Böcker i Oberon Modern Plays-serien

Meet Karim, Rehaan and Ammi, three first and second generation Pakistani immigrants trying to make a living, a life and a home in the UK's cultural capital, London.Another day on Harlesden High Street and business is not going well. Karim needs to save for Ammi's operation and time is running out. Rehaan wants to marry Firoza but who will take a man with such pitiful prospects? Something has to change and it has to change soon, but what hope is there when all they can sell is toilet roll and jackfruit?Harlesden High Street is a feast for the senses, an explosive exploration of the meaning, value and significance of home.Thought-provoking, witty, carefully observed and beautifully written in verse, this is a play for everyone and anyone who has ever lived in London. Boasting one of the most diverse populations on the planet, London has an influx of thousands of immigrants every year. But what happens to this population when the country's social, financial and political climate is stretched?How are London's demographically diverse boroughs affected?What changes and sacrifices have to be made in order to survive?

'You'd like that, would you, your most private, pinkest, tenderest - small bird, small bird, small fragile - stolen from you, slammed down onto the slab, the block, poked at and paraded.'The children swing their legs on the chairs. The student delivers the presentation. The older woman stands with the gun. The young couple arrives at the house. The house is returning to nature. A movie is being made. The truth is being plundered. But the house is still lived in and the spirit to resist is strong.Janet Adler and Margaret Gibb were conceptual artists working in New York at the end of the last century. They were described by art critic Dave Hickey as the 'most ferociously uncompromising voice of their generation'. With Adler's death in 2004, however, the compromise began.Adler & Gibb tells the story of a raid - on a house, a life, a reality and a legacy. The play takes Tim Crouch's fascination with form and marries it to a thrilling story of misappropriation.Also includes what happens to the hope at the end of the evening by Tim Crouch and Andy Smith, a facsimile of the text as used in performance.

M.Rock is a magical new play, based on a true story, about the enduring joys of music, dancing and self-discovery.In his distinctive language, Philpott charts the fortunes of 18-year-old Tracey and her grandmother Mabel. Tracey has just finished school, she's bought a round-the-world ticket and is flying away to soak up experience. By contrast, Mabel is stable. She plays piano for The Players, knits for the African appeal and looks after Hilda's cat.When Tracey misses her plane home, Mabel sets off on a quest to find her granddaughter. But what she finds is her inner DJ.

Full of fun, seriously dramatic too, this collection of monologues takes you on a wondrous journey through the lives of six Scots who lose their partners but come out the other end still fighting. These are their strange, marvellous stories of sex, drugs, crown green bowls, heartbreak and a Turkish adventure!Grae Cleugh's first play F ing Games was produced at the Royal Court Theatre and was directed by Dominic Cooke. It won him the Laurence Olivier Award for the UK's Most Promising Playwright.

By mixing text, 3D animation and a dynamic physicality, this play is a powerful look at the ripple effects of one man's decision.

"My heart had broken. Cracked like a paving stone tapped by a mallet. All things in life which require effort - pleasure, passion, wit and thought - are impossible when your heart is cracked. And it's also very hard to get out of bed"Tonight everything must go.Melody's got secrets. Dirty, dark, sick-to-the-bottom-of-your-stomach secrets that she's hidden away from for years. The tattoos up her arms tell part of the story, but the truth is a lot more complicated.John, the boyfriend, thinks he knows Melody but he doesn't know the half of it. To him, it's just a question of presentation. Olive, Melody's irascible almost-mother-in-law, thinks she knows all about it. She isn't afraid to put her oar in, but she's got her version of events to hide. Ashley turns up at Melody's door on a mission to reveal everything. Only she doesn't know the full picture.The pressure that's been building up for years is about to boil over. Melody premiered at the Traverse Theatre in March 2006.

Elizabeth Bishop and Robert Lowell were two of America's most brilliant poets. Throughout their lifetime, they wrote over 400 letters to each other; spanning decades, continents, political eras. Their connection was messy and profound, platonic yet romantic, intense and intangible. A love that resists easy definition.These are their words.Susan Smith Blackburn award winner Sarah Ruhl has crafted a stunning and quietly bold piece of theatre about what it means to love someone, and all the questions we regret never asking.

Tracey Gordon, the 67 bus, friendship, sex, UK garage, school, music, teachers, friendship, periods, emergency contraceptive, arse and tits, friendship, raves, tampons, white boys, God, money. Friendship. Aaron, Candice, sex and Connor Jones. Chewing Gum Dreams is a one-woman play that recalls those last days of innocence before adulthood.Written and performed by Michaela Coel who spent her childhood in Hackney, London, Chewing Gum Dreams won the 2012 Alfred Fagon Award.

Young Marx is a comedy set in 1850's London, where Karl Marx, is hiding in Dean Street, Soho. Broke and restless, the play portrays the thirty-two-year-old revolutionary as a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy.Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there's still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.Young Marx aims to demystify Karl Marx, and is full of jokes and farce. It was chosen as the first play at the opening of London's Bridge Theatre in 2017, where it played to critical acclaim.

In a remote Russian town, Olga, Masha and Irina long for life in Moscow - but their plans go nowhere. Disaster, deception, meaningless self-sacrifice - in Chekhov's heartbreaking masterpiece, each new twist of fate sees the sisters' control over their destiny slip away.This version of The Three Sisters has been radically re-worked. It is set in modern day Russia, with modern language and it re-imagines the sisters' dreams and the world around them. This compelling version of the Russian classic by renowned Australian director Benedict Andrews premiered at the Young Vic on 8 September 2012. Benedict Andrew's version of Three Sisters was third in the Guardian's top ten best theatre picks of 2012.

Includes the plays The Author, England, An Oak Tree and My Arm. My Arm'...he is actually exploring on stage the nature of art and performance itself, taking risks in the process. At these moments, Crouch is armed and dangerous.' GuardianAn Oak Tree'Pirandello for a modern audience and better. It's philosophy inaction, playful and seriously thought-provoking.' Independent on SundayENGLAND'.created with rigorous, poetic economy. ENGLAND belongs to that wonderful genre of thoughtful plays that could be discussed for hours without exhausting its ideas.' New York TimesThe Author'This is not audience participation; it is the audience at once being the theatre and interrogating it.' Financial Times

A dramatised reconstruction of the events in the six month inquiry into the murder of Stephen Lawrence. The case has gone from being a black family tragedy to a British tragedy, with the public identifying with his parents' loss and subsequent sense of outrage.

A Tempest is Aime Cesaire's anti-colonialist retelling of Shakespeare's The Tempest.

Includes two plays retelling ancient Greek dramas: "The Murders at Argos" retells the Oreseia story with Orestes and Electra as murderous teens; and "Cressida Among the Greeks" takes place during the last days of the Trojan War.

A screenplay by Nick Dear, this text is an adaptation of Jane Austen's novel "Persuasion". It is the story of Anne Elliot who is engaged to a naval officer but is persuaded to abandon thoughts of marriage to him on the grounds of his dubious financial prospects.

Barber Shop Chronicles is a generously funny, heart-warming and insightful new play set in five African cities, Johannesburg, Harare, Kampala, Lagos, Accra, and in London