Dikter

*Archivum *is a book - wise, funny and inventive by turn - that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems. The archives - in particular the archive of the writer Muriel Spark - are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What's found in the archive's boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief. With a focus on women writers and mixed-race relationships, the book explores objects belonging to significant figures in the poet's imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner's daughter Eliza Junor, psychotherapist Marie Battle Singer, as well as the lives of women of colour in Scotland.

"In twenty-one interviews spanning nearly half a century, Conversations with Ted Kooser chronicles the Nebraska writer's rise from a regional poet of the Great Plains to a Pulitzer Prize-winning artistic luminary. The candor, clarity, and eloquence, which distinguish Kooser's plentiful body of work, color these edifying and entertaining conversations. The interviews in Conversations with Ted Kooser are conducted by esteemed poets and critics, radio hosts, and journalists. They discuss Kooser's life and career as well as his award-winning poetry, prose, and children's books. The collection includes two previously unpublished interviews, separated by a twenty-year period, with poet/scholar Mary K. Stillwell, author of The Life and Poetry of Ted Kooser, as well as live interviews broadcast on NPR's Fresh Air with Terry Gross and Library of Congress host Grace Cavalieri's The Poet and the Poem. The book also features thirty of Kooser's poems, accompanied by his commentary on their genesis. Seventeen of these are drawn from his Pulitzer Prize-winning collection, Delights & Shadows. Kooser (b. 1939) is a two-term United States Poet Laureate, dedicated to making engaging poetry available to all readers. His syndicated newspaper column, American Life in Poetry, begun during his tenure as poet laureate, delivered contemporary poems by poets from across the nation to more than four million readers, long after his laureateship ended. Now in his mideighties, Kooser remains highly prolific and internationally popular, continuing to compose life-affirming-and, as many attest, life-changing-poems, celebrating the wonders of the natural world, the subtle grandeur of human connection, and the unifying order he observes in all creation"--

"In twenty-one interviews spanning nearly half a century, Conversations with Ted Kooser chronicles the Nebraska writer's rise from a regional poet of the Great Plains to a Pulitzer Prize-winning artistic luminary. The candor, clarity, and eloquence, which distinguish Kooser's plentiful body of work, color these edifying and entertaining conversations. The interviews in Conversations with Ted Kooser are conducted by esteemed poets and critics, radio hosts, and journalists. They discuss Kooser's life and career as well as his award-winning poetry, prose, and children's books. The collection includes two previously unpublished interviews, separated by a twenty-year period, with poet/scholar Mary K. Stillwell, author of The Life and Poetry of Ted Kooser, as well as live interviews broadcast on NPR's Fresh Air with Terry Gross and Library of Congress host Grace Cavalieri's The Poet and the Poem. The book also features thirty of Kooser's poems, accompanied by his commentary on their genesis. Seventeen of these are drawn from his Pulitzer Prize-winning collection, Delights & Shadows. Kooser (b. 1939) is a two-term United States Poet Laureate, dedicated to making engaging poetry available to all readers. His syndicated newspaper column, American Life in Poetry, begun during his tenure as poet laureate, delivered contemporary poems by poets from across the nation to more than four million readers, long after his laureateship ended. Now in his mideighties, Kooser remains highly prolific and internationally popular, continuing to compose life-affirming-and, as many attest, life-changing-poems, celebrating the wonders of the natural world, the subtle grandeur of human connection, and the unifying order he observes in all creation"--

"Committed to developing frameworks for defining and evaluating Black poetry, literary scholar Stephen E. Henderson (1925-1997) examined the question: What makes a poem Black? In his critical approach, Henderson prioritized form but not at the expense of source, function, or context, and, in so doing, developed convincing theoretical frameworks for examining African American lyric expressions, especially that of Black Arts poets. Black Saturation: Selected Works of Stephen E. Henderson is designed to expand and enrich understandings of Henderson's critical corpus by showcasing many of his most essential essays, presentations, and syllabi in a standalone volume. Henderson deftly conceptualized the ways in which aesthetic innovations were interwoven with revolutionary exigencies--a marriage of poetry and politics that became a hallmark of the 1960s and '70s. While other critics often ignored or fumbled to construct an adequate rubric for evaluating and celebrating Black Arts poetry--penned by Amiri Baraka, Carolyn Rodgers, Sonia Sanchez, Jayne Cortez, Mari Evans, Sarah Webster Fabio, Haki Madhubuti, and Larry Neal, among many others--Henderson constellated a triad of interdependent characteristics (structure, theme, and saturation) through which he examined Black literature in general and poetry in particular. Revisiting Henderson's scholarship in the third decade of the twenty-first century allows us, on the one hand, to further appreciate his imprint on current scholarship about Black literature, especially poetry, and, on the other, to introduce contemporary students and scholars to his salient theoretical frameworks, not to mention his persuasive critical style"--

This selection of Poe's critical writings, short fiction and poetry demonstrates an intense interest in aesthetic issues and the astonishing power and imagination with which he probed the darkest corners of the human mind. The Fall of the House of Usher describes the final hours of a family tormented by tragedy and the legacy of the past. In the Tell Tale Heart, a murderer's insane delusions threaten to betray him, while stories such as The Pit and the Pendulum and the Cask of Amontillado explore extreme states of decadence, fear and hate.

Based on historical characters of the seventh-century Iranian court and written 850 years ago, the narrative poem about Khosrow and Shirin shares a shelf with the most intensely romantic classic stories readers love, from Tristan and Isolde to Layla and Majnun to Romeo and Juliet to Gatsby and Daisy.The love between an Iranian prince (Khosrow) and an Armenian princess (Shirin) is at the centre of this tumultuous tale in which the powers of politics and warfare intertwine with no less powerful forces of erotic desire and the quest for personal and spiritual fulfilment.Davis has captured the energy and poetry of Nezami's original in modern verse. Khosrow and Shirin will enchant both the classicist and the general reader, to captivate a new audience for Nezami's masterpiece.

"Voices and Visions: Essays on New Orleans's Literary History examines a rich combination of writers and texts, from antebellum works like Martin R. Delany's novel, Blake, and the poetry of Les Cenelles to Patricia Smith's recent collection of poems, Blood Dazzler. The thirteen essays in Voices and Visions treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers. Authors often associated with New Orleans such as Kate Chopin, George Washington Cable, and Walker Percy are treated in new ways, as are well-known writers who are not often thought of in relation to the city: Charles Chesnutt, Eudora Welty, Zora Neale Hurston, and Joy Harjo. Examining this wide array of voices demonstrates the myriad ways New Orleans's storied past has affected its present. Scholars find enduring themes-race, gender, religion, disease, art-but do so in the context of emerging conversations. Essayists in the volume address such topics as New Orleans as part of the global South and the Black diaspora, the transformation of New Orleans after Hurricane Katrina, and the recovery of previously lost voices, including those of Native Americans and immigrants. They also discuss the legacy of pandemics and racial violence that in more recent years has been manifest in the COVID-19 outbreak and the Black Lives Matter movement"--

"Voices and Visions: Essays on New Orleans's Literary History examines a rich combination of writers and texts, from antebellum works like Martin R. Delany's novel, Blake, and the poetry of Les Cenelles to Patricia Smith's recent collection of poems, Blood Dazzler. The thirteen essays in Voices and Visions treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers. Authors often associated with New Orleans such as Kate Chopin, George Washington Cable, and Walker Percy are treated in new ways, as are well-known writers who are not often thought of in relation to the city: Charles Chesnutt, Eudora Welty, Zora Neale Hurston, and Joy Harjo. Examining this wide array of voices demonstrates the myriad ways New Orleans's storied past has affected its present. Scholars find enduring themes-race, gender, religion, disease, art-but do so in the context of emerging conversations. Essayists in the volume address such topics as New Orleans as part of the global South and the Black diaspora, the transformation of New Orleans after Hurricane Katrina, and the recovery of previously lost voices, including those of Native Americans and immigrants. They also discuss the legacy of pandemics and racial violence that in more recent years has been manifest in the COVID-19 outbreak and the Black Lives Matter movement"--

Examines Gabriele D'Annunzio to re-evaluate cultural exchange and the political dimensions of global decadence and modernism

Braiding together biography and criticism, Adam Plunkett challenges our understanding of Robert Frost's life and poetic legacy in a pathbreaking new work.By the middle of the twentieth century, Robert Frost was the best-loved poet in America. He was our nation's bard, simple and sincere, accompanying us on wooded roads and articulating our hopes and fears. After Frost's death, these cliches gave way to equally broad (though opposed) portraits sketched by his biographers, chief among them Lawrance Thompson. When the critic Helen Vendler reviewed Thompson's biography, she asked whether anyone could avoid the conclusion that Frost was a "monster."In Love and Need: The Life of Robert Frost's Poetry, Adam Plunkett blends biography and criticism to find the truth of Frost's life-one that lies between the two poles of perception. Plunkett reveals a new Frost through a careful look at the poems and people he knew best, showing how the stories of his most important relationships,heretofore partly told, mirror dominant themes of Frost's enduring poetry: withholding and disclosure, privacy and intimacy. Not least of these relationships is the fraught, intense friendship between Frost and Thompson, the major biographer whose record of Frost Plunkett seeks to set straight.Moving through Frost's most important work and closest relationships with the attention to detail necessary to see familiar things anew, Plunkett offers an original interpretation of Frost's poetry, tracing Frost's distinctive achievement to an engagement with poetic tradition far deeper and more extensive than he ever let on. Frost invited his readers into a conversation like the one he sustained with his literary forebears, intimate and profound, yet Frost kept his private self at a remove. Here, Plunkett brings the two together-the poet and the poetry-and draws us back into conversation with America's poet.

A multilayered exploration of poetry, authorship, and digital intelligence by “a writer of immense poetic power” (The Guardian)

The poet writes: 'I'm always interested in the possibilities of change, moving through forms and aesthetic modes, and I'd like to think this Selected Poems epitomises these kinds of shifts'.

After many years writing books, stories and poetry, it has gradually dawned on me that I had not come across any book that gave, not only a fine collection of poems, but also contained a useful textbook that informed the reader of the skills used by the author in composing their extensive range of well-constructed work. I also felt that it would be interesting and useful if authors had added a note or two about where the idea for some of their poems had emerged.This poetry collection of mine is sprinkled with such titbits. The textbook serves to lead the reader through the basics of poetry and gives clear explanations for rhyme and meter that are essential for many, but not all, forms of poem. I have clearly described the construction of twenty-eight different forms including Sonnet, Ballad, Sestina, Haiku, Limerick, Cinquain, Luc Bat , free verse, blank verse, and many more.In the final part of the textbook, I have given the reader the whole of an anonymous ballad together with a complete dissection of its form and structure, poetic techniques, figures of speech, mood tone and impact and its summary and meaning.I believe that my book gives enough data and explanation to satisfy the needs of an aspiring poet, or indeed anyone who enjoys poems but wants to understand them a little better.