Böcker i Studies in Dance History-serien

This volume explores the influence of African American music on world culture. It brings together issues of race, gender, politics, history and dance, includes discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham's controversial ballet about lynching, ""Southland"".

Combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. This work finds a balance between past and present and examines how dance practices are core identity and cultural creators.

The definition of Asian American dance is as contested as the definition of "Asian American". Artists and scholars who are making, defining, questioning, and theorizing Asian American dance show in these original essays that the term encompasses not only a range of national origins but also a dazzling variety of theoretical frameworks, disciplinary methods, and genres.

Contributors to this volume address such topics as the role of the 1960s Asian American movement in creating Japanese American taiko groups, and the experience of internment during World War II influencing butoh dance in Canada. The volume includes first-person narratives, interviews, ethnography, cultural studies, and performance studies.

A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts - onstage, on screen, in the studio, and on the street - and deploy methods from diverse disciplines.

This text explores the relationship between dancing bodies and sexual identity on the concert stage, in nightclubs, in film, in the courts and on the streets and tracks the intersections of dance and human sexuality in the twentieth century as the definition of each has shifted and expanded.

Combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. This work finds a balance between past and present and examines how dance practices are core identity and cultural creators.

Like the history of women, dance has been difficult to capture as a historical subject. This volume sheds light on women's roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800.

Examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking "Who is the dramaturg?" to "What does the dramaturg think about?" Profeta explores five arenas for the dramaturg's attention-text and language, research, audience, movement, and interculturalism.

Focuses on the complexities of aesthetic politics in an exploration of Kandyan dance in Sri Lanka. This book traces the history and consequences of this transition from ritual to stage, situating the dance in relation to postcolonial nationalism and ethnic politics and emphasizing the voices of the hereditary dancers and of women performers.

"Kaiso," a term of praise that is the calypso equivalent of "bravo," is a fitting title for this definitive and celebratory collection of writings by and about Katherine Dunham, the legendary African American dancer, choreographer, anthropologist, and social activist. Originally produced in the 1970s, this is a newly revised and much expanded edition that includes recent scholarly articles, Dunham's essays on dance and anthropology, press reviews, interviews, and chapters from Dunham's unpublished volume of memoirs, "Minefields." With nearly a hundred selections by dozens of authors, Kaiso! provides invaluable insight into the life and work of this pioneering anthropologist and performer and is certain to become an essential resource for scholars and general readers interested in social anthropology, dance history, African American studies, or Katherine Dunham herself.