Dikter

Since its publication in 1988, Philip Larkin's Collected Poems has become essential reading on any poetry bookshelf. This new edition returns to Larkin's own deliberate ordering of his poems, presenting, in their original sequence, his four published books: The North Ship, The Less Deceived, The Whitsun Weddings and High Windows. It also includes an appendix of poems that Larkin published in other places, from his juvenilia to his final years - some of which might have appeared in a late book, if he had lived. Preserving everything that he published in his lifetime, this new Collected Poems returns the reader to the book Larkin might have intended.

When Philip Larkin's High Windows first appeared, Kingsley Amis spoke for a large and loyal readership when he wrote: 'Larkin's admirers need only be told that he is as good as ever here, if not slightly better.'Like Betjeman and Hardy, Larkin is a poet who can move a large audience - without betraying the highest artistic standards.The poems in High Windows illustrate Larkin's unrivalled ability to bring lyrical expression to ordinary, urban lives. It is a gift that makes him one of the most truly popular of the twentieth century's poets.

This volume replaced Ted Hughes's Selected Poems 1957-1981. It contains a larger selection from the same period, to which are added poems from more recent books, uncollected poems from each decade of Ted Hughes's writing life, and some new work. Another notable feature is the inclusion of poems from his books for younger readers, What is the Truth? and Season Songs.

This volume is a much-needed new selection of Seamus Heaney's work, taking account of recent volumes and of the author's work as a translator, and offering a more generous choice from previous volumes. Opened Ground: Poems 1966-1996 comes as close to being a 'Collected Poems' as its author cares to make it. It replaces his New Selected Poems 1966-1987, giving a fuller selection from each of the volumes represented there and adding large parts of those that have appeared since, together with examples of his work as a translator from the Greek, Latin, Italian and other languages. The book concludes with 'Crediting Poetry', the speech with which Seamus Heaney accepted the 1995 Nobel Prize in Literature, awarded to him, in the words of the Swedish Academy of Letters, for his 'works of lyrical beauty and ethical depth'.

'Seamus Heaney has gone beyond the themes of his earlier poetry and has made the giant step towards the most ambitious, most intractable themes of maturity. The power of this book comes from a sense that he is reaching out towards a type of desolation and of isolation without which no imagination can be seen to have grown up.' Eavan Boland, Irish Times'Keyed and pitched unlike any other significant poet at work in the language anywhere.' Harold Bloom, Times Literary Supplement

Originally published in 1969, Seamus Heaney's Door into the Dark continues a furrow so startlingly opened in his first collection, Death of a Naturalist (1966). With the sensuosness and physicality of language that would become the hallmark of his early writing, these poems graphically depict the author's rural upbringing, from the local forge to the banks of Lough Neagh, concluding in the preserving waters of the bogland and a look ahead to his next book, Wintering Out (1972).

In some respects a sequel to The Man With Night Sweats, Boss Cupid is a memorialising of friends who have died, an anatomy of survival, and a self-portrait of the poet in age. The poems are written under the sign of Cupid, 'devious master of our bodies', but their intimacies are always heard against the sociable human hum of an entire community which Gunn depicts in poems of fluent grace, as formal as they are relaxed.

Thom Gunn's The Man With Night Sweats shows him writing at the height of his powers, equally in command of classical forms and of looser, more colloquial measures, and ready to address a wide range of themes, both intimate and social. The book ends with a set of poems about the deaths of friends from AIDS. With their unflinching directness, compassion and grace, they are among the most moving statements yet to have been provoked by the disease.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.In Xanadu did Kubla KhanA stately pleasure-dome decree:Where Alph, the sacred river, ranThrough caverns measureless to manDown to a sunless sea.-- Kubla Khan

Philip Larkin (1922-1985) remains England's best-loved poet - a writer matchlessly capable of evoking his native land and of touching all readers from the most sophisticated intellectual to the proverbial common reader. The late John Betjeman observed that 'this tenderly observant poet writes clearly, rhythmically, and thoughtfully about what all of us can understand'. Behind this modest description lies a poet who made greatness look, in Milton's prescription, 'simple, sensuous and passionate'.This collection, first published in 1967, contains many of his best-loved poems, including The Whitsun Weddings, An Arundel Tomb, Days, Mr Bleaney and MCMXIV.

Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time. In response to firm but subtle questioning from Dennis O'Driscoll, Seamus Heaney sheds a personal light on his work (poems, essays, translations, plays) and on the artistic and ethical challenges he faced, providing an original, diverting and absorbing store of reflections, opinions and recollections.

Born on the fiesta of San Sebastian in her hometown of Lipa Batangas, Romalyn Ante left the Philippines at 16, when her mother – a nurse in the NHS – brought the family to the UK. The poems in her debut collection, Antiemetic for Homesickness, are a bridge between these two worlds: lush with the smells and tastes of home back in the Philippines, they piercingly explore notions of identity, homeland and heritage across cultures, languages and the place one calls home.Soaked in a rich landscape of memory, Philippine mythology, and folklore, and studded with Tagalog, her poems speak of the ache of assimilation and the complexities of belonging, but also the healing and restoration that can be found through her work as a nurse. From a talented young poet already garnering prizes and praise, this is a debut alive with vitality and possibility, a feast for the senses, and one that offers a dazzlingly unique perspective on identity in an ever-expanding world.

The Book of Nature - Wordsworth's Poetry on Nature is a sublime collection of the best nature poetry by poet-laureate William Wordsworth, housed in a convenient pocket-sized edition.

Translation of Christine's autobiographical Vision, both dealing with her own life and career, and offering a possible solution to the troubled state of France at the time.

Poetry selection in the popular Cranes Classics series, well known poets produced in small 64 page hardbacks with attractive covers.

'My Hope For Tomorrow' is a book about self-discovery. Through one-two page passages in this 218-page curative book, the author takes her readers on a journey from hardship to a haven, from hurting to healing, and from suffering to feeling at ease.This book is for anyone who is on the path to self-discovery and would like to mend their broken pieces gently, easily and softly. It is tender to the heart, kind to the soul and food for the mind, but it aims to alleviate all the pain and unease that people all over the world are experiencing.There are pieces about love and all the different shades of heartbreak. There are pieces about mental health and acceptance. There are pieces about relationships shared with family, friends and lovers. There are pieces about growth and discovery. There are pieces about grief and sadness.The purpose of this book is to allow each reader to learn more about themselves and become hopeful on their healing journey. Many passages included in this book are already appreciated and loved dearly by readers all over the world.This book is a balm for the scars within everyone's hearts, and it is the answer to all the questions that we have ever asked ourselves.

She is Me is a collection of poetry, quotes and prose from the mind and heart of j. iron word. His third book he separates his words into 4 chapters She is Me, Loving Her, Truth and Love, j. iron word does what he does best and writes from his soul weaving empowerment into words and writing as if it was from your own hearts thoughts.

The Wanderer's Havamal features Jackson Crawford's complete, carefully revised English translation of the Old Norse poem Havamal , newly annotated for this volume, together with facing original Old Norse text sourced directly from the Codex Regius manuscript. Rounding out the volume are Crawford's classic Cowboy Havamal and translations of other related texts central to understanding the character, wisdom, and mysteries of odinn (Odin). Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

killing me softly is a collection of poems written by tayler k. l. displaying themes of love, hurt, angst, adventure, sadness, anger, depth, and imagination. Poems are strictly written from the heart and meant to allow readers to feel something deeper than just basic emotions.

Vowing at an early age to be a poet or nothing at all, Hermann Hesse rebelled against formal education, focusing on a rigorous program of independent study that included literature, philosophy, art, and history. One result of these efforts was a series of novels that became counterculture bibles that remain widely influential today. Another was a body of evocative spiritual poetry. Published for the first time in English, these vivid, probing short works reflect deeply on the challenges of life and provide a spiritual solace that transcends specific denominational hymns, prayers, and rituals. The Seasons of the Soul offers valuable guidance in poetic form for those longing for a more meaningful life, seeking a sense of homecoming in nature, in each stage of life, in a renewed relationship with the divine. Extensive quotations from his prose introduce each theme addressed in the book: love, imagination, nature, the divine, and the passage of time. A foreword by Andrew Harvey reintroduces us to a figure about whom some may have believed everything had already been said. Thoughtful commentary throughout from translator Ludwig Max Fischer helps readers understand the poems within the context of Hesse s life.

"Playground" picks up momentum from Benevento's previous two books of poetry, his volume of "selected" poems, (Expecting Songbirds 1983-2015), and his chapbook of poems in his own invented form, After, by including poems with an even wider range of publication dates than in Expecting Songbirds, and the presence of eight new "After" poems among its twenty-six lyrics. Themes such as the after effects of unrequited love, growing up in working class Queens, the redeeming potential in family, all make their appearance. This collection offers far more than recapitulation, though, with poems set in places as varied as a bagel shop in Columbus, a tapas bar in downtown Miami and a barrio in East Oakland, and subjects ranging from rehabbing a shoulder impingement, to participating in a track program for underprivileged youth to inventing a new kind of cake. Throughout these poems, Benevento affirms, as he has in published work for over thirty-five years now, his obsession with the paradox of poetry's ability to offer hope to a world that seems often hopeless without it.

John Keats (1795 - 1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. Table of Contents: - Introduction: Life of John Keats by Sidney Colvin - Poems: - Ode - Ode on a Grecian Urn - Ode to Apollo - Ode to Fanny - Ode on Indolence - Ode on Melancholy - Ode to Psyche - Ode to a Nightingale

"This collection is valuable for its steady faithfulness to the original, its breadth of poems, and in particular for so many of the pre-revolutionary poems." Emily Lygo, Modern Poetry in Translation 2009

She believes that people are made of distinct colors in terms of their emotions. Distinct colors of intensity or lightness which depends on personal experiences and subsequent interpretation. Sometimes these experiences may have influenced personal interpretation of social observation or vice versa. But love, as it happens, as it ended, and as it appears again, requires conversation in private with the self, with the other self or with the reflection of the self.

Rilke's quiet poems contain exceptional pent-up energy that encompasses the immediacy, wonder, and breathlessness with which the poet experienced life. His unique, spiritual connection with the world, so easily lost in a formal or literal translation, is opened up in these fresh interpretations from Terrance Lane Millet. The English versions of Rilke's poems are very loose translations from the German. An epiphany-like view of the world and the elements in it, more than the form of the poems themselves, seems to be the essence of Rilke. The poet is laid bare, and Millet's fresh use of convention reveals Rilke's openness to the mystery of experience. The poems in this collection explore Rilke's sense that out of darkness may come light and wonder; from turbulence, peace and integration; and that understanding can come through embracing what we do not understand. A certain, indefinable something hovers just out of eyeshot, as the things we fear may be little more than unexplored aspects of ourselves.