Dikter

Baudelaire's Bitter Metaphysics: Anti-Nihilist Readings by Fondane, Benjamin, and Sartre reconstructs a philosophical trialogue that might have been expected to take place between Benjamin Fondane, Walter Benjamin, and Jean-Paul Sartre over their philosophical readings of Charles Baudelaire.

Toutoungi's third collection is a tragi-comic journal of grief that, out of the chaos of bereavement, her failing eyesight and eco-stress, blends poems of startling wit and hard-won joy.

This open access book introduces readers to the craft of writing iconographic research poetry in a way that is scholarly, yet playful. By tracing the historical foundations of concrete and iconographic poetry, as well as the development of research poetry and poetic inquiry, the book examines the intellectual roots that inform this unique methodological approach.  The book offers a detailed description of the methods that can be used to design iconographic research poetry. It includes step-by-step description of strategies that researchers can use to create iconographic research poetry from qualitative data. By explicating the processes by which data can be represented in the form of iconographic research poetry and offering exemplars, readers will find specific hands-on strategies for creating their own iconographic research poems. The book contains writing exercises designed to help aspiring iconographic research poets exercise their poetic imagination. It also providesqualitative research instructors with suggestions for integrating iconographic research poetry into the classroom.

By spring 1938, Prague is a city increasingly on tenterhooks in expectation of an attack by Nazi Germany. Earlier that year the pressure of the situation produced a schism in the Surrealist Group in Czechoslovakia between Vítězslav Nezval, who wanted to continue to support the Soviet Union, and those who condemned Stalin's show trials, purges, and executions. Nezval chronicles this tumultuous period by embedding it in a paean to Prague, wondering if the city, and everything about the city he loves, will survive the horrors that are about to be visited upon her. With Apollinaire serving as his guide, he introduces us to the cafés and pubs he would frequent, many of which no longer exist, the various neighborhoods he lived in as a destitute student, the parks where he sought solace, and the people he would meet on the street, musing on some of the figures central to his poetics, such as André Breton and Lautréamont. While at times lamenting the changing face of Prague and that Hitler might reduce it to rubble, Nezval takes us into the places that spontaneously spur him to reflect on the issues facing artists of the day and the precarious sociopolitical situation. This translation is of the rare unexpurgated first edition and includes Nezval's photographs and illustrations as well as an appendix that maps out the significant revisions made later, providing additional translations of the longer passages that were inserted as replacement for what was expunged from the original edition.

First published in 1928, Federico García Lorca's collection of Gypsy Ballads (Romancero gitano) marked his first major publication, and the beginning of his rise to fame. Depicting life in his native Andalucía, and the Romany peoples who lived there, it takes motifs of the countryside into its view, describing the night, the sky and the moon alongside more universal themes like life and death. Written in a stylised version of the countryside ballads that proliferated at the time, the Gypsy Ballads propelled Lorca to overnight fame, and he soon became counted amongst Spain's finest poets. Later in his career his name became synonymous with the theatre, but this new edition of the Gypsy Ballads returns the reader to where it all began. Presented here in a smart new translation, this edition is the perfect place to discover Lorca the Poet.

If you want to get back to the beginningyou must fast forward to the end. I press play, drop into the solarsystem à la Holst, somewherebeyond the asteroid belt,rocketing ever further out. The poems in There's No Pluto in this Suite take the reader to the edges of ordinary experiences, places and narratives and ask them to leap from that ordinariness into the unexpected. The collection is broken into three parts, and the reader is taken on a ride through verse concerned with the experiences of immigration, travel and transience; then on to a gathering around the hearth, telling stories about what drives humans to live: vocations, love and journeys of discovery; and finally into a mythic realm, encountering holy fools, witchy saints and places of overlap between silly and sacred. There's No Pluto in this Suite is a playful collection that blends formal and free verse, lyric and narrative, and in which the profound rubs shoulders with the messy and the patently mysterious.

In Let Every Little Thing Make You Happy, singer-songwriter and TikTok sensation, Peach Martine delivers her uplifting, refreshingly honest and magnetic poems and lyrics, which have caught the attention of millions of fans across the globe.

Harold Rhenisch's poems balance the settler and Indigenous experiences of land and water in the Pacific Northwest

Christina Rossetti's classic poem has inspired Alice in The Wonderland. It tells the story of Lizzie and Laura, two sisters tempted by beautiful fruits sold by diabolical goblin merchants. This illustrated bilingual edition breath a new life to this Christian, yet sensual poem.

A collection of antilipogrammatic constrained poetry and plays - univocalics wherein each uses only a single vowel. Playful, thought-provoking, brain-engaging, and better than Wordle!

Originally published in 1985, this study provides a clear and intelligent introduction to the work of the former Poet Laureate, Ted Hughes. The author presents the main works in a broadly chronological order and brings together the most interesting of Hughes' own critical remarks from interviews, recordings, letters and articles.

Nakiketas and other poems, May Sinclair's first volume of poetry, which was her first published book, came out under a partial pseudonym, Julian Sinclair, in 1886. It contains three longer works and six shorter. Nakiketas is an emotionally searing adaptation of the Katha Upanishad, where a proud and limited father, unused to criticism, wrathfully answers his son's challenge, and condemns him to death. Nakiketas learns, ultimately with forgiveness and sadness, as he approaches his end, that the current gods will fade (implicitly, his father's world and beliefs) and a simple greater truth be revealed.Helen, the longest poem, details the life of a young woman and her friend Arthur from childhood. Helen's family, like Sinclair's own, is blighted by financial misfortune at the hands of a fraudster when she is a very young child. She and Arthur are parted. Arthur returns when they are grown to find her engaged to Emile, the very man who destroyed her family. They tussle over whether or not Emile has turned over a new leaf, and realise their love for one another, but too late.Apollodorus, the last long work, is a richly metaphoric treatment of the progress of a bard's journey of artistic discovery, symbolised in his stormy relationship with the poetic muse.George Eliot celebrates the great writer with love and admiration, seeing her as a visionary; A Fable comically covers bias-validation; The Singer addresses the fecundity of the positive-negative dualism for the artist; Immortelle hopefully covers the tiny survival of the positive in a sea of negativity; Euthanasia gives perspective to what is really important; and Christapollo celebrates the bright flame of Shelley's genius and his rare breadth of spirit.May Sinclair's importance in literary history has grown undeniable in recent times, but her superb poetry is still not sufficiently celebrated. Marrying the sensibility of a wordsmith with the intellect of a philosopher, she created a powerfully resonant, full-voiced style, already evident here at the very beginning of her career.

This volume comprises 21 poems covering a wide array of subjects, from astronomy to modern societal concerns. The poems on astronomy intriguingly acknowledge the presence of a creator while staying true to scientific principles and logical reasoning. Some poems mock religious beliefs without specifying any one faith. Love and opportunism are intertwined in one poem, while societal hypocrisy is exposed in others. Humour and deceit are skillfully employed throughout several pieces. The collection deliberately avoids clichéd themes, instead exploring fresh ideas from unexplored realms.

Inspired by rhyming poetry, Hundred Golden Leaves is a masterpiece by author Syamal Roy, who discusses a number of profound and pertinent life subjects. It's as if you have a warped picture of the unseen world and then have to go on a quest to the depths of your psyche to uncover the hidden details. It's about accepting the unpredictability of life and making conscious efforts to retain a sense of steadiness. Learning and experience are the goals of life since they leave indelible marks on the mind and body. Keep reading to be touched by the brilliant insights into different ways of looking at life.

Create your own silver linings.

"Brings together environmental literary criticism and classics, generating new readings of foundational works of Augustan literature as environmental poetry. For classicists, it discloses new aspects of familiar texts, while for environmental literary critics it deepens and complicates the traditions and concepts of environmental literature"--

""Silly me - I forgot to say that I love, Love. && When my mind is not my friend, I break down and cry. I forget that you are real, && These demons are not. Silly me - A lost girl running, Circling in circles. I make no sense in these rhymes, That no longer rhyme. I forget that I only use them to speak When my voice fails me again. Silly me - I'll laugh when the silence is quiet, Too quiet. I only wish that you could read me Like a book. Where my voice is printed in black ink. You forget that I don't like to speak out loud, For fear of hearing my voice quiver, shudder, and sob.""