Böcker i Routledge Companions-serien

Explores the world of Gothic in its myriad forms throughout the mid-eighteenth Century to the internet age. This title includes discussion on: the history of Gothic gothic throughout the English-speaking world; key themes and concepts ranging from hauntings and the uncanny; and, Gothic femininities and queer gothic in the modern world.

Explores the world of Gothic in its myriad forms throughout the mid-eighteenth Century to the internet age. This title includes discussion on: the history of Gothic gothic throughout the English-speaking world; key themes and concepts ranging from hauntings and the uncanny; and, Gothic femininities and queer gothic in the modern world.

Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics.In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist.This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes. The contributions survey the field through eight main lenses: world dramaturgy and global perspective dramaturgy as function, verb and skill dramaturgical leadership and season planning production dramaturgy in translation adaptation and new play development interdisciplinary dramaturgy play analysis in postdramatic and new media dramaturgy social media and audience outreach. Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).

The Routledge Companion to Puppetry and Material Performance offers a wide ranging perspective on how scholars and artists are currently reevaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its twenty-eight essays aim to advance the study of the puppet not only as a theatrical object, but also as a vibrant artistic and scholarly discipline.

Brings together essays from some of the leading international scholars on major areas in Translation Studies. This guide offers fresh perspectives on linguistics, context, culture, politics and ethics and contains a range of contributions on the areas such as cognitive theories, technology, interpreting and audiovisual translation.

The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of this global art form.

The Routledge Companion to Scenography is the largest and most comprehensive collection of original essays to survey the historical, conceptual, critical and theoretical aspects of this increasingly important aspect of theatre and performance studies.Editor and leading scholar Arnold Aronson brings together a uniquely valuable anthology of texts especially commissioned from across the discipline of theatre and performance studies.Establishing a stable terminology for a deeply contested term for the first time, this volume looks at scenography as the totality of all the visual, spatial, and sensory aspects of performance. Tracing a line from Aristotle's Poetics down to Brecht and Artaud and into contemporary immersive theatre and digital media, The Routledge Companion to Scenography is a vital addition to every theatre library.