Böcker i Reimagining Ireland-serien

The cultural, political, social and economic interaction between Ireland and Poland has a long and complex history. This volume intends to contribute to an emerging debate around the issues concerned by looking at alternative frameworks for understanding the relationship between the two countries.

«This collection marks the coming of age of Irish Jewish Studies. Beautifully curated by Zuleika Rodgers and Natalie Wynn, it brings together the best of recent scholarship, covering history, politics, literature and everyday life. Taken together these essays show the complexity of both the Irish Jewish experience and responses to them.»(Tony Kushner, James Parkes Professor of Jewish/non-Jewish relations, University of Southampton)«A refreshingly nuanced exploration of perceptions and self-perceptions of Irish Jews. The authors interrogate political, religious, economic, social and cultural discourses from the eighteenth century to contemporary times to unravel less-familiar expressions of antisemitism, alongside occasional philosemitism, and offer critical insights on the many reimaginations of Christian Ireland¿s long-standing migrant Other minority.»(Guy Beiner, Sullivan Chair of Irish Studies, Boston College)Discourse, both scholarly and popular, around the Jews of Ireland has increased in recent years and this volume of essays takes up the challenge of placing it within the framework of Jewish historiography and the study of Jewish history and culture. The focus of the volume is to provide a critical re-evaluation of the study of Irish Jews looking at key areas such as Irish Jewish historiography, communal traditions, antisemitism, nationalism (Jewish and Irish) and representations in popular media. Underlying the contributions is the desire to reassess the ways in which traditional scholarship and representation of Irish Jews have been shaped by uninterrogated narratives and a lack of understanding and sensitivity to the context of Jewish history and the Jewish experience.

This book examines film versions of Irish myth, lore, and legend, concentrating particularly on stories which encompass the life journey of the hero, as proposed by Carl Jung and adapted by Joseph Campbell. After establishing the usefulness of film as cultural critique, the author provides intertextual and comparative readings of a number of films which follow a hero's journey. The stages of this journey include the child's struggle to achieve identity and become a responsible member of the community, the adult's ability to move beyond the self and fall in love with another, and the community member's willingness to sacrifice self in the service of Ireland. In addition, the study examines the lore of matchmaking and the communal uses of legend creation, as well as providing an ironic reading of the heroic journey through an exploration of the contemporary anti-hero. The films analysed include Into the West, The Secret of Roan Inish, In America, The Quiet Man, The Matchmaker, Michael Collins, The Wind That Shakes the Barley, Veronica Guerin, and In Bruges.

Both masculinity and the Northern Irish conflict have been the subjects of a great deal of recent scholarship, yet there is a dearth of material on Northern Irish masculinity. Northern Ireland has a remarkable literary output relative to its population, but the focus of critical attention has been on poetry rather than the fine novels that have been written in and about Ulster. This book goes some way towards remedying the deficiency in critical attention to the Northern Irish novel and the lack of gendered approaches to Northern Irish literature and society. Sons of Ulster explores the representation of masculinity within a number of Northern Irish novels written since the mid-1990s, focusing on works by Eoin McNamee, Glenn Patterson and Robert McLiam Wilson. One of the key aims of the book is to disrupt notions of a hegemonic Northern Irish masculinity based on violent conflict and hyper-masculine sectarian rhetoric. The author uses the three sections of the text to represent the three key facets of Northern Irish masculinity: bodies, performances and subjectivity bound up with violence.

Irish women flourished in the publishing world at the turn of the twentieth century, and a number of the most popular and prolific of these authors chose to live and work in Britain. As expatriates, these women occupied a complex cultural space between Ireland and Britain from which they were able to observe the rapidly altering political landscape in their homeland and, in particular, the debates that concerned them as women. This book examines the lives and literature of six Irish novelists - Emily Lawless, L. T. Meade, George Egerton, Katherine Cecil Thurston, M. E. Francis and Katharine Tynan - who lived and worked in Britain between the years 1890 and 1916, between them producing nearly 500 published works. Drawing on a range of their novels, this study explores their participation in the prevailing debates of the era: the Irish Question and the Woman Question. This book was the winner of the 2013 Peter Lang Young Scholars Competition in Irish Studies.

This book offers a comprehensive study of the role of dance in a wide range of contemporary Irish plays and argues that dance can be perceived as exemplifying the re-embracement of bodily expression by the local culture. The author approaches this issue from a cultural materialist perspective, demonstrating that dance in twentieth-century Ireland was particularly prone to ideological appropriation and that, consequently, its use in contemporary drama often serves to communicate critical and revisionist approaches to the social, economic and political concerns addressed in these plays. The book makes a valuable contribution to current debates about the nature of Irish theatre, investigating recent changes to its traditional, text-based character. These are examined within two important contexts: firstly, transformations in the perception of the human body in Irish culture and, secondly, changes in the attitude of the Irish towards their past and their cultural heritage.

Often hailed as a 'national genre', the short story has a long tradition in Ireland and continues to fascinate readers and writers alike. This volume explores the Irish short story as a hybrid, multivalent and highly flexible literary form, which is forever being reshaped to meet new insights, new influences and new realities.

This engaging collection of essays considers the cultural complexities of the Franco-Irish relationship, in song and story, image and cuisine, novels, paintings and poetry. It casts a fresh eye on public perceptions of the historic bonds between Ireland and France, revealing a rich variety of contact and influence.

Recovering and exploring some of the diverse interrelationships between Ireland on the one hand and Central and Eastern Europe on the other, this volume charts some of the alternative, lesser-known routes that Irish cultural life has taken, and recalibrates the map of Irish literary, artistic and historical experiences.

Twenty years after the peace process began in the North of Ireland, many thorny political issues remain unresolved. One of the most significant questions involves the means by which acts of violence and the ideologies that subtended them can be dealt with, interrogated and questioned without rekindling conflict. This book focuses on a number of fictional and non-fictional texts published during the last two decades and analyses, through the prism of French cultural philosopher Jacques Ranciere's work, the emergence of an aesthetics of dissensus within these novels, short stories, graphic novels and memoirs. Associating close textual analyses with wider contextual readings, the book investigates the overlap of politics, aesthetics and the redistribution of the sensible in recent prose works, revealing how the authors avoid the pitfalls of a facile discourse of peace and reconciliation that whitewashes the past and behind which unaddressed tensions may continue to simmer.

This book examines the position of black and mixed-race characters in Irish film culture. By exploring key film and television productions from the 1990s to the present day, the author uncovers and interrogates concepts of Irish identity, history and nation. In 2009, Ireland had the highest birth rate in Europe, with almost 24 per cent of births attributed to the 'new Irish'. By 2013, 17 per cent of the nation was foreign-born. Ireland has always been a culturally diverse space and has produced a series of high-profile mixed-race stars, including Phil Lynott, Ruth Negga and Simon Zebo, among others. Through an analysis of screen visualizations of the black Irish, this study uncovers forgotten histories, challenges the perceived homogeneity of the nation, evaluates integration, and considers the future of the new Ireland. It makes a creative and significant theoretical contribution to scholarly work on the relationship between representation and identity in Irish cinema. This book was the winner of the 2011 Peter Lang Young Scholars Competition in Irish Studies.

This is the first multi-disciplinary collection of essays on Irish comparisons and contacts with the Czech Lands from the early modern period to contemporary times. Written by leading specialists and emerging scholars, it explores Irish-Czech exchanges and parallels across history, politics, literature, theatre, journalism and physical education.

This original and engaging study explores the way in which Colm Toibin repeatedly identifies and disrupts the boundaries between personal and political or social histories in his fiction. Through this collapsing of boundaries, he examines the cost of broader political exclusions and considers how personal and political narratives shape individual subjects. Each of Toibin's novels is comprehensively addressed here, as are his non-fiction works, reviews, plays, short stories, and some as-yet-unpublished work. The book situates Toibin not only within his contemporary literary milieu, but also within the contexts of the Irish literary tradition, contemporary Irish politics, Irish nationalism, and theories of psychology, gender, nationalism, and postcolonialism.

This volume explores canonical novels of the Irish land war, as well as looking at the material conditions of reading and writing in late nineteenth-century Ireland. It includes a reprinted letter by author Mary Anne Sadlier, a reproduction of Rosa Mulholland's little-known play Our Boycotting and a detailed bibliography of land war fiction.

This collection offers a sustained and up-to-date analysis of the cultural connections between Ireland and Scotland. It focuses on writers, from Charles Robert Maturin to Liam McIlvanney, whose work offers insights into debates around identity and politics in the two nations, often overwhelmed by connections with their larger neighbour, England.

The engaging figure of Irish writer George Moore (1852-1933) comes to light and to life in this collection of perceptive essays on his works and influences. International Moore scholars venture into previously unexplored literary, historical and psychological territory, shining new light on Moore's presentation of the quirks of human nature.

The formative influences of Paris and France on the Anglo-Irish writer George Moore (1852-1933) cannot be underestimated. These essays examine Moore's "French connections" and explore how his eclectic writings reflect the complex evolution of literature from Naturalism to Modernism through Symbolism and Decadence.

Explores bilingualism and translation in women's writing. This book argues that the 'in-between' or interstitial linguistic areas of bilingualism, translation and regionalism provide a language and imagery suitable for the expression of a specifically female consciousness.

A key event in Irish cultural memory, the Great Famine still crops up regularly in public discourse within Ireland and among the Irish diaspora. This volume, containing essays by distinguished scholars such as Peter Gray, Margaret Kelleher and Chris Morash, offers new and multidisciplinary perspectives on the Famine.

These essays offer fascinating insights into the role played by gastronomy in Irish literature and culture. They explore the importance of food in Irish writing; culinary practices among the 1950s Dublin working class; new trends among Ireland's 'foodie' generation; and the economic and tourism possibilities created by gastronomic nationalism.

This volume explores inter-artistic connections in Irish literature, drama, film and the visual arts. It looks at how writers such as Seamus Heaney, John Banville and W.B. Yeats have responded to the visual arts, as well as discussing Brian Friel's drama, James Barry's Shakespeare paintings and contemporary Irish film and visual arts.

This book contributes to the burgeoning field of John McGahern Studies by offering a collaborative reassessment of his writing. Its contributors provide provocative readings of McGahern's major works and also examine some of his lesser-known short stories, essays and unpublished archival materials which have not yet received due critical attention.

Providing unique and new perspectives that have been evolved mostly from papers read at an international conference held in Kyoto, Japan, this collection attempts to reassess and explore the values of Irish literature in a global context.

In 2005, when John McGahern published his Memoir, he revealed for the first time in explicit detail the specific nature of the autobiographical dimension of his fiction, a dimension he had hitherto either denied or mystified. Taking Memoir as a paradigmatic work of memory, confession, and imaginative recovery, this book is a close reading of McGahern's novels that discovers his narrative poiesis in both the fiction and the memoir to be a single, continuous, and coherent mythopoeic project concealed within the career of a novelist writing ostensibly in the realist tradition of modern Irish fiction. McGahern's total body of work centres around the experiences of loss, memory, and imaginative recovery. To read his fiction as an art of memory is to recognize how he used story-telling to confront the extended grief and anger that blighted his early life and that shaped his sense of self and world. It is also to understand how he gradually, painfully and honestly wrote his way out of the darkness and despair of the early work into the luminous celebration of life and the world in his great last novel That They May Face the Rising Sun.

The first comprehensive analysis of the Irish-Argentine community in a century, this book uses the archive of the Southern Cross, the Irish-Argentine newspaper, to analyse the divisions that opened up in the Irish-Argentine community in response to 1916, the two World Wars, Peronism, the military dictatorship, and the Falklands/Malvinas war.

This volume represents a significant new stage in Irish Famine scholarship, adopting a broad interdisciplinary approach that includes ground-breaking demographical, economic, cultural and literary research on poverty, poor relief and class relations during one of Europe's most devastating food crises.

This study explores the fiction of John Banville within a variety of cultural, political, ethical and philosophical contexts. Through thematic readings of the novels, Eoghan Smith examines the complexity of Banville's view of the artwork and explores the novelist's attraction and resistance to forms of authenticity, whether aesthetic, existential or ideological. Emphasizing in particular the influence of Banville's major Irish modernist precursor, Samuel Beckett, this book places the local elements of his writing alongside his wide-ranging literary and philosophical interests. Highlighting the evolving nature of Banville's engagement with varieties of authenticity, it explores the art of failure and the failure of art, the power and politics of the contemporary imagination, and the ways in which this important contemporary writer continues to redefine the boundaries of Irish fiction.

Analyses the influence of the Guinness brand's provenance on advertising campaigns aimed at consumers living in Ireland between 1959 and 1999, and the extent to which Guinness's advertising has influenced Irish culture and society.