Böcker av Bob Nickas

A diaristic glimpse of a zeitgeist on the brink, from the influential New York curator and writerWidely recognized for his bold, dissenting and prolific criticism and curation, Bob Nickas has been a fixture of the New York City art scene for nearly 40 years, having organized more than 120 exhibitions since 1984. He has left an indelible impression on the artistic milieu as the founding editor of index magazine; a regular contributor to Artforum; a curatorial advisor for MoMA PS1; and the author of several collections of writing and interviews, including Theft Is Vision, Live Free or Die, The Dept. of Corrections and Komplaint Dept.Nickas' most recent undertaking, Bob Nickas: Yesterworld, consists of hundreds of diary entries written over the course of 2019. Part memoir, part social commentary, Yesterworld is a richly detailed, intimate account of the New York art world in the final years of the Trump administration and in the final months before the advent of Covid-19. Nickas reflects on significant exhibitions, openings, major news headlines, recently published books and his own social escapades.

Twenty artists create works in conversation with furniturePièces-Meublés is the title of a two-part exhibition, held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. The 1995 exhibition compared contemporary art with 20th-century design, inviting around 20 artists to choose a piece of furniture to interact with their work or to integrate it by creating a new work. The 2016 exhibition was centered around Jean Prouvé, whose 6x6 dismountable house, the Maison des Sinistrés de Lorraine, had been installed at Galerie Patrick Seguin. Among the invited artists, some of whom participated in both exhibitions, were John Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel and Franz West. This book illustrates these two innovative exhibitions. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows.

Examines the latter half of the 1980s through the lens of international art scenes based at the time in Cologne - arguably the European centre of the contemporary art world - and New York.