Böcker i Object Lessons-serien

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.In an election year, political signs can be impossible to avoid. They're in front yards, on bumper stickers, and in some places you might never have expected. Tobias Carroll chronicles the permutations and secret histories of political signs, venturing into the story of how they came to be and illuminating how the signs around us shape us in ways we often fail to appreciate. In an era of political polarization and heated debate, what can be learned from studying how our personal space becomes the setting for both? Understanding political signs can help us understand our current political moment, and how we might transcend it.Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.From the theater mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity. Even as they conceal and protect, masks - as faces - are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicized, Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object.By exploring who we do (and do not) seek to protect through different forms of masking, Sharrona Pearl's long history of masks helps us to better understand what it is we value. Object Lessons is published in partnership with an essay series in The Atlantic.

Science fiction is filled with spacecraft. On Earth, actual rockets explode over Texas while others make their way to Mars. But what are spacecraft, and just what can they teach us about imagination, ecology, democracy, and the nature of objects? Why do certain spacecraft stand out in popular culture?If ever there were a spacecraft that could be detached from its context, sold as toys, turned into Disney rides, parodied, and flit around in everyone's head-the Millennium Falcon would be it. Springing from this infamous Star Wars vehicle, Spacecraft takes readers on an intergalactic journey through science fiction and speculative philosophy, revealing real-world political and ecological lessons along the way. In this book Timothy Morton shows how spacecraft are never mere flights of fancy.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.To hyphenate or not to hyphenate has been a central point of controversy since before the imprinting of the first Gutenberg Bible. And yet, the hyphen has persisted, bringing and bridging new words and concepts. Hyphen follows the story of the hyphen from antiquity-"Hyphen" is derived from an ancient Greek word meaning "to tie together" -to the present, but also uncovers the politics of the hyphen and the role it plays in creating identities. The journey of this humble piece of connective punctuation reveals the quiet power of an orthographic concept to speak to the travails of hyphenated individuals all over the world. Hyphen is ultimately a compelling story about the powerful ways that language and identity intertwine. Mahdavi-herself a hyphenated Iranian-American-weaves in her own experiences struggling to find a sense of self amidst feelings of betwixt and between. Through stories of the author and three other individuals, Hyphen collectively considers how to navigate, articulate, and empower new identities. Object Lessons is published in partnership with an essay series in The Atlantic.

A New Statesman essential non-fiction book of 2021Featured in Book Riot's 12 best nonfiction books about Black identity and historyA Times Higher Education Book of the Week2022 Finalist for the Prose Awards (Media and Cultural Studies category)Why are there so many examples of public figures, entertainers, and normal, everyday people in blackface? And why aren't there as many examples of people of color in whiteface? This book explains what blackface is, why it occurred, and what its legacies are in the 21st century. There is a filthy and vile thread-sometimes it's tied into a noose-that connects the first performances of Blackness on English stages, the birth of blackface minstrelsy, contemporary performances of Blackness, and anti-Black racism. Blackface examines that history and provides hope for a future with new performance paradigms. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The ocean comprises the largest object on our planet. Retelling human history from an oceanic rather than terrestrial point of view unsettles our relationship with the natural environment. Unlike familiar stories of agricultural settlements and conquering empires, an oceanic context immerses human bodies in alien waters. Our engagement with the world ocean can be destructive, as with today's deluge of plastic trash and acidification, but the mismatch between small bodies and vast seas also emphasizes the frailty of human experience. From ancient stories of shipwrecked sailors to the containerized future of 21st-century commerce, Ocean splashes the histories we thought we knew into an unfamiliar context.Object Lessons is published in partnership with an essay series in the The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. "You are what you eat." Never is this truer than when we use medications, from beta blockers and aspirin to Viagra and epidurals-and especially psychotropic pills that transform our minds as well as our bodies. Meditating on how modern medicine increasingly measures out human identity not in T. S. Eliot's proverbial coffee spoons but in 1mg-, 5mg-, or 300mg-doses, Pill traces the uncanny presence of psychiatric pills through science, medicine, autobiography, television, cinema, literature, and popular music. Robert Bennett reveals modern psychopharmacology to be a brave new world in which human identities- thoughts, emotions, personalities, and selves themselves-are increasingly determined by the extraordinary powers of seemingly ordinary pills.Object Lessons is published in partnership with an essay series in The Atlantic.

Best Fifteen Books of March 2019, Refinery29Best Nonfiction Books of 2019, Paste MagazineObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Fetishized, demonized, celebrated, and outlawed, the high heel is central to the iconography of modern womanhood. But are high heels good? Are they feminist? What does it mean for a woman (or, for that matter, a man) to choose to wear them?Meditating on the labyrinthine nature of sexual identity and the performance of gender, High Heel moves from film to fairytale, from foot binding to feminism, and from the golden ratio to glam rock. Summer Brennan considers this most provocative of fashion accessories as a nexus of desire and struggle, sex and society, violence and self expression, setting out to understand what it means to be a woman by walking a few hundred years in her shoes.Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those waste objects that most fundamentally shape our lives and also attempts to understand our complicated emotional and intellectual relationships to our own refuse: nuclear waste, climate debris, pop-culture rubbish, digital detritus, and more.Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Once upon a time, the news was only 15 minutes long and middle-class families huddled around a tiny black-and-white screen, TV dinners on their laps, awaiting weekly sitcoms that depicted an all-white world in which mom wore pearls and heels as she baked endless pies. If this seems a distant past, that's a measure of just how much TV has changed-and changed us. Weaving together personal memoir, social and political history, and reflecting on key moments in the history of news broadcasting and prime time entertainment, Susan Bordo opens up the 75-year-old time-capsule that is TV and illustrates what a constant companion and dominant cultural force television has been, for good and for bad, in carrying us from the McCarthy hearings and The Adventures of Ozzie and Harriet to Mad Men, Killing Eve, and the emergence of our first reality TV president.Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Fog, a cloud that touches the ground, marks the fuzzy and shifting boundary of just how much (or little) we are willing to tolerate the natural world. Viewed from beyond the fog line, it is picturesque, the stuff of postcards and viral videos; yet from within it is a menace, responsible for travel delays and accidents-including the deadliest airline disaster in history-and is a vessel of terror and contagion. Stephen Spark's Fog traces the brief history of fog from the mid-19th century, when Oscar Wilde claimed that fog was invented, to the 21st-century Pacific coast, where scientists believe fog may be going extinct, to reveal a history of our conflicting desires to eliminate and appreciate fog. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. When the Sony Walkman debuted in 1979, people were enthralled by the novel experience it offered: immersion in the music of their choice, anytime, anywhere. But the Walkman was also denounced as self-indulgent and antisocial-the quintessential accessory for the "me" generation. In Personal Stereo, Rebecca Tuhus-Dubrow takes us back to the birth of the device, exploring legal battles over credit for its invention, its ambivalent reception in 1980s America, and its lasting effects on social norms and public space. Ranging from postwar Japan to the present, Tuhus-Dubrow tells an illuminating story about our emotional responses to technological change. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Gin tastes like Christmas to some and rotten pine chips to others, but nearly everyone familiar with the spirit holds immediate gin nostalgia. Although early medical textbooks treated it as a healing agent, early alchemists (as well as their critics) claimed gin's base was a path to immortality-and also Satan's tool. In more recent times, the gin trade consolidated the commercial and political power of nations and prompted a social campaign against women. Gin has been used successfully as a defense for murder; blamed for massive unrest in 18th-century England; and advertised for as an abortifacient. From its harshest proto-gin distillation days to the current smooth craft models, gin plays a powerful cultural role in film, music, and literature-one that is arguably older, broader, and more complex than any other spirit. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Drones are in the newspaper, on the TV screen, swarming through the networks, and soon, we're told, they'll be delivering our shopping. But what are drones? The word encompasses everything from toys to weapons. And yet, as broadly defined as they are, the word "drone" fills many of us with a sense of technological dread. Adam Rothstein cuts through the mystery, the unknown, and the political posturing, and talks about what drones really are: what technologies are out there, and what's coming next; how drones are talked about, and how they are represented in popular culture.It turns out that drones are not as scary as they appear-but they are more complicated than you might expect. Drones reveal the strange relationships that humans are forming with their new technologies.Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Every shelf is different and every bookshelf tells a different story. One bookshelf can creak with character in a bohemian coffee shop and another can groan with gravitas in the Library of Congress. Writer and historian Lydia Pyne finds bookshelves to be holders not just of books but of so many other things: values, vibes, and verbs that can be contained and displayed in the buildings and rooms of contemporary human existence. With a shrewd eye toward this particular moment in the history of books, Pyne takes the reader on a tour of the bookshelf that leads critically to this juncture: amid rumors of the death of book culture, why is the life of the bookshelf in full bloom?Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Feared and worshiped in equal measure, snakes have captured the imagination of poets, painters, and philosophers for centuries. From Ice Age cave drawings to Snakes on a Plane, this creature continues to enthrall the public. But what harm has been caused by our mythologizing? While considering the dangers of stigma, Erica Wright moves from art and pop culture to religion, fetish, and ecologic disaster. This book considers how the snake has become more symbol than animal, a metaphor for how we treat whatever scares us the most, whether or not our panic is justified.Object Lessons is published in partnership with an essay series in the The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. "Nothing's bulletproof," the salesman said. "The thing's only bullet resistant." The New York Times journalist Kenneth R. Rosen had just purchased his first bulletproof vest and was headed off on assignment in Iraq. He was travelling into the city of Mosul when he came to realize that the idea of a bulletproof vest is more effective than the vest itself. From its very inception, poly-paraphenylene terephthalamide, as the chemical compound of Kevlar is known, was meant for tires. Its humble roots and applications are often lost to the colloquialism of the word, now synonymous with body armor, war zones, and domestic terrorism. But in fact, Kevlar is used as a material in more than 200 applications, including tennis rackets, skis, and parachute lines. What Rosen learned through an intimate use of his bulletproof vest was that it acts as a metaphor for all the precautions we take toward digital, physical, and social security; at their most extreme, bulletproof vests represent a human desire to forge ahead. Bulletproof Vest is at once an introspective journey into the properties and precisions of a bulletproof vest on a molecular level and on the world stage. It is also an ode to living precariously, an open letter that defends the notion that life is worth the risk.Object Lessons is published in partnership with an essay series in the The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Exits are all around us. They are the difference between travelling and arriving, being on the inside or outside. Whether signposted or subversive, personal or political, choices or holes we've fallen through, exits determine how we move around our lives, cities, and the world. What does it really mean to 'exit'? In these meditations on exits in architecture, transport, ancestry, language, garbage, death, Sesame Street and Brexit, Laura Waddell follows the neon and the pictograms of exit signs to see what's on the other side. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The story of the compact disc is also the story of the end of physical media. It is the story of how the quest for perfection laid the grounds for the death of a great industry. For in the passage from analogue media, like records and tapes, to digital media, like CDs, something changed in the nature of media and in the relationship we have with music. Music became code, a sequence of 1s and 0s. A flow of pure information. The material structure of the medium itself was always supposed to disappear. But the physical has proved to possess an uncanny knack for returning. The CD was killed in the 1990s - first by emphasizing its physical nature, later by removing it altogether. But today the CD persists - a zombie medium, still popular amongst certain avantgarde record labels and Japanese consumers. Against all the odds, the spectre endures.Object Lessons is published in partnership with an essay series in the The Atlantic.

The magnet has been in existence for more than 13 billion years, born just after the big bang. Magnets were used by ancient cultures for architecture, alignment and art. They are in MRIs, maglev trains, tape recorders, and other technologies. From the physical to the metaphorical, our language is littered with magnetic allusions: magnetic personalities, animal magnetism, Mesmerism. Since humans began to write about it two thousand years ago, the magnet has inspired tales of myth, magic, exploration, science, and art. Eva Barbarossa weaves together these stories of ancient and modern wonders, of discovery and creation, of madness and desire, of beauty and awe, taking us from the spectacle of the aurora borealis to the disastrous searches for magnetic north.

Hashtags silence as well as shout. They originate in the quiet of the archive and the breathless suspense of the control room, as well as in the roar of rallies in the streets. The #hashtag is a composite creation, with two separate design histories: one involving the crosshatch symbol and one about the choice of letters after it.Although hashtags tend to be associated with Silicon Valley invention myths or celebrity power users, the story of the hashtag is much more interesting and surprising, speaking to how we think about naming, identity, and ownership.

Sometime in the mid-1990s, we began, often with some trepidation, to enroll for a service that promised to connect us?electronically and efficiently?to our friends and lovers, our bosses and merchants. If it seemed at first like simply a change in scale (our mail would be faster, cheaper, more easily distributed to large groups), we now realize that email entails a more fundamental alteration in our communicative consciousness. Despite its fading relevance in the lives of the younger generation in the face of an ever-changing array of apps and media, email is probably here to stay, for better or worse.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Baked potatoes, Bombay potatoes, pommes frites . . . everyone eats potatoes, but what do they mean? To the United Nations they mean global food security (potatoes are the world's fourth most important food crop). To 18th-century philosophers they promised happiness. Nutritionists warn that too many increase your risk of hypertension. For the poet Seamus Heaney they conjured up both his mother and the 19th-century Irish famine. What stories lie behind the ordinary potato? The potato is entangled with the birth of the liberal state and the idea that individuals, rather than communities, should form the building blocks of society. Potatoes also speak about family, and our quest for communion with the universe. Thinking about potatoes turns out to be a good way of thinking about some of the important tensions in our world. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The veil can be an instrument of feminist empowerment, and veiled anonymity can confer power to women. Starting from her own marriage ceremony at which she first wore a full veil, Rafia Zakaria examines how veils do more than they get credit for. Part memoir and part philosophical investigation, Veil questions that what is seen is always good and free, and that what is veiled can only signal servility and subterfuge. From personal encounters with the veil in France (where it is banned) to Iran (where it is compulsory), Zakaria shows how the garment's reputation as a pre-modern relic is fraught and up for grabs. The veil is an object in constant transformation, whose myriad meanings challenge the absolute truths of patriarchy. Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. This book is about a strange object-strange in part because it is something that we all have been, and that many of us eat. Nicole Walker's Egg relishes in sharp juxtapositions of seemingly fanciful or repellent topics, so that reproductive science and gustatory habits are considered alongside one another, and personal narrative and broad swaths of natural history jostle, like yolk and albumen. Mapping curious eggs across times, scales, and spaces, Egg draws together surprising perspectives on this common object-egg as food, as art object, as metaphor and feminist symbol, as cultural icon.Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.In Earth, a planetary scientist and a literary humanist explore what happens when we think of the Earth as an object viewable from space. As a "blue marble," "a blue pale dot," or, as Chaucer described it, "this litel spot of erthe," the solitary orb is a challenge to scale and to human self-importance. Beautiful and self-contained, the Earth turns out to be far less knowable than it at first appears: its vast interior an inferno of incandescent and yet solid rock and a reservoir of water vaster than the ocean, a world within the world. Viewing the Earth from space invites a dive into the abyss of scale: how can humans apprehend the distances, the temperatures, and the time scale on which planets are born, evolve, and die?Object Lessons is published in partnership with an essay series in The Atlantic.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The open-access edition of this text was made possible by a Philip Leverhulme Prize from The Leverhulme Trust.Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Where does a password end and an identity begin? A person might be more than his chosen ten-character combination, but does a bank know that? Or an email provider? What's an 'identity theft' in the digital age if not the unauthorized use of a password? In untangling the histories, cultural contexts and philosophies of the password, Martin Paul Eve explores how 'what we know' became 'who we are', revealing how the modern notion of identity has been shaped by the password. Ranging from ancient Rome and the 'watchwords' of military encampments, through the three-factor authentication systems of Harry Potter and up to the biometric scanner in the iPhone, Password makes a timely and important contribution to our understanding of the words, phrases and special characters that determine our belonging and, often, our being.Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to mention dust mites who make it their home. And so, dust blurs the boundaries between the living and the dead, plant and animal matter, the inside and the outside, you and the world ("for dust thou art, and unto dust shalt thou return"). This book treats one of the most mundane and familiar phenomena, showing how it can provide a key to thinking about existence, community, and justice today.Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. From its origins in the late 19th century to its decline in the 21st, Sheila Liming's Office narrates a cultural history of a place that has arguably been the primary site of labor in the postmodern economy. During the post-war decades of the 20th century, the office rose to prominence in culture, achieving an iconic status that is reflected in television, film, literature, and throughout the history of advertising. Most people are well versed in the clichés of office culture, despite evidence that an increasing number of us no longer work in offices. With the development of computing technology in the 1980s and 90s, the office underwent many changes. Microsoft debuted its suite of multitasking applications known as Microsoft Office in 1989, firing the first shot in the war for the office's survival. This book therefore poses the question: how did culture become organized around the idea of the office, and how will it change if the office become extinct?Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. During the breakdown of an unhappy marriage, writer Joanna Walsh got a job as a hotel reviewer, and began to gravitate towards places designed as alternatives to home. Luxury, sex, power, anonymity, privacy.hotels are where our desires go on holiday, but also places where our desires are shaped by the hard realities of the marketplace. Part memoir and part meditation, this book visits a series of rooms, suites, hallways, and lobbies-the spaces and things that make up these modern sites of gathering and alienation, hotels.Object Lessons is published in partnership with an essay series in The Atlantic.