"Stories in Verse" is a collection of poems written by Henry Abbey, an American poet and playwright. Henry Abbey (1842¿1911) was known for his contributions to American literature during the late 19th and early 20th centuries. Abbey wrote in various genres, including poetry and drama. "Stories in Verse" may showcase his skill in crafting narrative poetry. The title suggests that the collection comprises poems that tell stories. Narrative poetry often involves the use of verse to convey a tale or series of events. The poems in this collection likely cover a range of themes, reflecting Abbey's interests and observations about life, society, and the human experience. Henry Abbey was a contemporary of poets like Walt Whitman and Emily Dickinson. His work is situated within the broader context of American literature during the late 19th century. Abbey gained popularity for his poetry and was recognized for his contributions to the literary scene of his time.
"Songs of Two Nations" is a collection of poems written by Algernon Charles Swinburne, an English poet, playwright, and critic of the 19th century. Swinburne was associated with the Decadent movement and is known for his lyrical and often sensual poetry.Key features of "Songs of Two Nations":Publication: "Songs of Two Nations" was published in 1875.Themes: The collection explores various themes, including social and political issues. Swinburne addresses topics such as war, nationalism, and the human condition.Style: Swinburne's poetry is characterized by its rich and rhythmic language, as well as its exploration of controversial and provocative themes. His style often involves intricate rhyme schemes and vivid imagery.Political Engagement: Swinburne was known for his engagement with political and social issues of his time. "Songs of Two Nations" reflects his views on contemporary events, including conflicts and political struggles.Literary Context: The collection is situated within the broader literary context of the Victorian era, and Swinburne's work is often associated with the poets and writers of the Decadent and Aesthetic movements.
"The Task and Other Poems" is a collection of poems written by William Cowper, an English poet and hymnodist of the 18th century. William Cowper (1731¿1800) was known for his reflective and contemplative poetry, as well as his contributions to the Olney Hymns.Main Poem: : "The Task" is a significant long poem within this collection. It is one of Cowper's most famous works and is often regarded as a landmark in the development of 18th-century poetry.Reflective and Descriptive Poetry: Cowper's poetry is characterized by its introspective and descriptive nature. "The Task" is particularly known for its exploration of nature, everyday life, and the poet's personal reflections.Hymns and Religious Themes: In addition to his secular poetry, Cowper collaborated with John Newton on the Olney Hymns, contributing several hymns that became widely known in Christian worship.Mental Health Themes: Cowper's life was marked by struggles with mental health, and his poetry often reflects his battles with depression and a deep sense of religious introspection.Popularity: Cowper's poetry gained popularity not only for its literary merit but also for its accessibility and emotional resonance.
"Ballads in Blue China and Verses" is a collection of poems written by Andrew Lang, a Scottish poet, novelist, literary critic, and contributor to the field of folklore. Andrew Lang (1844¿1912) was known for his prolific output across various genres. Andrew Lang's poetry often demonstrated a keen sense of imagination, romanticism, and a fascination with folklore and mythology.The inclusion of "Verses" in the title suggests that the collection may encompass a variety of poetic forms and themes. Andrew Lang was associated with the literary scene of the late 19th and early 20th centuries. He was a contemporary of writers like Robert Louis Stevenson and was involved in the vibrant intellectual circles of his time.
Featuring exclusive new work, Precious and Impossible gathers together over three decades of poetry from the T S Eliot Prize-winning Anthony Joseph___________________________________________A poet, musician and academic, Anthony Joseph's work has explored the transnational vibrations of the African Diaspora for over three decades. Interwoven with fresh and exclusive new material, Precious and Impossible brings together thirty years of Joseph's poetry and lyrics - cementing his status as one of our greatest living poets and polymaths. 'Joseph is both a faithful heir and an agnostic rebel; a Black poet haunted by Africa's past as well as a bilingual post-modernist amused by the possibilities of the future' Ali Alizadeh
"The Bab Ballads" is a collection of humorous verses written by W. S. Gilbert, the English dramatist, librettist, and humorist best known for his collaboration with composer Arthur Sullivan on the Gilbert and Sullivan comic operas. The Bab Ballads were originally written as illustrated comic poems for the magazine "Fun" in the late 19th century.Key Features of "The Bab Ballads":Humorous and Satirical: The poems in "The Bab Ballads" are known for their wit, humor, and satirical take on various aspects of Victorian society, politics, and daily life.Illustrations: Gilbert's verses were accompanied by illustrations by various artists, enhancing the comedic effect of the poems.Versatility: While Gilbert is perhaps more famous for his librettos for the Savoy Operas, "The Bab Ballads" showcases his versatility as a humorist and wordsmith.Influence on Gilbert and Sullivan: The style and humor found in "The Bab Ballads" greatly influenced the tone of Gilbert's collaborations with Arthur Sullivan. The wit and wordplay seen in the ballads are evident in their comic operas.Popular Reception: The Bab Ballads gained popularity during their initial publication in "Fun" and were later compiled into book form.If you enjoy clever wordplay, satire, and humorous observations of Victorian society, "The Bab Ballads" is a delightful collection to explore.
"Discours prononcés le 12 septembre 1909 à Sarlat à l¿inauguration de son monument" est un recueil de discours de Gabriel Tarde, sociologue et criminologue français.Ce recueil regroupe les discours prononcés par Gabriel Tarde le 12 septembre 1909 à l'occasion de l'inauguration de son monument à Sarlat. Ces discours offrent un aperçu des idées et des contributions de Tarde dans le domaine de la sociologie et de la criminologie.Dans ces discours, Tarde pourrait aborder divers sujets, y compris ses perspectives sur la société, la criminalité, et peut-être ses réflexions sur l'importance de la compréhension sociologique dans l'analyse des phénomènes sociaux.L'inauguration d'un monument en l'honneur de Tarde à Sarlat souligne l'impact de son travail et de sa pensée dans le domaine des sciences sociales. Les discours prononcés à cette occasion peuvent également témoigner de la reconnaissance de Tarde en tant que figure éminente dans son domaine.En résumé, ce recueil offre un aperçu des discours prononcés par Gabriel Tarde lors de l'inauguration de son monument à Sarlat, mettant en lumière sa pensée et son influence dans les domaines de la sociologie et de la criminologie.
The Auctor is a poem written by Stephen Hawes, This poem is a humble submission to a sovereign lord. The speaker trembles with fear at approaching the lord's majesty but submits to his mercy, seeking forgiveness for any rudeness. The poem's language is simple and direct, reflecting the speaker's humility and the time period's emphasis on deference to authority. Compared to other works by the author, this poem is less allegorical and more straightforward, focusing on the speaker's personal relationship with the lord rather than on broader themes.
"Un Système d'Économie Politique Pure" est une ¿uvre de François Simiand, économiste et sociologue français. Ce livre propose une analyse approfondie des principes fondamentaux de l'économie politique. Voici un résumé de l'ouvrage :Dans "Un Système d'Économie Politique Pure", François Simiand entreprend une exploration rigoureuse des concepts fondamentaux de l'économie politique. L'auteur se penche sur les lois et les mécanismes qui régissent les activités économiques dans une perspective purement théorique, cherchant à établir un système cohérent et logique.Simiand examine les relations entre les différents facteurs de production, les mécanismes de l'offre et de la demande, ainsi que les notions de valeur, de prix et de salaire. Il aborde également les concepts de concurrence, de monopole et de régulation économique.L'approche de Simiand met l'accent sur la construction d'un cadre théorique solide, dégagé des contingences historiques ou des aspects empiriques. Il cherche à développer une vision abstraite et générale de l'économie politique, offrant ainsi une contribution significative à la théorie économique.En résumé, "Un Système d'Économie Politique Pure" de François Simiand constitue une exploration approfondie des principes fondamentaux de l'économie politique, avec une orientation vers la construction d'un cadre théorique pur et abstrait.
"Specimens with Memoirs of the Less-Known British Poets" is a collection of poetry compiled by George Gilfillan. George Gilfillan (1813¿1878) was a Scottish author, poet, and literary critic known for his anthologies and works on poetry.Key Features of "Specimens with Memoirs of the Less-Known British Poets":Scope: The collection aims to showcase the works of lesser-known or underappreciated British poets, providing a platform for poets who may not have gained widespread recognition.Memoirs: In addition to the poems, Gilfillan includes memoirs or biographical sketches of the featured poets. These sections provide context and information about the lives of the poets.Multivolume Work: As indicated by "Volume I," this collection was likely part of a multivolume series. Each volume would feature different poets and their works.Literary Criticism: Gilfillan, being a literary critic, may have provided commentary or analysis in addition to the poems and memoirs. His insights could offer readers a deeper understanding of the featured poets and their contributions.Period Covered: Depending on the poets included, the collection may cover a range of periods in British literary history.
In 1838, Doctor Holmes accepted his first professorial position, and became professor of anatomy and physiology at Dartmouth. Two years later, he married, and took up the practice of medicine in Boston. In 1847, he returned to his old love, accepting the Parkman professorship of anatomy and physiology, in the Medical School at Harvard. While engaged in teaching, he prepared for publication several important books and reports relating to his profession, and his papers in the various medical journals attracted great attention by their freshness, clearness, and originality. But it is not as a medical man that Doctor Holmes may be discussed in this paper. We have to deal altogether with his literary career,¿a career, which for its brilliancy has not been surpassed on this side of the Atlantic. As a poet he differs much from his contemporaries, but the standard he has reached is as high as that which has been attained by Lowell and Longfellow. In lofty verse he is strong and unconventional, writing always with a firm grasp on his subject, and emphasizing his perfect knowledge of melody and metre.
Go, idle Boy! I quit thy pow'r; Thy couch of many a thorn and flow'r; Thy twanging bow, thine arrow keen, Deceitful Beauty's timid mien; The feign'd surprize, the roguish leer, The tender smile, the thrilling tear, Have now no pangs, no joys for me, So fare thee well, for I am free! Then flutter hence on wanton wing, Or lave thee in yon lucid spring, Or take thy bev'rage from the rose, Or on Louisa's breast repose: I wish thee well for pleasures past, Yet bless the hour, I'm free at last. But sure, methinks, the alter'd day Scatters around a mournful ray; And chilling ev'ry zephyr blows, And ev'ry stream untuneful flows; No rapture swells the linnet's voice, No more the vocal groves rejoice; And e'en thy song, sweet Bird of Eve!With whom I lov'd so oft to grieve, Now scarce regarded meets my ear, Unanswer'd by a sigh or tear. No more with devious step I choose To brush the mountain's morning dews; "To drink the spirit of the breeze," Or wander midst o'er-arching trees; Or woo with undisturb'd delight, The pale-cheek'd Virgin of the Night, That piercing thro' the leafy bow'r, Throws on the ground a silv'ry show'r. Alas! is all this boasted ease To lose each warm desire to please, No sweet solicitude to know, For others' bliss, for others' woe, A frozen apathy to find, A sad vacuity of mind? O hasten back, then, heavenly Boy, And with thine anguish bring thy joy! Return with all thy torments here, And let me hope, and doubt, and fear. O rend my heart with ev'ry pain! But let me, let me love again.
"La Criminalité Comparée" est un ouvrage de Gabriel Tarde, sociologue et criminologue français. Voici un résumé de l'¿uvre :Dans "La Criminalité Comparée", Gabriel Tarde entreprend une analyse comparative des phénomènes criminels. L'auteur s'intéresse aux différentes formes de criminalité et cherche à établir des comparaisons entre les sociétés, les époques et les cultures. Son objectif est de dégager des tendances générales et des motifs communs qui traversent les divers contextes criminels.Tarde examine les facteurs qui influent sur la criminalité, allant au-delà des explications purement juridiques pour inclure des aspects sociaux, psychologiques et économiques. Il explore également les variations dans les taux de criminalité et les réponses sociales à la délinquance.L'approche comparative de Tarde vise à élargir la compréhension de la criminalité en examinant ses manifestations à travers des perspectives diverses. Il propose une réflexion sur la nature humaine, la société et les forces qui contribuent à la genèse des comportements criminels.En résumé, "La Criminalité Comparée" offre une analyse comparative approfondie des phénomènes criminels, explorant les divers aspects de la délinquance à travers le prisme de la sociologie et de la criminologie.
As a soul from whom companionships subside The meaningless and onsweeping tide Of the river hastening, as it would disown Old ways and places, left this stone Of sand above the valley, to look down Miles of the valley, hamlet, village, town. It is a head-gear of a chief whose head, Down from the implacable brow, Waiting is held below The waters, feather decked With blossoms blue and red, With ferns and vines; Hiding beneath the waters, head erect, His savage eyes and treacherous designs. It is a musing memory and memorial Of geologic ages Before the floods began to fall; The cenotaph of sorrows, pilgrimages Of Marquette and LaSalle. The eagles and the Indians left it here In solitude, blown clean Of kindred things: as an oak whose leaves are sere Fly over the valley when the winds are keen, And nestle where the earth receives Another generation of exhausted leaves.
A gorgeous, heartfelt, atmospheric novel by a wonderful storyteller' LUCY ATKINS'A beautifully moving portrait of youth, friendship and love . . . I loved it' MIKE GAYLE'Beautifully written, funny and wise . . . heart-breaking and heart-warming' ALEXANDRA POTTER*Pre-order the brand new novel from Sunday Times bestselling author Freya North* When your present meets your past, what do you take with you - and what do you leave behind?Eadie Browne is an odd child with unusual parents, living in a strange house neighbouring the local cemetery. Bullied at school - but protected by her two best friends, Celeste and Josh, and her many imaginary friends lying six feet under next door - Eadie muddles her way through.Arriving in Manchester as a student in the late 1980s, Eadie confronts a busy, gritty Victorian metropolis a far cry from the small Garden City she's left behind. Soon enough she experiences a novel freedom she never imagined and it's seductive. She can be who she wants to be, do as she pleases, and no one back home needs to know. As Manchester embraces the dizzying, colourful euphoria of Rave counterculture, Eadie is swept along, blithely ignoring danger and reality. Until, one night, her past comes hurtling at her with ramifications which will continue into her adult life.Now, as the new millennium beckons, Eadie is turning thirty with a marriage in tatters. She must travel back to where she once lived for a funeral she can't quite comprehend. As she journeys from the North to the South, from the present to the past, Eadie contemplates all that was then - and all that is now - in this moving love letter to youth.PRAISE FOR FREYA NORTH:'A terrific family drama of secrets . . . and so cleverly plotted' Graham Norton'A completely compelling story of family secrets, courage and resilience' Fearne Cotton'Immensely enjoyable . . . infused with empathy and a great sense of place' Erica James'What a treat. This filled my heart with joy and occasionally my eyes with tears; it is beautiful' Prima
"Gelebte Lyrik"Eine bunte Mischung aus Begebenheiten und Gedanken aus einem langen Leben und dem aktuellen Alltag.Übersichtlich geordnet in:Erinnerungen, Zweisamkeit, das Leben, Spaß und Kritisches, über das Schreiben, Tiere und Kinder, Jahreszeiten und Märchenhaftes.
Eine gefühlvolle Gedankenreise zu einer verletzenden Vergangenheit, einer heilenden Gegenwart und einer aussichtsreichen Zukunft. Es ist nie zu spät, alten Groll hinter sich zu lassen und neue Liebe anzunehmen. Nur nicht die Hoffnung aufgeben!
Während in Lindau Kobolde ihr Unwesen treiben, ist die Blumen-Insel Mainau das Zuhause von Feen und Elfen. Sie leben dort zwischen prächtigen Blumen und Tausenden von Schmetterlingen. Doch wenn es dunkel wird, schleichen sich die Elfen aus ihrem Versteck und beherrschen die Welt der Menschen. Dabei müssen sie sich vor den kleinen Kobolden stets in Acht nehmen, die immer wieder mal aufbrechen, um ihr Unwesen auf der Insel Reichenau, der Mainau, in Konstanz oder Friedrichshafen zu treiben. Das glaubt ihr uns nicht? Aber wir müssen es wissen, denn das Papierfresserchen wohnt am Bodensee. Und wir schwören, dass uns diese vorwitzigen Kobolde auch schon in Langenargen begegnet sind. Und wenn ihr wissen wollt, was es mit dem Ort Bierkeller auf sich dann, dann dürft ihr euch auf echte Gnome freuen! Lasst euch überraschen von unseren Sagen, Märchen und Geschichten ...
Collection of poems by a contemporary American poet living in California
Life is a meditative collection of your innermost thoughts, feelings, and desires. The poems included throughout are striking and inviting. Readers will feel welcome to journey alongside you as you discover and find your true happiness.
This collection offers an intimate glimpse into a life weathered by adversity yet renewed by purpose. The candid verses inside reflect the mind and heart of a writer who has suffered yet chooses to share the lessons and hope gleaned along the way.With grit-edged honesty and tenderness, the poems mine the profound human experiences that forge us: love and loss, joy and grief. They chronicle the search for meaning amidst the hellish trials of life, while celebrating the saving graces of beauty, redemption, healing.
If I knew how to draw a picture of how I feel, I would pick up a pencil and paper and begin sketching.If I were capable of sculpting a solid figure of my thoughts, I would grab a hammer, some stone or granite, and start chiseling away.If I could choreograph a dance or even a fight explaining what I want to say, I would rise, do some warmup exercises, and start moving.Since I am able do none of these things, but I can write in a way that happens to have a rhyme and rhythm to it, that's exactly what I do.This is to place into the world the love, despair, and everything in between that would otherwise stay hidden inside, where it would do very little good. I believe everyone can find such an outlet, a medium or forum that allows us to feel freedom.
Der vorliegende Band Impulsgedichte1 zum nachDenken - Erinnern- Sein ist das erste Werk der Autorin. Voller Herz und Einfühlungsvermögen geben diese Gedichte ihre Gefühle, ihre Ansichten, ihre Einsichten und ihr Verständnis des Lebens durch die Erfahrungen der letzten sechs Jahre wieder.
Tällä runolla ei ole todettuja terveysvaikutuksiatätä runoa ei saa jättää yksinäänhuoneeseen hehkumaantätä runoa ei saa peittääja tämän saa avatavain valtuutettu asiantuntijatämä runo oli parasta ennen ja tämänsinä haluaisit kuulla
Herbert Turetschek, Künstler aus Nürnberg: Warum oder wie kann ich weiter malen und schreiben, wenn die Welt zu Grunde geht? Die Maler sind hinaus aufs Land gegangen zum Malen und Kunst zu machen, jetzt gehen sie hinaus in die Welt um Aufklärung zu betreiben und Prävention zu betreiben.
Gedanken- und Wortspiele, zwischen Liebe und Schmerz, Witz und Tiefgründigkeit. Kleine und große Texte, mit viel und auch weniger Bedeutung. Zum Nachdenken, Hinfühlen, Reflektieren und Amüsieren.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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