Böcker i Virago Modern Classics-serien

MISS MARJORIBANKS is one of her Chronicles of Carlingford. Exquisite and entertaining comedies of Victorian provincial Society.

Using her teenage diaries, the author tells of the horrors of the siege and surrender of Warsaw in 1939, the food shortages, raids and beatings, and the Nazi "Aktion" in 1942, when her family was hounded from shelter to shelter. In 1943 they escaped the ghetto but faced years in hiding.

In this novel Paul Verdayne is fascinated by a mysterious beauty staying in his Swiss hotel. In a setting of tuber-roses and tiger skins, "the lady" initiates him into the arts of love. This is one of Virago's trio of turn-of-the-century erotic novels, with "The Sheik" and "The Way of an Eagle".

Silverue -- an enchanting Irish mansion -- is owned by one of the most frightening mothers in fiction -- the indomitable, oppressively girlish Lady Bird. Blessed with wealth and beautiful children she has little to worry about except the passing of the years and the return of her son John's sanity. To help her through the potentially awkward occasion of John's return from the asylum she has enlisted the support of Eliza, a woman she believes to be her confidante. But Eliza has her own secrets and John's homecoming will prove the catalyst for revelations which Lady Bird would much rather leave buried.

*Considered by many to be von Arnim's finest work, VERA is a startling exploration of sex and violence*This is the book many believe du Maurier to have based REBECCA on

A powerful study of class, of morality and of love.

*With an afterword by Marilyn French*Companion volume to HUDSON RIVER BRACKETED

In 1933 we meet Rebecca, heroine of THE BALLAD AND THE SOURCE - but in a different world, on many levels. Betrayed by her married lover, Rebecca arrives alone at a small Caribbean island. Here, along with the splendidly eccentric members of the British expatriate colony, she meets the former ace pilot Johnny, crippled now, a misanthropic recluse: for both of them their passionate affair the powerful life force love can be. Here too she encounters voices from the past and the vibrant spirit of Mrs. Jardine - voices which remind Rebecca of the girl she was and the woman she could become.

The tale of the unlikely friendship between and an old woman and a young girl, this is one of Rosamond Lehmann's finest novels Ten year old Rebecca is living in the country with her family when Sibyl Jardine, an enigmatic and powerful old woman, returns to her property in the neighbourhood. The two families, once linked in the past, meet again, with the result that Rebecca becomes drawn into the strange complications of the old lady's life - with her husband, her errant daughter and her grandchildren. Through the spellbound eyes of the young Rebecca we enter into an intricate and scandalous family history and slowly the story of the passionate, stormy life of Mrs. Jardine unfolds.

The year is 1920. Clara Batchelor, the heroine of The Lost Traveller, is now an actress with a touring repertory company and is passionately in love with the wholly unsuitable Stephen Tye. When Stephen betrays her, Clara betrays herself by agreeing to marry Archie, the fiance she discarded four years before. A friendship but not a love match, the marriage is a desperate attempt by Clara to rekindle the safety of childhood. But neither of them are children any more and their dream sugar house begins to dissolve.The Sugar House is the second in the trilogy sequel to Frost in May, which began with The Lost Traveller and continues in Beyond the Glass. Although each is a complete novel in itself, together they form a brilliant portrait of a young girl's journey to adulthood.

In the early 1900s Easter lives with her Aunt Brenda, her cousins Evelyn and Basil, and their Great-Aunt Dicksie in an imposing country house, Puppetstown, which casts a spell over their childhood. Here they spend carefree days taunting the peacocks in Aunt Dicksie's garden, shooting snipe and woodcock, hunting, and playing with Patsy, the boot boy. But the house and its inhabitants are not immune to the 'little, bitter, forgotten war in Ireland' and when it finally touches their lives all flee to England. All except Aunt Dicksie who refuses to surrender Puppetstown's magic. She stays on with Patsy, living in a corner of the deserted house while in England the cousins are groomed for Society. But for two of them those wild, lost Puppetstown years cannot be forgotten.

Angel, formidable hostess, social charmer and mother par excellence, confidently awaits the return of her little boy from the trials of war. She could not anticipate that the teenager who went away will return a grown man - bronzed and world-weary - a sophisticated American widow on his arm. Nor could she anticpate that her irrepressible daughter Slaney will similarly throw herself into romance (without asking her advice) and even her niece Tiddley will show an unexpected determination in getting on with her life. Faced with domestic insurrection on a grand scale, Angel will have to sharpen her wits to maintain her tyranny.

Those who suffered because of her might think of Mary that she hurt others, herself she could not hurt; but Jer, knowing her better...knew she hurt herself perhaps most deeply. Since the death of her parents, Roguey, Maeve and Jer have cared for one another and for Sorristown, their elegant home. Together they have fished and hunted, unravelled secrets by bedroom fires and sipped gin cocktails. But this pattern of intimacy is about to be broken by Maeve's marriage to Rowley. A week before the wedding, her bridesmaid Mary arrives. Meeting her for the first time Rowley describes Mary as a 'factor for disturbance', little realising the extent to which his prophecy will prove true for each of them.

Prudence, at nineteen, is reckless, laughing, wild; the despair of her elderly guardians. With her best friend, the subversive but very female Peter, she rackets round the Irish countryside among her beloved horses and dogs. But she feels betrayed by Peter's growing interest in the new Master of Hounds, 'Saxon' Major Anthony Countless. And what is Prudence to make of handsome Toby Sage, neighbour, huntsman and accredited flirt? Or of an inexplicable haunting? First published in 1928, this high-spirited novel with its subtle erotic undercurrents, is a glorious story of a ramshackle, tolerant society and of Prudence's turbulent coming of age.

Novel by Pulitzer prize winning author of THE AGE OF INNOCENCE

It is 1939, the last summer before the outbreak of war. French actress Angele Maury abandons a group of friends travelling through Ireland and takes herself to picturesque Drumaninch, birthplace of her dead father. She has come to make sense of her past. Self-conscious with her pale, exotic beauty, Angele braves the idiosyncratic world of the Kernahans: her enigmatic aunt Hannah, her ridiculous but loveable uncle Corney and her three cousins - Martin, charming, intense; Tom, devoted to his mother, and their bright sister Jo, who combines religious faith with a penchant for gambling.But is there some mystery surrounding the past? History threatens to repeat itself as Angele finds herself seduced by the beauty of Ireland, and by the love of two men...First published in 1943, The Last of the Summer is a perfectly structured psychological love story.

Antonia White's autobiography of her early years

With uncompromising clarity, in her careful, delicate prose, antonia White looks at the pains and joys of growing up, of falling in and out of love, the borderlands between love and loneliness, sanity and madness, belief and the loss of faith. First published in 1954, STRANGERS is here extended to include her autobiographical story, 'Surprise Visit'; together they present some of Antonia White's finest writing.

* The Cinderella story of Thea Kronborg, rescued from obscurity in the American Midwest by her exquisite voice* Strongly autobiographical* 'The Song of the Lark illuminates all her work' A.S. BYATT

Celia works at the Ministry in the post-war England of 1949 and lives in a London suburb. Witty, fragile, quixotic, Celia is preoccupied with love - for her friends, her colleagues, her relations, and especially for her adored cousin Casmilus, with whom she goes on holiday to visit Uncle Heber, the vicar. Here they talk endlessly, argue, eat, tell stories, love and hate - moments of wild humour alternating with waves of melancholy as Celia ponders obsessively on the inevitable pain of love. In everything she wrote, Stevie Smith captured the paradox of pain in all human affections - nowhere more so than in this wry, strongly autobiographical tale.

The diary of a young Brazilian girl at the end of the nineteenth century. Introduced and translated by Elizabeth Bishop, one of the greatest American poets of the twentieth century.