Examines seventeenth-century sculpture in Rome. Focuses on questions of historical context and criticism, including the interaction of theory and practice, the creative roles of sculptors and patrons, the relationship of sculpture to antique models and to contemporary painting, and contextual meaning and reception.
Demonstrates that Bellini's and Titian's famous series of mytho-poetical paintings for the camerino of Duke Alfonso d'Este of Ferrara, and Francesco Colonna's "Hypnerotomachia Poliphili" - were conceived as mnemonic or pedagogical devices aimed at educating the reader in the medical science of reproductive physiology.
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