Böcker av Adrian Wright

Explores the 100 year history of the Norfolk and Norwich Operatic Society and celebrates the company's relationship with the Theatre Royal Norwich, one of the most successful major provincial theatres in the country.

A comprehensive reassessment of British musical films 1946-1972 including King's Rhapsody, Beat Girl, The Tommy Steele Story, Rock You Sinners, The Golden Disc, and Oliver!

The first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II.Cheer Up! is the first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II. The upsurge in production at British studios from 1929 onwards marked the real birth of a genre whose principal purpose was to entertain the British public. This endeavour was deeply affected by the very many emigres escaping Nazi Germany, who flooded into the British film industry during this decade, as the genre tried to establish itself. The British musical film in the 1930s reflects a richness of interest. Studios initially flirted with filming what were essentially stage productions plucked from the West End theatre but soon learned that importing a foreign star was a box-office boost. Major musical stars including Jessie Matthews, Richard Tauber and George Formby established themselves during this period. From its beginning, the British musical film captured some of the most notable music-hall performers on screen, and its obsession with music-hall persisted throughout the war years. Other films married popular and classical music with social issues of poverty and unemployment, a message of social integration that long preceded the efforts of the Ealing studios to encourage a sense of social cohesion in post-war Britain. The treatmentof the films discussed is linear, each film dealt with in order of its release date, and allowing for an engaging narrative packed with encyclopaedic information. ADRIAN WRIGHT is a performer, novelist and writer. Hisprevious books with Boydell include A Tanner's Worth of Tune: Rediscovering the Post-War British Musical (2010), West End Broadway: The Golden Age of the American Musical in London (2012) and Must Close Saturday:The Decline and Fall of the British Musical Flop (2017). He has previously written on the subject of film music in his biography of William Alwyn, The Innumerable Dance (2008), and his fiction includes the Francis and Gordon Jones Mysteries series: The Voice of Doom, The Coming Day and Forget Me Not.

The new book in the Francis and Gordon Jones mysteries set in 1950's Norfolk. A witty spoof of the classic boy's detective stories. Following on from 'The Voice of Doom' (ISBN: 97817893285)