Shanghai, 1927, and revolution is in the air. As the city becomes caught up in violence and bloodshed, four people's lives are altered inexorably. Each of these men must try to resolve their personal conflicts amid political turmoil, conspiracy and betrayal.
In this text, Andre Malraux recollects a number of his conversations with Picasso. Malraux was intimately involved in French intellectual life, as philosopher, novelist, soldier, statesman and Secretary for Cultural Affairs, and he knew the painter well.
Iconoclastic study of the meanings of art in which the author designs a new set of categories for the artistic process and views artists and their work from a unique point of view.
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