Annabel Christopher is every inch the star: a glamorous actress with a devoted, handsome husband. To keep the paparazzi and her adoring public under her spell, her perfect image must be carefully cultivated, whatever the cost. Beneath the facade, though, her husband cannot bear her or their vapid existence. Envious of her success, he plots his revenge and stages a scandal even Annabel will find a challenge to recover from.
Jane and her mother live in a gloomy old mansion, where their lives are ruled by her ovebearing grandmother. For most of her life Jane has believed that her father is dead. Then, one dull April morning, a letter comes. Not only is her father alive and well, but he wants Jane to spend the summer with him on Prince Edward Island. For a blissful summer she lives at her father's cottage on Lantern Hill, making friends, having adventures and discovering that life can be wonderful after all. And she dares to dream that there could be such a house where she, Mother and Father could live together without Grandmother's disapproval - a house that could be called home.
'Highsmith's novels are peerlessly disturbing . . . bad dreams that keep us thrashing for the rest of the night' New YorkerSydney Bartleby has killed his wife. At least, he has thought about it, compulsively, repeatedly, plotting schemes, designing escapes, forging alibis. Of course he has; he's a thriller writer. He even knows how to dispose of her body. But when Alicia takes a long, unannounced holiday, Sydney descends into the treacherous world of his own fantasy.A masterpiece of noir fantasy in which Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday life.
To his parents' dismay, Colin Keith - out of the noble but misplaced sense of duty peculiar to high-minded young university graduates - chooses to quit his training for the Bar and take a teaching job at Southbridge School. Little does Colin imagine that he will count among his pupils the demon in human form known as Tony Morland; or that the master's ravishing, feather-brained daughter Rose will, with her flights of fancy and many admirers, spread chaos throughout school and village. Humorous, high-spirited and cleverly observed, Summer Half is a comic delight.
This brilliant retelling of the story of Theseus, the king of Athens, brings Greek mythology vividly to life and remains 'one of the truly fine historical novels of modern times' (The New York Times)Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birthright, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours' (Madeline Miller, bestselling author of Circe)'Mary Renault is a shining light to both historical novelists and their readers' (Hilary Mantel, bestselling author of Wolf Hall)
'The Alexander Trilogy contains some of Renault's finest writing. Lyrical, wise, compelling: the novels are a wonderful imaginative feat' SARAH WATERSIn the final novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece and Egypt to India. After Alexander's death in 323 B.C. his only direct heirs were two unborn sons and a simpleton half-brother. Every long-simmering faction exploded into the vacuum of power. Wives, distant relatives and generals all vied for the loyalty of the increasingly undisciplined Macedonian army. Most failed and were killed in the attempt. For no one possessed the leadership to keep the great empire from crumbling. But Alexander's legend endured to spread into worlds he had seen only in dreams.'Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' - HILARY MANTEL'The Alexander Trilogy stands as one of the most important works of fiction in the 20th century . . . it represents the pinnacle of [Renault's] career . . . Renault's skill is in immersing us in their world, drawing us into its strangeness, its violence and beauty. It's a literary conjuring trick like all historical fiction - it can only ever be an approximation of the truth. But in Renault's hands, the trick is so convincing and passionately conjured' Antonia Senior, The Times
The second book in the Anne Shirley series.'Having adventures comes natural to some people,' said Anne serenely. 'You just have a gift for them or you haven't.'Five years ago, Anne arrived at Avonlea a skinny orphan without a friend in the world; now it would be impossible to imagine Green Gables without her. Anne's high spirits and warm heart have won her a family and friends who love her. But when she starts a job as a teacher at her old school, the real test of her character begins: at 'half past sixteen', she's not much older than her pupils and has a lot to prove. How can she inspire a love of learning in young minds - especially when some of her students are even naughtier than she ever was?This is a collection of the best children's literature, curated by Virago, which will be coveted by children and adults alike. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving) E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), Frances Hodgson Burnett (The Little Princess,The Secret Garden) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.
A powerful, influential novel, praised by writers including Toni Morrison, James Baldwin and Maya Angelou. Long out of print, this lost classic is republished for a new generation.
The Reverend Timothy Fortune, ex-clerk of the Hornsey Branch of Lloyds Bank, has spent ten years as a South Seas Island missionary when a 'maggot' impels him to embark on what he describes as a 'sort of pious escapade' - an assignment to the even more remote island of Fanua, where a white man is a rarity.Mr Fortune is a good man, humble, earnest - he wishes to bring the joys of Christianity to the innocent heathen. But in his three years on Fanua he makes only one convert - the boy Lueli, who loves him. This love, and the sensuous freedom of the islanders produces in Mr Fortune a change of heart which is shattering...Beautifully imagined, the paradise island and its people are as vivid as a Gauguin painting. Told with the driest of wise humour, touching and droll by turns, its theme - that we can never love anything without messing it about - is only one of the delights of this enchanting book.
First published in 1892, this perfect novel portrays with chilling power the powerlessness of women within Victorian marriage.
As the First World War looms, Anna-Rose and Anna-Felicitas, seventeen-year-old orphan twins, are thrust upon relatives. But Uncle Arthur, a blustering patriot, is a reluctant guardian: the twins are half-German and, who knows, they could be spying from the nursery window... Packed off to America, they meet Mr Twist, a wealthy engineer with a tendency to motherliness, who befriends them on the voyage. However, he has failed to consider the pitfalls of taking such young and beautiful women under his wing, especially two who will continue to require this protection long after the ship has docked, and who are incapable of behaving with tact. Many adventures ensue (and befall them) in this sparklingly witty, romantic novel in which Elizabeth von Armin explores the suspicions cast upon the two Annas and Mr Twist in a country poised for war.
This enchanting novel tells the story of the love affair between Rose-Marie Schmidt and Roger Anstruther. A determined young woman of twenty-five, Rose-Marie is considered a spinster by the inhabitants of the small German town of Jena where she lives with her father, the Professor. To their homes comes Roger, an impoverished but well-born young Englishman who wishes to learn German: Rose-Marie and Roger fall in love. But the course of true love never did run smooth: distance, temperament and fortune divide them. We watch the ebb and flow of love between two very different people and see the witty and wonderful Rose-Marie get exactly what she wants.
In 1901 the 'real' Elizabeth holidayed on the Baltic island of R gen with just her maid, a coachman, a carriage piled with luggage, and a woman friend. From such unpromising beginnings Elizabeth weaves a captivating farrago around her encounters. There's the snobbish bishop's wife and her personable, handsome son, a dressmaker and, astonishingly, a long-lost cousin -- Charlotte -- who is trying to evade the pursuit of her husband, the maddeningly genial old professor. Here, with delightfully astringent humour, Elizabeth recounts the misadventures that befall her. And, as she immortalised her Pomeranian wilderness in the famous ELIZABETH AND HER GERMAN GARDEN, she now writes enticingly of this remote and attractive island.
May 7th -- There were days last winter when I danced for sheer joy out in my frost-bound garden in spite of my years and children. But I did it behind a bush, having a due regard for the decencies ...'Elizabeth's uniquely witty pen records each season in her beloved garden, where she escapes from the stifling routine of indoors: servants, meals, domestic routine, and the presence of her overbearing husband ...
Beauty; beauty. What was the good of beauty, once it was over? It left nothing behind it but acid regrets, and no heart at all to start fresh.'Approaching the watershed of her fiftieth birthday, Fanny, having long ago divorced Mr Skeffington and dismissed him from her thoughts for many years, is surprised to find herself thinking of him often. While attempting to understand this invasion, she meets, through a series of coincidences and deliberate actions, all those other men whose hearts she broke. But their lives have irrevocably changed and Fanny is no longer the exquisite beauty with whom they were all once enchanted. If she is to survive, Fanny discovers, she must confront a greatly altered perception of her self.With the delicate piquancy for which she is renowned, Elizabeth von Arnim here reveals the complexities involved in the process of ageing and in re-evaluating self-worth.
First published in 1936, this is the story of Elizabeth von Arnim's extraordinary life - and her equally extraordinary dogs. From her Pomeranian idyll (celebrated in her famous first book, ELIZABETH AND HER GERMAN GARDEN), to less happy days in London following the death of her first husband; from the beautiful solitude of her Swiss mountain hideaway, to the First World War and a disastrous second marriage, the author takes us on a disarmingly witty and poignant journey of canine companionship.
I want to be alone for a whole summer, and get to the very dregs of life. I want to be as idle as I can, so that my soul may have time to grow. Nobody shall be invited to stay with me, and if anyone calls they will be told that I am out, or away, or sick . . . Wouldn't a whole lovely summer, quite alone, be delightful?'This delightful companion to the famous Elizabeth and her German Garden is a witty, lyrical account of a rejuvenating, solitary summer filled with books and Elizabeth's reflections on her beloved garden. Descriptions of magnificent larkspurs and burning nasturtiums give way to those of cooling forest walks. Yet the months aren't as solitary as she'd planned: there's still her husband to pacify and the April, May and June babies to amuse.
Omnibus edition of two works of fiction by one of Russia's most famous feminists - the only female in Lenin's government
Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. An artist's model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s, where poverty, babies (however much loved) and husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, and comes to regret her marriage - and her affair. But in this case virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes . . .
'James and I stayed on at home and everything was quiet and sunny and we got to thinking the war would never come after all . . . Just when we were so sure nothing would happen, the German plane came over. It came over one night at one o'clock in the morning and the sound was quite different from an English plane and we all woke up. You could hear it drumming and drumming like a big bee in a flower, buroom, buroom, buroom, round and round in the air above the house. Then suddenly there were five loud explosions. After that there was a terrible silence and I knew that Father and Mother were looking at each other in the darkness and I felt myself getting small and tight inside. Then Father said quietly, "e;Meg, they must go!"e;'Now I am going to write a Diary because we are going to America because of the War. It has just been decided. I will write down everything about it because we shall be so much older when we come back that I will never remember it if I do not. So this is the beginning. Oh, please let us come back soon, please.'This is the fictional diary of Sabrina Lind, an eleven-year-old English girl who, with her little brother James, is sent on the long voyage across the sea to her aunt in America.
The first of a four-volume work by Dorothy Richardson, this novel records the life of Miriam Henderson. Through her experience - personal, spiritual, intellectual - the author explores what it means to be a woman.
* A Virago Modern Classic * These stories - all powerful moral analyses - demonstrate the true professionalism of Edith Wharton.
Angel, formidable hostess, social charmer and mother par excellence, confidently awaits the return of her little boy from the trials of war. She could not anticipate that the teenager who went away will return a grown man - bronzed and world-weary - a sophisticated American widow on his arm. Nor could she anticpate that her irrepressible daughter Slaney will similarly throw herself into romance (without asking her advice) and even her niece Tiddley will show an unexpected determination in getting on with her life. Faced with domestic insurrection on a grand scale, Angel will have to sharpen her wits to maintain her tyranny.
It is 1936. Pompey Casmilus (the heroine of Smith's debut, Novel on Yellow Paper) lives in London with her beloved Aunt, bothered by the menace of German militarism, bothered too by the humbug which confronts it, bothered most of all by her hopeless love affair with Freddy. Its ending plunges Pompey into melancholy; six months of rest and recuperation are prescribed and Pompey goes to Schloss Tilssen on the northern German border, only to fall in with a strange band of conspirators: the plum-coloured Mrs Pouncer, the absent-minded Colonel Peck and the dashing Major Tom Satterthwaite, whom Pompey comes to love.How Pompey gets into uniform and becomes a spy is only one of the astounding events in this extraordinary novel which, on a serious level, is also about a powerful investigation of power and cruelty in a world preparing for war.
Born in 1865, Mary Olivier is the youngest of four. Mamma, the archetype of all women who rule through weakness and suffering, dominates her Victorian household, idolizing her sons, rejecting the independent love of her only daughter. Mary, in response, both adores and hates her mother.
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