Böcker i Research in Analytical Psychology and Jungian Studies-serien

Eros and Economy: Jung, Deleuze, sexual difference explores the possibility that social relations between things, partially inscribed in their aesthetics, offer important insights into collective political-economic relations of domination and desire. Drawing on the analytical psychology of Carl Jung and the philosophy of Gilles Deleuze, this book focuses on the idea that desire or libido, overlaid by sexual difference, is a driving force behind the material manifestations of cultural production in practices as diverse as art or economy.

Psychogeotherapy offers a critical exploration of the roles played by ideas of space and containment in psychotherapy. Employing approaches from psychogeography with a focus on the praxis of 'aimless walking', it explores alternate models of therapeutic space and what the author terms 'psychogeotherapy'.

Transcendent Writers in Stephen King¿s Fiction combines a post-Jungian critical perspective of the puer aeternus. Offering new insight into King¿s work, it provides reconceptualisation of the eternal youth to develop a new theory: the concept of the transcendent writer.

Chapters present a Jungian approach to music in film, highlighting how 'music-image' functions both independently and in conjunction with the visual image, and suggesting further directions in areas of research including music therapy and autism. Divided into three cumulative parts, Part I explores the Jungian psychological account of the music-image; Part II combines theory with practice in analysing how the auditory image works with the visual to create the 'film as a whole' experience; and Part III implements a specific understanding of three individual film cases of different genres, eras and styles as psychologically scrutinised 'case histories'.

This book offers an important exploration of linguistic reference and representation through a Jungian understanding of symptom and symbol, using techniques including amplification, dream interpretation, and symbolic attitude. Symptom, Symbol, and the Other of Language is essential reading for academics and students engaged in the study of depth psychology.

Modern Myths and Medical Consumerism is concerned with the loss of a sense of limit in technological medicine today, and the way in which the denial of death leads to an uncontrollable, consumeristic multiplication of needs. Taking its starting point from C. G. Jung's analytical psychology, the book gives a symbolic interpretation based on archetypal, philosophical, and socio-psychoanalytic ideas developed through the author's personal experience, moving from the medical to the psychoanalytical paradigm.

This book brings C.G. Jung and his successors in type theory into conversation with the French philosopher Emmanuel Levinas. It takes a radical view of post-modernist theory which, the author argues, is relentlessly introverted. A turn to the face of the other signals the disruption of the introversion endemic to Western culture at the moment; this is both a moral and an existential turn. A conception of mediation as transformative, and thus therapeutic, practice requires a recognition of psychic worlds beyond our own and a considered, skilled extraverted turn that simultaneously engages different psychic functions and the potential for transformation of relationship and self.

This book brings C.G. Jung into conversation with the French philosopher Emmanuel Levinas, taking a radical view of post-modernist theory which, the author argues, is relentlessly introverted. Frances Gray presents completely new research which extends analytical psychology into the world of dispute resolution in mediation within a deeply philosophical framework. Arguing that mediation is a therapeutics that entails a psycho-social archaeology which, in turn, requires recognition of the foundational roles of sex/gender, time and narrative in inter-subjective relationships, this book develops Jung''s approach to projection as an ethical process that assumes the presence of a sex/gendered Other. Chapters explore the possibility of a psycho-social archaeology through development of the argument that a radical turn to the fundamentals of our own consciousnesses can open up a landscape on which we begin to fashion the moral courage necessary for the practice of alternative dispute resolution in mediation. This book highlights Jung''s contention that withdrawal of projection is a fundamentally moral endeavour and that although Levinas'' face of the Other can be seen as a way of acknowledging the Otherness of the Other, there are limits to its application in Jungian thinking. This book maintains that the face of the Other is critical to any moral encounter and, above all, brings us to the transformational possibilities of the process of dispute resolution in mediation. Jung and Levinas will appeal to researchers, students and practitioners of analytical psychology, dispute resolution, applied ethics, conflict studies and transformation.

This book offers an important exploration of linguistic reference and representation through a Jungian understanding of symptom and symbol, using techniques including amplification, dream interpretation, and symbolic attitude. Symptom, Symbol, and the Other of Language is essential reading for academics and students engaged in the study of depth psychology.

In this book, Steve Gronert Ellerhoff explores short stories by Ray Bradbury and Kurt Vonnegut, written between 1943 and 1968, with a post-Jungian approach. Drawing upon archetypal theories of myth from Joseph Campbell, James Hillman and their forbearer C. G. Jung, Ellerhoff demonstrates how short fiction follows archetypal patterns that can illuminate our understanding of the authors, their times, and their culture. In practice, a post-Jungian `mythodology¿ is shown to yield great insights for the literary criticism of short fiction.

Chapters present a Jungian approach to music in film, highlighting how `music-image¿ functions both independently and in conjunction with the visual image, and suggesting further directions in areas of research including music therapy and autism. Divided into three cumulative parts, Part I explores the Jungian psychological account of the music-image; Part II combines theory with practice in analysing how the auditory image works with the visual to create the `film as a whole¿ experience; and Part III implements a specific understanding of three individual film cases of different genres, eras and styles as psychologically scrutinised `case histories¿.