This book offers an intriguing account of photobiographic works ranging from texts containing metaphorical photographs through ekphrastic narratives to photo-texts. It is dedicated to the writers who embody an attitude towards the self through the photographic: Proust, Guibert, Ernaux, and Mace.
Why do photographs interest writers, especially autobiographical writers? Ever since their invention, photographs have featured - as metaphors, as absent inspirations, and latterly as actual objects - in written texts.
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