Böcker i Virago Modern Classics-serien

First published in 1928, Cullum is available in as a Virago Modern Classic

THE PERPETUAL CURATE is one of her Chronicles of Carlingford. Exquisite and entertaining comedies of Victorian provincial Society.

Meet Ginny Babcock, a woman of the 1960s, flower child, cheerleader, dutiful daughter and wayward wifeThe classic novel of the 1960s woman, yearning for security, desperate for adventureThe clever, wicked, honest and tragic forerunner to BRIDGET JONES

Set in the early 1920s, this is a story of an Irish country childhood.

Spain in the years before the Armada, and high passion meets high politics. Ana, Princess of Eboli is a remarkable woman. Married at thirteen and losing an eye in a duel a year later, Ana is also heiress of Spain's leading family, widow of Philip II's wisest cousellor and rumoured to be the King's mistress. Unexpectedly - and unwisely - she falls in love with Don Antonio Perez, dandy, adulterer, skilled politician. With her unusual looks, her aristocratic arrogance and the simplicities of her faith, Ana cannot understand why her private life should become entangled with the affairs of state and, finally, incur the terrible vindictiveness of the King himself . . . Kate O'Brien's understanding and love of Spain enhance the beauty of this passionate and intelligent novel.

HESTER, first publsihed in 1883, is both a remarkable portrayal of two strong women and a fascinating study of capitalism and the family - those two solid mainstays of Victorian England.

Sir Gerald du Maurier was the most celebrated actor-manager of his day, knighted for his services to the theatre in 1922. Published within six months of her father's death, this frank biography was considered shocking by many of his admirers - but it was a huge success, winning Daphne du Maurier critical acclaim and launching her career.In Gerald: A Portrait, Daphne du Maurier captures the spirit and charm of the charismatic actor who played the original Captain Hook, amusingly recalling his eccentricities and his sense of humour, and sensitively portraying the darker side of his nature and his bouts of depression.A remarkable book . . . brilliant comic writing - The Times

Grania and Sylvia Fox live in the Georgian house of Aragon, with their mother, their Aunt Pidgie and Nan O'Neill, the family nurse. Grania is conducting a secret affair with Nan's son, Foley, a wily horse-breeder, whilst Sylvia who is 'pretty in the right and accepted way' falls for the charms of Captain Purvis. Attending Aragon's strawberry teas, the British Army Officers can almost forget the reason for their presence in Ireland. But the days of dignified calm at Aragon are numbered, for Foley is a member of Sinn Fein.

MISS MARJORIBANKS is one of her Chronicles of Carlingford. Exquisite and entertaining comedies of Victorian provincial Society.

Using her teenage diaries, the author tells of the horrors of the siege and surrender of Warsaw in 1939, the food shortages, raids and beatings, and the Nazi "Aktion" in 1942, when her family was hounded from shelter to shelter. In 1943 they escaped the ghetto but faced years in hiding.

In this novel Paul Verdayne is fascinated by a mysterious beauty staying in his Swiss hotel. In a setting of tuber-roses and tiger skins, "the lady" initiates him into the arts of love. This is one of Virago's trio of turn-of-the-century erotic novels, with "The Sheik" and "The Way of an Eagle".

Silverue -- an enchanting Irish mansion -- is owned by one of the most frightening mothers in fiction -- the indomitable, oppressively girlish Lady Bird. Blessed with wealth and beautiful children she has little to worry about except the passing of the years and the return of her son John's sanity. To help her through the potentially awkward occasion of John's return from the asylum she has enlisted the support of Eliza, a woman she believes to be her confidante. But Eliza has her own secrets and John's homecoming will prove the catalyst for revelations which Lady Bird would much rather leave buried.

*Considered by many to be von Arnim's finest work, VERA is a startling exploration of sex and violence*This is the book many believe du Maurier to have based REBECCA on

A powerful study of class, of morality and of love.

*With an afterword by Marilyn French*Companion volume to HUDSON RIVER BRACKETED

In 1933 we meet Rebecca, heroine of THE BALLAD AND THE SOURCE - but in a different world, on many levels. Betrayed by her married lover, Rebecca arrives alone at a small Caribbean island. Here, along with the splendidly eccentric members of the British expatriate colony, she meets the former ace pilot Johnny, crippled now, a misanthropic recluse: for both of them their passionate affair the powerful life force love can be. Here too she encounters voices from the past and the vibrant spirit of Mrs. Jardine - voices which remind Rebecca of the girl she was and the woman she could become.

The tale of the unlikely friendship between and an old woman and a young girl, this is one of Rosamond Lehmann's finest novels Ten year old Rebecca is living in the country with her family when Sibyl Jardine, an enigmatic and powerful old woman, returns to her property in the neighbourhood. The two families, once linked in the past, meet again, with the result that Rebecca becomes drawn into the strange complications of the old lady's life - with her husband, her errant daughter and her grandchildren. Through the spellbound eyes of the young Rebecca we enter into an intricate and scandalous family history and slowly the story of the passionate, stormy life of Mrs. Jardine unfolds.

At fifteen, Daisy, confident and cherished, is appalled to hear that Ruth's father locked her in the old garden ice house as a childhood punishment: no wonder her friend shelters in make believe. The revelation of that primitive cruelty cements a friendship in which protection plays no small part. Years later, middle aged, they remain close friends and live on the same street. So when Daisy's husband dies suddenly, Ruth's discovery that the marriage was unhappy is the first stage in the unravelling of the certainties she has wrapped around her adult life. Friendship, love, marriage and, above all, the scorching effects of adultery, come under the microscope in this dextrous novel. Journeying from a terrifying suburban household to its unexpected conclusion in the Egyptian Pharaoh's tombs, The Ice House is startling, tragic and humorous by turns.

Amy thought the Hotel Parthenon in Greece would be a nice change for her husband, Labour MP Tom Jones. He is convinced that it's a bad idea as soon as they arrive and he spots Portia, his ex-mistress, in the minibus to the hotel. Also on board are an American publisher, a young doctor, a shady pair from London and two enigmatic, elderly twins. The scene is set for a wonderful comedy.

The year is 1920. Clara Batchelor, the heroine of The Lost Traveller, is now an actress with a touring repertory company and is passionately in love with the wholly unsuitable Stephen Tye. When Stephen betrays her, Clara betrays herself by agreeing to marry Archie, the fiance she discarded four years before. A friendship but not a love match, the marriage is a desperate attempt by Clara to rekindle the safety of childhood. But neither of them are children any more and their dream sugar house begins to dissolve.The Sugar House is the second in the trilogy sequel to Frost in May, which began with The Lost Traveller and continues in Beyond the Glass. Although each is a complete novel in itself, together they form a brilliant portrait of a young girl's journey to adulthood.

In the early 1900s Easter lives with her Aunt Brenda, her cousins Evelyn and Basil, and their Great-Aunt Dicksie in an imposing country house, Puppetstown, which casts a spell over their childhood. Here they spend carefree days taunting the peacocks in Aunt Dicksie's garden, shooting snipe and woodcock, hunting, and playing with Patsy, the boot boy. But the house and its inhabitants are not immune to the 'little, bitter, forgotten war in Ireland' and when it finally touches their lives all flee to England. All except Aunt Dicksie who refuses to surrender Puppetstown's magic. She stays on with Patsy, living in a corner of the deserted house while in England the cousins are groomed for Society. But for two of them those wild, lost Puppetstown years cannot be forgotten.