Böcker i Toronto Italian Studies-serien

Ariosto in the Machine Age reimagines reception theory through the modern afterlife of a Renaissance literary icon.

This book seeks to redefine, recontextualize, and reassess Italian neorealism - an artistic movement characterized by stories set among the poor and working class - through innovative close readings and comparative analysis.

The first biography of the Jewish poet and polemicist Sarra Copia Sulam situates her in the tradition of women's writing in Venice and explores her rise and fall as a public intellectual in the tumultuous world of the city's presses.

Through close readings of key texts, including spiritual writings, fairy tales, and a botanical treatise, Golden Fruit examines the role of oranges in Italian culture from their introduction during the medieval period through to the present day.

Reconsidering Boccaccio explores the exceptional social, geographic, and intellectual range of the Florentine writer Giovanni Boccaccio, his dialogue with voices and traditions that surrounded him, and the way that his legacy illuminates the interconnectivity of numerous cultural networks.

Mafia Movies: A Reader provides incisive interpretations of over fifty films and television programs about the Italian and Italian-American Mafias.

Landscapes in Between analyses Italian authors and filmmakers who turn to interstitial landscapes as productive models for coming to terms with the modified natural environment.

Bringing a wealth of scholarship and insight into Scorsese's work, Casillo's study will captivate readers interested in the director's magisterial artistry, the rich social history of Southern Italy, Italian American ethnicity, and the sociology and history of the Mafia in both Sicily and the United States.

The Quiet Avant-Garde explores how crepuscularism and futurism, two early-twentieth-century Italian movements, have redefined the relation between the human and the nonhuman.

This compilation of eleven essays offers exciting new perspectives on one of the greatest works of Italian literature.

This study suggests that some of the contentious views proposed by the neoavanguardia anticipated a wide range of issues that continue to be significant and pressing to this day.

Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.

This annotated enumerative bibliography lists all English-language translations of twentieth- and twenty-first-century Italian literature.

This book explores Kafka's sometimes surprising connections with key Italian writers, from Italo Calvino to Elena Ferrante, who shaped Italy's modern literary landscape.

Venturing outside the Decameron to the Latin works, and outside the usual textual and intertextual readings of Boccaccio to more broadly cultural and anthropological material, Boccaccio's Naked Muse offers fresh insights on this hugely significant literary figure.

The Complete Short Stories of Natalia Ginzburg encourages a deeper understanding of Ginzburg's life's work and compliments those other collections and individual works which are already widely available in English.

Examining the breadth and scope of censorship in Fascist Italy, from Mussolini's role as 'prime censor' to the specific experiences of female writers, this is a fascinating look at the vulnerability of culture under a dictatorship.

William J. Landon reveals Strozzi's influence on Machiavelli through wide-ranging textual investigations, and especially through Strozzi's Pistola fatta per la peste for which Landon has provided the first ever complete English translation and critical edition.

Providing a year-by-year account of Benedetto Croce's initiatives, author Fabio Fernando Rizi fills the gap in Croce's biography, covering aspects of his public life often neglected, misinterpreted, or altogether ignored

Enlightening Encounters traces the impact of photography on Italian literature from the medium's invention in 1839 to the present day.

Aldouby employs an innovative pictorial approach that allows her to uncover a wealth of visual evocations overlooked by Fellini scholars over the years.

Gieri traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

Grazia Deledda's Dance of Modernity is a highly original and innovative interpretation of Deledda's narrative in philosophical perspective, which also includes the study of textual variations and considers cultural history in Italy during the early twentieth century.

Venice, Polity of Mercy presents a history of the people of Venice from the mid-thirteenth century to the mid-seventeenth, and provides a new perspective on the changing relationship of their economic, political and religious life.

Mafia Movies: A Reader provides incisive interpretations of over fifty films and television programs about the Italian and Italian-American Mafias.

Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature.

In Tuscan Spaces, Silvia Ross focuses on constructions of Tuscany in twentieth-century Italian literature and juxtaposes them with English prose works by such authors as E.M. Forster and Frances Mayes to expose the complexity of literary representation centred on a single milieu.

Beasts and Beauties examines the relationship between domesticity and power by focusing on the contemporaneous development of the invention of the 'pet' and the delineation of the home as a uniquely private enclosure, where the pater familias ruled over his own secluded world of domesticated wife, children, servants, and animals.

An original and challenging work, The Quest for Epic documents the development of Italian narrative from the chivalric romance at the end of the fifteenth century to the genre of epic in the sixteenth century.

Based on previously unavailable archival documents and oral accounts from people who were there, Petacco reveals the events and exposes the Italian government's mishandling - and then official silence on - the situation.