Böcker i The MIT Press-serien

A theoretical and practical analysis of the complex liability issues raised by carbon capture and storage systems for containing greenhouse gases.

A bold argument that "and" always means "&," the truth-functional sentential connective.

How power is wielded in environmental policy making at the state level, and how to redress the ingrained favoritism toward coal and electric utilities.

Contributions by prominent scholars examining the intersections of environmental philosophy and philosophy of technology.Environmental philosophy and philosophy of technology have taken divergent paths despite their common interest in examining human modification of the natural world. Yet philosophers from each field have a lot to contribute to the other. Environmental issues inevitably involve technologies, and technologies inevitably have environmental impacts. In this book, prominent scholars from both fields illuminate the intersections of environmental philosophy and philosophy of technology, offering the beginnings of a rich new hybrid discourse. All the contributors share the intuition that technology and the environment overlap in ways that are relevant in both philosophical and practical terms. They consider such issues as the limits of technological interventions in the natural world, whether a concern for the environment can be designed into things, how consumerism relates us to artifacts and environments, and how food and animal agriculture raise questions about both culture and nature. They discuss, among other topics, the pessimism and dystopianism shared by environmentalists, environmental philosophers, and philosophers of technology; the ethics of geoengineering and climate change; the biological analogy at the heart of industrial ecology; green products and sustainable design; and agriculture as a bridge between technology and the environment.ContributorsBraden Allenby, Raymond Anthony, Philip Brey, J. Baird Callicott, Brett Clark, Wyatt Galusky, Ryan Gunderson, Benjamin Hale, Clare Heyward, Don Idhe, Mark Sagoff, Julian Savulescu, Paul B. Thompson, Ibo van de Poel, Zhang Wei, Kyle Powys Whyte

Leading philosophers and scholars speculate on what Heidegger's unfinished masterpiece might have said, why Heidegger didn't publish it, and what being actually means.Heidegger's Being and Time is one of the most influential and important books in the history of philosophy, but it was left unfinished. The parts we have of it, Divisions I and II of Part One, were meant to be merely preparatory for the unwritten Division III, which was to have formed the point of the entire book when it turned to the topic of being itself. In this book, leading Heidegger scholars and philosophers influenced by Heidegger take up the unanswered questions in Heidegger's masterpiece, speculating on what Division III would have said, and why Heidegger never published it. The contributors' task—to produce a secondary literature on a nonexistent primary work—seems one out of fiction by Borges or Umberto Eco. Why did Heidegger never complete Being and Time? Did he become dissatisfied with it? Did he judge it too subjectivistic, not historical enough, too individualistic, too existential? Was abandoning it part of Heidegger's "Kehre”, his supposed turning from his early work to his later work? Might Division III have offered a bridge between the two phases, if a division exists between them? And what does being mean, after all? The contributors, in search of lost Being and Time, consider these and other topics, shedding new light on Heidegger's thought.ContributorsAlain Badiou, Lee Braver, Daniel Dahlstrom, Charles Guignon, Graham Harman, Karsten Harries, Ted Kisiel, Denis McManus, Eric S. Nelson, Richard Polt, François Raffoul, Thomas Sheehan, Iain Thomson, Kate Withy, Julian Young

Narrative strategies for vast fictional worlds across a variety of media, from World of Warcraft to The Wire.The ever-expanding capacities of computing offer new narrative possibilities for virtual worlds. Yet vast narratives—featuring an ongoing and intricately developed storyline, many characters, and multiple settings—did not originate with, and are not limited to, Massively Multiplayer Online Games. Thomas Mann's Joseph and His Brothers, J. R. R. Tolkien's Lord of the Rings, Marvel's Spiderman, and the complex stories of such television shows as Dr. Who, The Sopranos, and Lost all present vast fictional worlds. Third Person explores strategies of vast narrative across a variety of media, including video games, television, literature, comic books, tabletop games, and digital art. The contributors—media and television scholars, novelists, comic creators, game designers, and others—investigate such issues as continuity, canonicity, interactivity, fan fiction, technological innovation, and cross-media phenomena. Chapters examine a range of topics, including storytelling in a multiplayer environment; narrative techniques for a 3,000,000-page novel; continuity (or the impossibility of it) in Doctor Who; managing multiple intertwined narratives in superhero comics; the spatial experience of the Final Fantasy role-playing games; World of Warcraft adventure texts created by designers and fans; and the serial storytelling of The Wire. Taken together, the multidisciplinary conversations in Third Person, along with Harrigan and Wardrip-Fruin's earlier collections First Person and Second Person, offer essential insights into how fictions are constructed and maintained in very different forms of media at the beginning of the twenty-first century.

The first textbook to teach students how to build data analytic solutions on large data sets using cloud-based technologies.

The author views EMU as neither a grand achievement nor a terrible blunder, but as a process. He argues that the effects of monetary unification will depend on how it is structured and governed, and how quickly Europe's markets adapt to a single currency.

The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations.

The intense relationship between philosopher Martin Heidegger and his cabin in the Black Forest: the first substantial account of "die Hutte" and its influence on Heidegger's life and work.

An integrated framework to study the theoretical and quantitative properties of economies with frictions in labor, financial, and goods markets.This book offers an integrated framework to study the theoretical and quantitative properties of economies with frictions in multiple markets. Building on analyses of markets with frictions by 2010 Nobel laureates Peter A. Diamond, Dale T. Mortensen, and Christopher A. Pissarides, which provided a new theoretical approach to search markets, the book applies this new paradigm to labor, finance, and goods markets. It shows, in particular, how frictions in different markets interact with each other.The book first covers the main developments in the analysis of the labor market in the presence of frictions, offering a systematic analysis of the dynamics of this environment and explaining the notion of macroeconomic volatility. Then, building on the generality and simplicity of the search analysis, the book adapts it to other markets, developing the tools and concepts to analyze friction in these markets. The book goes beyond the traditional general equilibrium analysis of markets, which is often frictionless. It begins with the standard analysis of a single market, and then sequentially integrates more markets into the analysis, progressing from labor to financial to goods markets. Along the way, the book provides a number of useful results and insights, including the existence of a direct link between search frictions and the degree of volatility in the economy.

The development of an epistemology that explains how science and art embody and convey understanding.Philosophy valorizes truth, holding that there can never be epistemically good reasons to accept a known falsehood, or to accept modes of justification that are not truth conducive. How can this stance account for the epistemic standing of science, which unabashedly relies on models, idealizations, and thought experiments that are known not to be true? In True Enough, Catherine Elgin argues that we should not assume that the inaccuracy of models and idealizations constitutes an inadequacy. To the contrary, their divergence from truth or representational accuracy fosters their epistemic functioning. When effective, models and idealizations are, Elgin contends, felicitous falsehoods that exemplify features of the phenomena they bear on. Because works of art deploy the same sorts of felicitous falsehoods, she argues, they also advance understanding.Elgin develops a holistic epistemology that focuses on the understanding of broad ranges of phenomena rather than knowledge of individual facts. Epistemic acceptability, she maintains, is a matter not of truth-conduciveness, but of what would be reflectively endorsed by the members of an idealized epistemic community—a quasi-Kantian realm of epistemic ends.

A comprehensive overview of the theory of stochastic processes and its connections to asset pricing, accompanied by some concrete applications.

How the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, transgression, and healing.The peculiar arrangement of the psychoanalyst's office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn't dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing.Kravis draws on sources that range from ancient funerary monuments to furniture history to early photography, as well as histories of medicine, fashion, and interior decoration, and he deploys an astonishing array of images—of paintings, monuments, sculpture, photographs, illustrations, New Yorker cartoons, and advertisements. Kravis deftly shows that, despite the ambivalence of today's psychoanalysts—some of whom regard it as "infantilizing”—the couch continues to be the emblem of a narrative of self-discovery. Recumbent speech represents the affirmation in the presence of another of having a mind of one's own.

Photographs and stories of people who have coped with and overcome depression, anxiety, trauma, and other challenges."In MIT professor Daniel Jackson's recent book, Portraits of Resilience, being resilient means being vulnerable. It a gives a glimpse into how students at the Massachusetts Institute of Technology—one of the most competitive and elite universities in the world—cope, overcome, and find meaning in their lives."—The Boston GlobeMore than 15 million Americans grapple with depression in a given year, and 40 million are affected by anxiety disorders. And yet these people are often invisible, hidden, unacknowledged. At once a photo essay and a compendium of life stories, Portraits of Resilience brings us face to face with twenty-two extraordinary individuals, celebrating the wisdom they have gained on the frontline of a contemporary battle. We hear from a young man who was struck with a debilitating sadness just when his life seemed to have turned around, and a medical student whose self-image was transformed by an antidepressant. We meet a physicist whose troubles led him to reassess the role human connection played in his life, an overachiever who developed one of her closest friendships in a mental hospital, and administrative assistant who grew up with an abusive parent but learned to heal and create a new life for herself.No one is immune to depression or anxiety; all of these narrators achieved success as students, faculty, or staff in the demanding world of MIT. The pressures of a competitive and high-pressure environment will be familiar to many. And the mysterious and overwhelming grip of depression will be recognized by those who have suffered from it. But the search for purpose and meaning that pervades these stories is relevant to everyone. These wise people give us not only solace and reassurance as we face our own challenges, but also the inspiration that challenges can be overcome—and that happiness, while elusive, can eventually be found.

A guide to the everyday decisions about right and wrong faced by physical scientists and research engineers.

Tracing the genealogy of our physical interaction with mobile devices back to textile and needlecraft culture.

Artists as voyagers who leave their studios to make art, including Nancy Holt, Vito Acconci, Sophie Calle, and Richard Long.

Strategies for transboundary natural resource management; winner of Harvard Law School's Raiffa Award for best research of the year in negotiation and conflict resolution.

An anniversary edition of a classic in cognitive science, with a new introduction by the author.

How better information and better access to it improves the quality of our decisions and makes for a more vibrant participatory society.