Mark Blankenship, Variety"Caridad Svich's play has gorgeous, drunken poetry ... This 'rave fable' re-invents the story of Agamemnon's doomed daughter as one of modern political exigency. In the chorus (of dead girls of Ciudad Juarez) Svich layers elegy and comedy, the shame and fear she feels for these lost girls. Svich makes the anonymous city stand in for the gods of ancient drama ¿ just as unforgiving, just as hungry, just as brutal." -Helen Shaw, N Y Sun

Envisioning the Americas: Latina/o Theatre & Performance gathers five plays by five of the US' most daring Latina/o dramatists: Migdalia Cruz, John Jesurun, Oliver Mayer, Alejandro Morales, and Anne Garcia-Romero. With a preface by Academy Award-nominated screenwriter and multiple award-winning playwright José Rivera, edited with an introduction by Caridad Svich. A sensual, provocative collection destined to stir things up theatrically in American theatre. Cigarettes and Moby-Dick by Migdalia Cruz Liz One by John Jesurun Dias y Flores by Oliver Mayer Marea by Alejandro Morales and Land of Benjamin Franklin by Anne García-Romero Introduced and Edited by Caridad Svich

A collection of five daring, radical reconfigurations of ancient plays and myths by US playwright Caridad Svich, winner of a 2012 OBIE for Lifetime Achievement. From the mediatised archival landscape of the haunting Antigone Arkhe to the brutalised labyrinth-city of Steal Back Light from the Virtual to the eerie, broken universe of Wreckage, Svich burns through the core of mythic stories with a heightened sense of theatricality and ecstatic poetry. --- "Like rain when it's dry and ice cream in the summer - you can't say no to the writing of Caridad Svich; you need it, you deserve it. Her mind is generous and nimble; she is capable of subtlety at the highest levels of refinement, and is also inexhaustibly cruel (ice cream is cold as well as sweet). Svich does much here to crack the classic problems of the epic on stage - the epic is for her much more than an accumulation of event - it is the risk of the infinite. Here characters and stories continually threaten to spiritualize, yet ultimately remain in their blood." - Erik Ehn, playwright