A groundbreaking reassessment of Symbolist artists and writers that investigates the concerns they shared with scientists of the period--the problem of subjectivity in particular.
In this volume, Pop examines how art of the mid 1700s and early 1800s - inspired by translations of Greek tragedy - reveals a view of modern Europe attempting to recognize its own historical status as one culture among many. He analyses this broad view of culture through the lens of Anglo-Swiss artist Henry Fuseli's life and work.
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