Böcker i Russian Library-serien

Alexander Griboedov's Woe from Wit is one of the masterpieces of Russian drama. A verse comedy set in Moscow high society after the Napoleonic wars, it offers sharply drawn characters and clever repartee, mixing meticulously crafted banter and biting social critique.

In this essential collection of Andrei Platonov's plays, the noted Platonov translator Robert Chandler edits and introduces The Hurdy-Gurdy (translated by Susan Larsen), Fourteen Little Red Huts (translated by Chandler), and Grandmother's Little Hut (translated by Jesse Irwin). Written in 1930 and 1933, respectively, The Hurdy-Gurdy and Fourteen Little Red Huts constitute an impassioned and penetrating response to Stalin's assault on the Soviet peasantry. They reflect the political urgency of Bertolt Brecht and anticipate the tragic farce of Samuel Beckett but play out through dialogue and characterization that is unmistakably Russian. This volume also includes Grandmother's Little Hut, an unfinished play that represents Platonov's later, gentler work.

Friedrich Gorenstein's Redemption is a stark and powerful portrait of humanity caught up in Stalin's police state in the aftermath of World War II. A major work bearing witness to the Holocaust in the Soviet Union, Redemption is an important reckoning with anti-Semitism and Stalinist repression from a significant Soviet Jewish voice.

An unsung classic of nineteenth-century Russian literature, Karolina Pavlova's A Double Life alternates prose and poetry to offer a wry picture of Russian aristocratic society and vivid dreams of escaping its strictures.

In the chaos of early 199s Russia, a paralyzed veteran's wife and stepdaughter conceal the Soviet Union's collapse from him in order to keep him-and his pension-alive, until it turns out the tough old man has other plans. Olga Slavnikova's The Man Who Couldn't Die is an instant classic of post-Soviet Russian literature.

Necropolis is an unconventional literary memoir from Vladislav Khodasevich, hailed by Vladimir Nabokov as "the greatest Russian poet of our time." In each of the book's nine chapters, Khodasevich memorializes a significant figure of Russia's literary Silver Age, and in the process writes an insightful obituary of the era.

Alexei Remizov was one of the greatest writers of the Russian Symbolist movement. In the thirteen stories collected in this volume, his exceptional stylistic achievements are on full display. The Little Devil and Other Stories includes works from across Remizov's career encompassing his thematic preoccupations and stylistic experimentation.

The Death of Vazir-Mukhtar, a novel by Yury Tynyanov, a leading figure of the Russian formalist school, describes the final year in the life of Alexander Griboedov, the author of the comedy Woe from Wit. As ambassador to Persia, Griboedov was savagely murdered in Tehran in 1829 in an attack on the Russian embassy.

Journey from St. Petersburg to Moscow is among the most important pieces of writing to come out of Russia in the age of Catherine the Great. Alexander Radishchev's account of a fictional journey blends literature, philosophy, and political economy to expose social and economic injustices and their causes at all levels of Russian society.

Archpriest Avvakum's autobiography is a record of his life, ecclesiastical career, painful exile, religious persecution, and imprisonment, written in the 1660s and '70s from a cell in an Arctic village where the archpriest had been imprisoned by the tsar.

Maria Stepanova is one of the most powerful and distinctive voices of Russia's first post-Soviet literary generation. The Voice Over brings together two decades of Stepanova's work, showcasing her range, virtuosity, and creative evolution.

Klotsvog is a novel about being Jewish in the Soviet Union and the historical trauma of World War II-and it's a novel about the petty dramas and demons of one wonderfully vain woman. Maya Abramovna Klotsvog has had quite a life, and she wants you to know all about it.

This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century.

This book brings together remarkable short stories by the Russian Symbolist Fyodor Sologub that explore the lengths to which people will go to transcend the mundane. Renowned as one of late imperial Russia's finest stylists, Sologub bridges the great nineteenth-century novel and the fin-de-siecle avant-garde.