Böcker av Antoine Volodine

A harrowing early novel by one of France’s most unusual contemporary writers  At once humorous and horrifying, Solo Viola is one of Antoine Volodine’s first forays into post-exoticism. He takes the reader into a fictional world where a variety of characters collide: three prisoners just released from jail, a band of circus performers, a string quartet, a writer, and a bird. All are trying to survive in an absurd and hostile environment of authoritarian spectacle, at the mercy of a tyrannical buffoon, and seeking the strange counterbalance of hope in a viola player, whose stunning music just might save them all, if only for a moment.

"e;Irreducible to any single literary genre, the Volodinian cosmos is skillfully crafted, fusing elements of science fiction with magical realism and political commentary."e;-Nicholas Hauck, Music & LiteratureOne of Volodine's funniest books, Bardo or Not Bardo takes place in his universe of failed revolutions, radical shamanism, and off-kilter nomenclature.In each of these seven vignettes, someone dies and has to make his way through the Tibetan afterlife, also known as the Bardo. In the Bardo, souls wander for forty-nine days before being reborn, helped along on their journey by the teachings of the Book of the Dead.Unfortunately, Volodine's characters bungle their chances at enlightenment, with the recently dead choosing to waste away their afterlife sleeping, or choosing to be reborn as an insignificant spider. The still-living aren't much better off, making a mess of things in their own ways, such as erroneously reciting a Tibetan cookbook to a lost comrade instead of the holy book.Once again, Volodine has demonstrated his range and ambition, crafting a moving, hysterical work about transformations and the power of the book.Antoine Volodine is the primary pseudonym of a French writer who has published twenty books under this name, several of which are available in English translation, such as Minor Angels, and Writers. He also publishes under the names Lutz Bassmann and Manuela Draeger.J. T. Mahany is a graduate of the Master of Arts in Literary Translation Studies program at the University of Rochester and is currently studying for his MFA at the University of Arkansas.

Depicts a post-cataclysmic world in which the forces of capitalism have begun to reestablish themselves. Sharply opposed to such a trend, a group of crones confined to a nursing home - all of them apparently immortal - resolves to create an avenging grandson fashioned of lint and rags.