Böcker i Post-Contemporary Interventions-serien

The "Other" - source of fear and fascination; emblem of difference demonised and romanticised. Theories of alterity and cultural diversity abound in the contemporary academic landscape. This title encompasses Segalen's attempts to define "true Exoticism."

Views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models.

Details the end of the modern and the emergence of the postmodern in 1960s philosophy, literature and popular culture

Gilles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines the logic of Deleuze's theories and their relationship to his philosophy of difference.

Aims to reconstruct the colonial imagination of the eighteenth century. By exploring representations of peoples and cultures subjected to colonial discourse, the author makes a case for the agency - or the capacity to resist domination - of those oppressed. He reveals the development of anticolonial consciousness prior to the nineteenth century.

Argues that the contemporary commitment to the importance of cultural identity has reovated rather than replaced an earlier commitment to r4acial identity and asserts that the idea of culture, far from constituting a challenge to racism, is actually a for

The narratives of five Centro-Caribbean writers are shown to debate the predicament of women under nation formation within the confines of marriage and the home.

Argues that contemporary copyright law, rooted as it is in a nineteenth-century Romantic understanding of the author as a solitary creative genius, may be inapposite to the realities of cultural production. This volume explores the social and cultural construction of authorship as a step toward redefining notions of authorship and copyright.

The white man''s burden, darkest Africa, the seduction of the primitive: such phrases were widespread in the language Western empires used to talk about their colonial enterprises. How this language itself served imperial purposes--and how it survives today in writing about the Third World--are the subject of David Spurr''s book, a revealing account of the rhetorical strategies that have defined Western thinking about the non-Western world.Despite historical differences among British, French, and American versions of colonialism, their rhetoric had much in common. The Rhetoric of Empire identifies these shared features—images, figures of speech, and characteristic lines of argument—and explores them in a wide variety of sources. A former correspondent for the United Press International, the author is equally at home with journalism or critical theory, travel writing or official documents, and his discussion is remarkably comprehensive. Ranging from T. E. Lawrence and Isak Dineson to Hemingway and Naipaul, from Time and the New Yorker to the National Geographic and Le Monde, from journalists such as Didion and Sontag to colonial administrators such as Frederick Lugard and Albert Sarraut, this analysis suggests the degree to which certain rhetorical tactics penetrate the popular as well as official colonial and postcolonial discourse. Finally, Spurr considers the question: Can the language itself—and with it, Western forms of interpretation--be freed of the exercise of colonial power? This ambitious book is an answer of sorts. By exposing the rhetoric of empire, Spurr begins to loosen its hold over discourse about—and between—different cultures.

An argument that subaltern experiences that are devalued and overlooked in progressive late-twentieth-century Philippine literature have been essential to the social and economic changes wrought by globalization.

Fredric Jameson is one of the influential literary and cultural critics writing. His ideas about the intersections of politics and culture have reshaped the critical landscape across the humanities and social sciences. This book discusses his intellectual and political preoccupations, his commitment to Marxism and the culture it has engendered.

The Italian art cinema of the 1960s is known worldwide for its brilliance and vitality. This title argues for an understanding of that cinema as a negotiation between a national aesthetic tradition of realism and a nascent post-modern image culture. It is suitable for scholars and students in different areas of film studies.

Tracing the development of British cultural Marxism from beginnings in postwar Britain to the emergence of British cultural studies at Birmingham, this book shows this history to reflect a coherent intellectual tradition, one that represents an implicit and explicit theoretical effort to resolve the crisis of the postwar British Left.

An argument that the sensation of speed (made available to many through the mass-produced automobile) was the quintessential way that people experienced modernity.

Explores the various metaphoric uses of travel and displacement in literary and feminist theory, traces the political implications of this "travelling theory," and shows how various discourses of displacement link, rather than separate, modernism and postmodernism.

A literary exploration of the prevalence of death--its connection to political oppression and its use as salvation--in Richard Wright's work.

Examines the fiction produced in the aftermath of the 20th century's Latin American dictatorships, particularly those in Argentina, Brazil, and Chile. This title argues that through their legacy of social trauma and their obliteration of history, these military regimes gave rise to practices of mourning that pervade the literature of the region.

Proposes new paradigms more suited to Latin America's reconfigured political landscape

Translated into English for the first time, this work portrays a different side of Hegel -- not just as a philosopher preoccupied with abstract ideas but a man deeply enmeshed and active in the pressing, concrete political issues of his time

Tales of child sacrifice, demon lovers, incestual relations, and returns from the dead are part of English and Irish gothic literature. This book shows how Anglo-Irish gothic works written from the eighteenth through the twentieth centuries reflect the destructive effects of imperialism on the children.

An argument that it was only on September 11, 2001, that the symbolic universe of the Cold War was finally destroyed and a new world order put into place.

Challenges the contemporary critique of ideology, and in doing so opens the way for a new understanding of social conflict, particularly the recent outbursts of nationalism and ethnic struggle.

Author has been a pioneer in the development of concepts crucial to the discourse of contemporary critical and cultural theory, especially postcolonial theory. This book translates into English many of his seminal essays and, in the process, introduces the thought of one of Brazil's critics and theorists of the late twentieth century.

Suitable for all those for whom the politics of subjectivity pose real problems of authority, identity, and belief, this book discusses its roles within the fields of legal theory, social science, fiction, philosophy, and ethics.

Includes the essays that focus on China and its interactions with the West to historicise an economy of translation. This work contends that 'national histories' and 'world history' must be read with absolute attention to the types of epistemological translatability that have been constructed among various languages and cultures in modern times.

The term 'subalternity' refers to a condition of subordination brought about by colonisation or other forms of economic, linguistic, and/or cultural dominance. This title examines the relationship between subalternity and representation by analysing the ways in which that relationship has been played out in the domain of Latin American studies.

Brings together philosophy and literature, theory and practical criticism, the Western and the non-Western in defining common ground on which East and West may come to a mutual understanding

Brings together the work of critics who have ventured into the boundaries between dance and cultural studies to find new ways of approaching matters of embodiment, identity, and representation