At the Poetry Foundation, Laura Mullen says of Alexandria Peary that she is "one of those wonderful writers who know how to stay, as de Kooning put it, ''on the edge of something.''"
In Control Bird Alt Delete, the reader is invited to explore strange landscapes: some based on the ruins of New England and others following the architectural prints of the unconscious. The reader walks through woods filled with cellar holes, rock walls, and lilac bushes, and is made to think of people gone missing.
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