Böcker i Screening Antiquity-serien

Explore how history was brought to life on the silver screen and how the Hollywood's epic movies dictated our vision of the past. This lively study analyses how Hollywood producers, directors, designers, costumiers, publicity agents, movie stars, and, inevitably, 'a cast of thousands' literally designed the ancient world from scratch.

Since 2000, numerous heroes of the ancient world have appeared on film and TV, from the mythical Hercules to leaders of the Greek and Roman worlds. This collection brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world.

Ancient Greece has inspired television producers and captivated viewing audiences in the United Kingdom for over half a century. Through 10 case studies drawn from television drama, theatre, animation and documentary this collection offers wide-ranging insights into the significance of ancient Greece on British television.

Representations of the ancient hero in the new millennium

This book considers portrayals of Pontius Pilate in film from the silent era to the twenty-first century.

This collection of fourteen essays explores how the dominant media of our time - film and television - have engaged with the golden age as formulated in the Western classical tradition.

Ancient Greece has inspired television producers and captivated viewing audiences in the United Kingdom for over half a century. Through 10 case studies drawn from television drama, theatre, animation and documentarythis collection offers wide-ranging insights into the significance of ancient Greece on British television.

Engaging with recent scholarship on film, particularly film and theology as well as classical reception, Lisa Maurice considers the gods of Greek and Roman mythology alongside the biblical God of the Judeo-Christian tradition.

Examines representations of ancient epic and epic conventions in film and television.

In the American psyche, the "e;Wild West"e; is a mythic-historical place where our nation's values and ideologies were formed. In this violent and uncertain world, the cowboy is the ultimate hero, fighting the bad guys, forging notions of manhood, and delineating what constitutes honor as he works to build civilization out of wilderness. Tales from this mythical place are best known from that most American of media: film. In the Greco-Roman societies that form the foundation of Western civilization, similar narratives were presented in what for them was the most characteristic, and indeed most filmic, genre: epic. Like Western film, the epics of Homer and Virgil focus on the mythic-historical past and its warriors who worked to establish the ideological framework of their respective civilizations. Through a close reading of films like High Noon and Shane, this book examines the surprising connections between these seemingly disparate yet closely related genres, shedding light on both in the process.

Ben-Hur was the first literary blockbuster to generate multiple and hugely profitable adaptations, highlighted by the 1959 film that won a record-setting 11 Oscars. General Lew Wallace's book was spun off into dozens of popular publications and media productions, becoming a veritable commercial brand name that earned tens of millions of dollars. Ben-Hur: The Original Blockbuster surveys the Ben-Hur phenomenon's unprecedented range and extraordinary endurance: various editions, spin-off publications, stage productions, movies, comic books, radio plays, and retail products were successfully marketed and sold from the 1880s and throughout the twentieth century. Today Ben-Hur Live is touring Europe and Asia, with a third MGM film in production in Italy. Jon Solomon's new book offers an exciting and detailed study of the Ben-Hur brand, tracking its spectacular journey from Wallace's original novel through to twenty-first century adaptations, and encompassing a wealth of previously unexplored material along the way

This collection of fourteen essays explores how the dominant media of our time - film and television - have engaged with the golden age as formulated in the Western classical tradition.

'Gardner and Potter have produced a fascinating collection of essays on epic screen productions that defines the epic genre outside its traditional parameters and covers a wide variety of shows across different decades from the 1980s to 2021.' Antony Augoustakis, Department of the Classics, University of Illinois Examines representations of ancient epic and epic conventions in film and television How do epic tropes shape representations of the ancient world and determine contemporary understandings of historical events? What features of ancient epic persistently emerge in science fiction and fantasy narratives adapted to the screen, and why? How does the different scope of televisual versus cinematic media impact the representation of conventions derived from ancient epic? The international range of contributors to this volume respond to these questions by looking for features of epic outside the traditional realm of Greco-Roman antiquity, including historical films and series, fantasy, science fiction and documentary. By identifying epic conventions on the large and small screen, as well as within a range of speculative fictions in fantastical and futuristic settings, they consider the function of such conventions within their twenty-first-century production contexts. Amanda Potter is a Visiting Fellow at the Open University. Hunter Gardner is Professor of Classics and Comparative Literature at the University of South Carolina. Cover image: Game of Thrones (HBO) Season 5, 2015 Episode: The Dance of Dragons Airdate: June 7, 2015 Shown: Emilia Clarke (c) HBO/Photofest Cover design: Stuart Dalziel [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-7374-3 Barcode