Böcker i Studies in British Art-serien

Looks at a neglected corner of eighteenth-century art - the funeral monument. This book demonstrates that tombs and inscriptions are of manifest worth to the student of eighteenth-century English value systems, providing as they do an archaeology of ideal types.

A dictionary that provides information on the work of over 3,000 sculptors working in Britain between 1660 and 1851.

Explores how art, design, and performance registered the changes in the Edwardian period (1901-1910) and helped to precipitate them. Acknowledging familiar divisions between the neo-Baroque magnificence of central London and the slums of the East End, this title discusses the middlebrow culture that characterizes the anonymous edge of the city.

That Ireland is picturesque is a well-worn cliche, but little is understood of how this perception was created, painted and manipulated during the long eighteenth century. This book positions Ireland at core of the picturesque's development and argues for a greater degree of Irish influence on the course of European landscape theory and design.

Starting with a comparison of Queens Elizabeth I and Victoria, this title examines works by poets and painters, essayists and dramatists, architects and musicians. It explores the literary nature of Victorian history writing, and author reveals the degree to which painters were indebted to written records both fictional and factual.

As the wife of King George II, Caroline of Ansbach became queen of England in 1727. This volume intends to survey Caroline's significant contributions to the arts and culture and the ways in which she used her patronage to strengthen the royal family's connections between the recently installed House of Hanover and English society.