There is also a section on Indian music, which is also studied in great detail. Besides, this volume also covers the issue of the status of Indian women, Sahaja philosophy, the intellectual community, Indian youth, and individualism.
The book is highly recommended to students, instructors, museologists, and research scholars interested in Indian arts.
The author writes further that Gandhara art is Indic, and not European. This book is highly recommended for scholars and researchers interested in Buddhist art.
Besides, Coomaraswamy offers his commentary based on the philological aspect, as the writers of the Vedas did not have previous knowledge of metaphysics, but had developed ontological knowledge from the existing Sanskrit sources.
Similarly, both Coomaraswamy and Horner also discuss the issues of heresiology, dhamma for the common folk, sacrifices, treatment of animals, and familial and societal responsibilities from Buddhäs perspective.
Ananda K Coomaraswamy (1877-1947) was a pioneer in Indian art history and in the cultural confrontation of East and West. This is a collection of his writings on myth drawn from his "Metaphysics" and "Traditional Art and Symbolism".
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