Böcker av Ashokamitran

This novel was an experimental work that caused a break in the form that Tamil novels were stuck with. Written by legendary Tamil writer Ashokamitran, the novel is a collection of individual narratives on the background of Emergency. From the common time period of Emergency, the narratives move past that and paint detailed images of a philosophical search, meaning of life and present us with different answers. In Ashokamitran's magic, the time period of the novel, also reflects the reader's present.

Aagayathaamarai is a novel by Ashokamithran, a pioneer of Tamil literature. With Water Hyacinths as metaphors for human dreams, Ashokamitran paints a story of our reality in contrast. The novel is of the happenings that change the life of an youngster named Ragunathan. It is also a portrayal of urban middle class life in general. Through a mix of internal dilemmas and events happening, the novel talks about social-economical relationships, the hierarchy within them. Ashokamitran's magic works in its best and the reader hears an unassuming and kind storyteller's voice, when they read it.

'India 1944-48', a novel by pioneer Tamil writer Ashokamitran, is about two lives - before and after the Indian independence. Published first as two separate novellas 'Bombay 1944', 'India 1948', the work has been now compiled into a single novel as per the author's wish. Reclaiming memories blurred by the unstoppable flow of time, Ashokamitran paints men and their struggles from two varied and important time periods of the nation.

Ashokamitran's Oru Parvaiyil Chennai Nagaram (Chennai at a glance), which is now available in English is a masterly survey of the city by the master himself. In classic Ashokamitran style, the book proceeds district by district, looking at each with affection, sympathy and loads of wit. Chennai emerges in all its colours from this book.Having been a long-term resident of the city of Madras that is Chennai, Ashokamitran made it a central feature of several of his stories. But this book is different in that it is the story of the various areas that make up the city itself. There are ways and ways of writing a book on a metropolis ranging from the completely factual to a wholly fictional. It required Ashokamitran to present Chennai factually but in the engaging manner of a novel. The city, which has been lucky in having chroniclers from the 1870s to the present, could not have asked for anything better.V. SRIRAM, Chennai chronicler