The prominent scholar-contributors to this volume share their experiences developing the field of US German Studies and their thoughts on literature and interdisciplinarity, pluralism and diversity, and transatlantic dialogue.
It examines a cross section of Heine's work in light of this debate, highlighting the elusive and ironic tenor of his many faceted prose works, from his philosophical and political satire to his reassessment of Romantic idealism in Germany and the unique self-reflexivity of his work.
Provides an introduction to the critical theory of German Romanticism and demonstrates how its approach to the metaphorical and linguistic nature of knowledge is very much alive in contemporary philosophy and literary theory.
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