Despite its size and its economic impact, the US arts community is not articulate about how it serves the public interest. This book encourages policy makers to investigate the crucial importance of the arts in the US, aiming to to provide new ideas, concepts and data.
A survey of community-based performance in the US from its roots, to its flourishing during the 1960s, to present-day popular culture. It provides descriptions of performances and processes, first-person stories, and analysis and shows how ritualism reinforces community identification while aestheticism enables locals to transgress cultural norms.
Art in the Lives of Immigrant Communities in the United States is the first book to provide a comprehensive and lively analysis of the contributions of artists from America's newest immigrant communities-Africa, the Middle East, China, India, Southeast Asia, Central America, and Mexico. Adding significantly to our understanding of both the arts and immigration, multidisciplinary scholars explore tensions that artists face in forging careers in a new world and navigating between their home communities and the larger society.
Who Owns Culture? offers analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, it takes the reader on a tour between law and culture and provides insights into communal authorship, cultural appropriation, intellectual property law, and the formation of American culture.
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