Böcker i The Other Voice in Early Modern Europe: The Toronto Series-serien

"Christine de Pizan's Body Politic (1406-1407) is the first political treatise to have been written not just by a woman, but by a woman capable of holding her own in a normally male domain. It advises not just the prince, as was traditional, but also nobles, knights, and the common people, promoting the ideals of interdependence and social responsibility. Rooted in the mind-set of medieval Christendom, it heralds the humanism of the Renaissance, highlighting classical culture and Roman civic virtues. The Body Politic resounds still today, urging the need for probity in public life and the importance of responsibilities as well as rights"--

Gabrielle-Suzanne Barbot de Villeneuve, the little-known author of Beauty and the Beast, was a successful novelist and fairytale writer in mid eighteenth-century France. While her novels are rarely read today, her compelling fairytale has become universally recognized. This edition is the first integral English translation of Villeneuve's original tale. The introduction seeks to illuminate the publication of Beauty and the Beast in its historical and literary context, and brings to life the dynamic female characters that first populated this enchanting tale: the courageous Beauty, the Fairy Queen, the Amazon Queen, the Lady Fairy, and the powerful, but mischievous elderly fairy. The Other Voice in Early Modern Europe: The Toronto Series volume 74

"A bilingual edition of 31 dialogues by the famous sixteenth-century Italian actress and author Isabella Andreini, composed to serve as modules to be developed by performers in extemporaneous commedia dell'arte productions"--

Includes translations based on Vaux's1494 manuscript that was housed at the convent of the Poor Clares in Amiens, now in the archives at Amiens, and Baume's known as Manuscript 2 in the Monasterium "Bethlehem" of the Zusters Clarissen-Coletienen in Ghent, and a copy made in 1494 from the original.

Co-published by: Centre for Reformation and Renaissance Studies.

In Giovan Francesco Straparola's The Pleasant Nights, a group of men and women gather together in a villa on the Venetian island of Murano during Carnival to sing songs, tell tales, and solve riddles. A sixteenth-century bestseller, The Pleasant Nights is today a fundamental text for European folk and fairy tale studies, for alongside triumphal and tragic love stories, comical tales of practical jokes, and accounts of witty retorts, Straparola (1480? - 1557?) placed some of the first fairy tales printed in Europe. Straparola's eloquent female narrators and the fairy tales they recount became a model for a generation of French women writers in Parisian salons, who used the fairy tale to interrogate the gender norms of their day. This book presents the first new and complete English translation of Straparola's tales and riddles to be published since the nineteenth century.

"Critical editions and translations of two early works by the French proto-feminist author Christine de Pizan addressing the misogynist ideology of the Roman de la Rose and other writings, with a translation of a related Latin work by the contemporary theologian Jean Gerson"--

"Born in the early 1620s to parents of Scottish descent who were servants in Charles I's household, Anne, Lady Halkett (nâee Murray), grew up on fringes of the English court during a period of increasing political tension. From 1644 to 1699, Halkett recorded her personal and political experiences in both England and Scotland in a series of manuscript meditations and an autobiographical narrative (A True Account of My Life). Royalism, romance, and contemporary religious debates are central to Halkett's vivid portrayal of her life as a single woman, wife, mother, and widow: collectively, the materials edited here offer the opportunity to explore how Halkett's meditational practice informed her life writing in the only version of her writings to date available in a fully modernized edition"--

Includes translations from French into English of selections from Scudâery's Clâelie, and two "harangues" selected from her Femmes illustres ou les harangues heroèiques (1642), and Discours de la gloire (1671).

Marguerite de Navarre (1492-1549) was the sister and wife to kings and a pivotal influence in sixteenth-century France. This book contains sampling of Marguerite's varied works: from verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas.

Though most historians remember her as the mistress of Voltaire, Emilie Du Chatelet (1706-49) was an accomplished writer in her own right, who published multiple editions of her scientific writings during her lifetime. This book features a selection of key sections from Du Chatelet's works.

Veronica Franco was a 16th-century Venetian beauty, poet, and protofeminist. This collection presents the eroticism and eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology.