What is real? What is true? Picturing Figures and Faces collects theoretical essays and artists' studies, published between 1988 and 2019, devoted to the artistic representation of the human figure.
This book reveals that James Ensor did not develop his fantastic and grotesque universe of masks and skeletons out of his melancholic soul, but that he re-used and transformed an old image tradition that was collected and published by the French author and art critic Jules Champfleury in his History of Caricature.
An exploration of urban wildlife published by the Lilliput Press.
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