Böcker av Brigid Brophy

First published in 1964, The Snow Ball is arguably Brigid Brophy's most brilliant fictional performance, consummately melding her avid interests in opera, sexuality and psychology.It is New Year's Eve in London. The occasion is a costume ball on an eighteenth-century theme in the grand London residence of Tom and four-times-married Anne. Anna K attends alone, dressed as Donna Anna from Mozart's Don Giovanni, unhappily preoccupied by her age and appearance and a general distaste for the occasion. But when at midnight she meets a masked Don who kisses her on the mouth, she wonders if this mystery man might share her personal obsessions - 'Mozart, sex and death' - and whether a closer union is not meant to be.'Written with considerable expertise... An air of indulgent, extravagant corruption and decay glitters over [the novel].' Kirkus Reviews

One of the most penetrating and sympathetic explorations ever undertaken by one writer into the mind of another, Prancing Novelist is far more than a simple tribute or work of research. Prancing Novelist is not only a monument to Firbank, but is also a showcase for Brophy's own uproarious prose, not to mention her genius for telling good stories.

'[Beardsley's] vision is permanently that of a child lying in bed watching his mother dress for a dinner-party. His fantasy hangs this here, tries the effect of that there: everything is a jewel, and everything is a sexual organ. He is allured, yet afraid to touch: driven back on a cold minuteness of detailed attention, and yet passionately curious, with the emotional and involved curiosity children give to sex.'Brigid Brophy first published her study of 'the most intensely and electrically erotic artist in the world' in 1968, at the height of her own powers and in the moment of a notable revival of interest - both scholarly and pop-cultural (amid 'the dandified realm of Carnavy Street') - in Beardsley's work.An infant prodigy, Beardsley retained through the brief years of his adult life the peculiar genius of a precocious child, and Brophy, well-versed in Freudian analyses, adroitly points out the polymorphous perversity of his pictures - that perversity, coupled with his inimitable graphic/monochromatic signature, accounting for why Beardsley, however 'high-baroque rococo' his style, has remained endlessly modern.Black and White is illustrated by 44 reproductions and augmented by a detailed chronology.

Nancy meets Marcus at a party. He is untidy, nervous, shy: women have never paid him any attention. But here is virgin clay from which Nancy can mould her Adam. She marries him, and on their wedding night Marcus realises he is as much her protege in sex as in other fields. But soon he is confident that, under her guiding hands, he had been transformed into a consummate lover; and he begins to feel the urge to slip his leash.'Elegant, funny and erotic... a good showcase for [Brophy's] perceptions on life and art, her wit and her dazzling prose.' Telegraph'Sly and sophisticated and written in a deceptively simple manner.' Kirkus Reviews'Brophy has the enviable knack of combining precision with suggestiveness.' Saturday Review

The tweedy Miss Hetty Braid worships the lovely but selfish Miss Antonia Mount, her co-proprietor at the most exclusive finishing school on the French Riviera. The girls they teach are quite remarkable, though hardly in the sense of academic distinction. But trouble looms when Antonia announces that 'Royalty is coming.' The great day arrives, and though at first things go tolerably well, disaster springs from good intentions.This Faber Finds edition includes a 1987 introduction by Brigid Brophy and a new preface by Sir Peter Stothard.'A wicked little entertainment... plaubly not meant for the moralists or naive.' Evening Standard'An outrageously indelicate joke made in beautifully mannered prose.' Daily Herald'Waspish and witty.' TLS