This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific - material and spatial - way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation.
The book is a study of 17th-century Dutch painting, drawing and printmaking, focused on interlocking its descriptive realism with the visual strategy of illusion. The author analyzes this relationship as a conjunction rather than an opposition.
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