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Böcker i Visual Cultures and German Con-serien

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  • av Deborah Ascher Barnstone, Maria Mäkelä & Thomas O. Haakenson
    525,-

  • av Jennifer L Creech
    525,-

    How to Make the Body: Difference, Identity, and Embodiment brings together contemporary and historical readings of the body, exploring the insights and limits of established and emerging theories of difference, identity, and embodiment in a variety of German contexts. The engaging contributions to this volume utilize and challenge cutting-edge approaches to scholarship on the body by putting these approaches in direct conversation with canonical texts and objects, as well as with lesser-known yet provocative emerging forms. To these ends, the chapter authors investigate "the body" through detailed studies across a wide variety of disciplines and modes of expression: from advertising, aesthetics, and pornography, to social media, scientific experimentation, and transnational cultural forms. Thus, this volume showcases the ways in which the body as such cannot be taken for granted and surmises that the body continues to undergo constant--and potentially disruptive--diversification and transformation.

  • av Deborah Ascher Barnstone, Hester Baer & Jill Suzanne Smith
    329,-

  • - (No)Home Away from Home
    av Erin Eckhold (Middlebury College Sassin
    385 - 1 475

    Unsettling traditional understandings of housing reform as focused on the nuclear family with dependent children, Single People and Mass Housing in Germany, 1850-1930 is the first complete study of single-person mass housing in Germany and the pivotal role this class- and gender-specific building type played for over 80 years-in German architectural culture and society, the transnational Progressive reform movement, Feminist discourse, and International Modernism-and its continued relevance.Homes for unmarried men and women, or Ledigenheime, were built for nearly every powerful interest group in Germany-progressive, reactionary, and radical alike-from the mid-nineteenth century into the 1920s. Designed by both unknown craftsmen and renowned architects ranging from Peter Behrens to Bruno Taut, these homes fought unregimented lodging in overcrowded working-class dwellings while functioning as apparatuses of moral and social control. A means to societal reintegration, Ledigenheime effectively bridged the public-private divide and rewrote the rules of who was deserving of quality housing-pointing forward to the building programs of Weimar Berlin and Red Vienna, experimental housing in Soviet Russia, Feminist collectives, accommodations for postwar "guestworkers," and even housing for the elderly today.

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