Böcker av Alexander Zeldin

'He is a Chekhov of our time: holding his characters with as much humanity, compassion, humor and love - but without holding back his scathing indictment of deeply entrenched, systemic injustices and inequities.' - David Schwimmer The Inequalities combines three plays from British author and director Alexander Zeldin into a trilogy that tells new stories of love, compassion and resilience for our time of austerity. Contextualised with an essay before each play and an in-depth interview with the author, Zeldin's three pieces present intimate stories of work, home and community in a radical form of realism. Written after extensive research across the United Kingdom, and involving people affected by the central themes of the plays, The Inequalities goes beyond social chronicle, achieving a timeless portrait of humanity under duress. This is theatre that goes behind the mirror of our time to reveal the core of the collective human experience of being alive. Beyond Caring: "This desolate, quietly intense devised drama gets under your skin and into your bones... unforgettable." (The Times) LOVE: Gripping, amusing, uncomfortable, desperately moving. Zeldin shows us friction...but also kindness and dignity and lots of love without turning sugary. (The Times) Faith, Hope and Charity: This is that rare thing: a necessary play that suggests Zeldin has taken on the role of the Victorian Henry Mayhew in compassionately documenting the lives of the urban poor. (The Guardian)

"Written through devising with the company."

I'm a hard worker. I don't push him to the . . . You know I don't go out for breaks when I'm not supposed to. I don't stay in the loo when I'm not supposed to. If I was that kind of person I could have him done for discrimination . . . I just get on with things you know.Four people arrive to work the night shift in a meat factory. They meet for the first time. They are employed as cleaners by a temp agency. They are all on zero-hours contracts.Every shift, they clean. Every four hours, they take a break. They drink tea or coffee together. They read magazines. They chat. As it gets light, they go home or to another job. The cycle goes on. And on. Strangers. Until something stirs, until isolated people get too close to one another, too fast.Alexander Zeldin's brutally honest and darkly humorous play, written through devising with the ensemble of the premiere production, exposes stories of an invisible class. It received its world premiere at The Yard on 1 July 2014 and transferred to the National Theatre's Temporary Theatre on 28 April 2015.