Böcker i Oberon Modern Plays-serien

Ei jente sit på ein sofa, ho veit ikkje kva ho skal finne på. Ho kranglar med mora og er sjalu på den eldre søstra. Ho lengtar også etter den fraverande faren, ein sjømann.

Three generations of women. For each, the chaos of what has come before brings with it a painful legacy. "I have Stayed. I have Stayed - I have Stayed for as long as I possibly can."

"Shakespeare's dexterous comedy of two twin masters and two twin servants continually mistaken for one another is both farce and more than farce. The Comedy of Errors examines the interplay between personal and commercial relationships, and the breakdown of social order that follows the disruption of identity" --

A wonderful book for drama enthusiasts, young adults and children, drama teachers and youth theatre groups.

Condemned as a "libel on the British people" when it was first produced in 1951, "Absolute Hell" is set in a decaying West End drinking club at the end of the Second World War. The 1995 production at the Royal National Theatre starred Judi Dench and was directed by Anthony Page.

'We are not beggars. I am not here for you to cast your pity at me like breadcrumbs tossed to a cripple. Because I know you're listening to me; and my voice won't be silent, not yet.'Tejas Verdes ('Green Gables'), once a sea-side resort, was an infamous Chilean torture and detention centre during the early years following the Pinochet coup in 1973. Fermin Cabal's humane and powerful play traces the life of a young woman who vanished one night in Santiago. Beneath the tolling of the church bells, her voice and the voices of those who share her story ring out with poetic beauty and overwhelming love.

A moving and powerful play about the joy and the heartbreak that motherhood brings to three very different mothers. Ali was always going to be a dancer. She was still dancing the day she gave birth. Careful Kitty, housewife and mother, sits in her silent home and waits for the daughter who doesn't return. And Milena, desperate to protect her children and carrying a terrible secret.

Somebody hit Tracy on the head with a brick. And something just as bad has happened to Julia. But how can you hang on to your identity when you don't know who you are anymore? Head/Case is a powerful drama about identity and a mind damaged almost beyond repair.How do you define yourself when you literally don't know who you are anymore? How do you begin to heal when you cannot fix your sense of self? And how much does nationality, culture and memory shape who you actually are?Produced at the Soho Theatre in January 2005.

'None of this is the truth. It's just people saying things. It's all subjective. There's the truth, and there's what people think is the truth, and it all depends on how you slant it...'Taking Care of Baby tackles the complex case of Donna McAuliffe, a young mother convicted of the murder of her two infant children. In a series of probing interviews the people in this extraordinary story, including Donna herself and her bewildered mother Lynn, reveal how they may have harmed those they sought to protect.Dennis Kelly's ambitious play uses the popular techniques of drama-documentary and verbatim theatre to explore how truth is compromised by today's information culture.

Winner Evening Standard Most Promising Playwright.Shortlisted for Susan Smith Blackburn Award.Autumn, and the orchard is full of cider apples: Beauty of Bath, Kingston Black and Glory of the West. Inside the farmhouse, the rule of the matriach Irene is challenged when her estranged daughter returns and her middle-aged son, beginning to tire of being tied to the unprofitable farm, grows restless.A richly evocative tale about life in our changing rural landscape.

Jamaica: a sensual paradise where the sun, sea and sand are free but anything more comes at a price.Welcome to the 21st century where women travel across the world in search of sex, love, and liberation but the reality is that hard cash equals hard men. Toned torsos and slick sweet talk meets orange peel beneath the coconut trees in an exchange that leaves everyone short-changed.Sugar Mummies is a funny, provocative and revealing study of the pleasures and pitfulls of female sex tourism.It was a huge success at the Royal Court Theatre in August 2006, and proceeded to tour throughout the UK.

On the eve of his release from Feltham Young Offenders Institution, Zahid Mubarek, a young British Asian man, was attacked by his racist cellmate. One week later he died of his injuries.How was this allowed to happen? This new play traces the Mubarek family's pursuit of the truth. Based on evidence given to the Zahid Mubarek Inquiry and interviews taken, one of Britain's leading writers examines the incompetence of the official response to Zahid Mubarek's death.

Inspired by Intimate Death by Marie de Hennezel.Can the dying teach us how to live? Inspired by the experiences of psychologist and palliative careworker Marie de Hennezel, we are asked to accompany people towards death. Characters explain to the audience the nature and progress of their disease and share final thoughts and deeds. A beautifully simple piece. On Death is part of a groundbreaking series of 'theatre essays', which use drama as a way of exploring the fundamental preoccupations of modern life. Other works include On Love and On Ego.

Friendships grow in the most unlikely of places. Mrs Reynolds is a little old lady. Jay is a troubled youth. When he vandalises her lovingly tended garden, the authorities send him back to help her fix it. It seems a recipe for disaster - but human beings are more complex than the headlines.At first glance this is a simple tale of two generations locked in battle, Mrs Reynolds standing up for traditional values with her "e;nice little house, nice little garden and nice little life"e; vs. Jay, the textbook chain-smoking hoodie prowling the urban jungle demanding respect but offering little in return. But there is more to these characters than the other suspects. Just as they think they have the measure of each other, something is revealed and they are shocked by what they find out.Mrs Reynolds and the Ruffian explores human nature and friendship alongside the social climate of modern Britain giving a warm, funny and wise glimpse into the way we live now.

'Of course that's how it begins: a harmless fairy tale to pass the hours'When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan's remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.This is the new play from Academy Award winning screenwriter and playwright John Logan. His previous play RED played in London to great acclaim before transferring to Broadway where it won 6 Tony Awards including Best New Play.

Also includes The Stigma Manifesto Pity Tony's nannies at New Labour's Millbank election war-room: they're working night and day to get 'Red Ken' and prevent him from becoming Mayor of London. Suddenly it's Ken, the cuckoo in the nest, who's getting the people's vote and Millbank, charged with plotting his downfall, is getting desperate. Ever more dastardly plots are afoot as the election draws nearer. Snogging Ken was produced at the Almeida in April 2000: 'the first step in the return of democracy to London'.

Our Bad Magnet is an unashamedly dark and deliciously funny play from one of Scotland's brightest young writing talents, in which the boundaries between fantasy and reality merge with unpredictable results.Centering on an uneasy reunion, Our Bad Magnet follows the progress of four boys from 9 to 29 as they try to unlock the secrets of childhood and memory. Throw in 1980s indie music, a ventriloquist's dummy, some magical fairy stories and the word 'nimston', and you have an hilarious black comedy which isn't afraid to make you think while you're laughing out loud.

The Flu SeasonNo one in the middle of being in love ever sat down to write a love story. It's only after the belongings are sorted and the shirts returned that the pencils are sharpened and the notebooks opened. So, in a serious way, love stories are never love stories. Love is their inspiration, yes, but the end of love is the reason for their existence. This is a problem. It proposes anti-journeys where we saw only journeys, directs things toward a new negative we hadn't intended. The Flu Season tries to be a love story, anyway. It has a strategy. The play revels in ambivalence, lives in fits and starts, and derives a flailing energy from its doubts about itself. But these come at a price, which is paid by the characters in the play. A kind of clarity finally comes. In the end, is the end.Intermission"Two couples chat with one another at a play's intermission. From what we have heard, it sounds dreadful, which the cocky Jack points out. But his quibbles give way before Mr. Murray's torrent of memory and invective. He doesn't want to hear stylistic complaints, he wants the boy to recognize the play's attempts at truth. And while Mr. Murray's curmudgeon sneers at audiences' yen for weeping at shows, Mr. Eno then makes us - practically by brute force - cry for him. Mr. Eno's triumph is both canny and deeply touching, a vital look into a theater that actually reminds us what it's for." The New York SunThe Flu Season was the winner of the 2004 Oppenheimer Award for best debut production.

'And besides, nothing ever happens here. Nothing. Niks.'Outside a South African town a silent woman, Ruth, goes through her self-imposed rituals, a child's crib strapped to her back. An observer, Simon, who has loved Ruth since childhood, tells her story. Tshepang was inspired by the horrifying rape in 2001 of a nine month-old child. The child, Tshepang, gave her name to Lara Foot Newton's award-winning play, though it is also 'based on twenty thousand true stories' - the number of child rapes estimated to occur in South Africa each year. Having premiered in Amsterdam in June 2003, Tshepang opened at the Gate Theatre, London, in September 2004.Winner of the Fleur du Cap Award for Best New South African Play 2003

Max is a normal-ish kid in a normal-ish town. He spends his days daydreaming and hanging out with his weird wee pal Stevie Nimmo. But when Max is called for his first Square Go, a fight by the school gates, it's his own demons he must wrestle with first. Featuring an original soundtrack by members of Frightened Rabbit, this unmissable collaboration between Fringe First winning writers Kieran Hurley (Heads Up) and Gary McNair (A Gambler's Guide to Dying) is a raucous and hilarious new play about playground violence, myths of masculinity and the decision to step up or run.

A young Shona girl escapes an arranged marriage by converting to Christianity, becoming a servant and student to an African Evangelical. As anti-European sentiments spread throughout the native population, she is forced to choose between her family's traditions and her newfound faith.

Amy's found another body in a hotel bedroom.There's a funny smell coming from one of Jim's storage units.And Kate's losing it after spending all day with the police.There's no going back after what they've seen.Breathing Corpses was first performed at the Royal Court Jerwood Theatre Upstairs in February 2005.

Charlotte is fifteen and grieving over the loss of her beautiful mother. Her relationship with her father is put to the test as she discovers sex, ambition and 'beauty products'. Inspired by Euripides but with its sights set firmly on contemporary America, A Brief History of Helen of Troy is an unsettling examination of complacency culture and the politics of beauty.

'What gets me through is knowing I took this pain, and saved all of you from suffering the same.'Stumbling down Clifton Street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Effie's life spirals through a mess of drink, drugs and drama every night,and a hangover worse than death the next day - till one night gives her the chance to be something more.This powerful new adaptation of the enduring Greek myth drives home the high price people pay for society's shortcomings.Winner of Best New Play at the UK Theatre Awards 2015

'Since your daughter's death I've not been much of a hypnotist.'A man loses his daughter to a car accident. Nothing now is what it seems. It's like he's in a play - but he doesn't know the words or the moves.The man who was driving the car is a stage hypnotist. Since the accident he's lost the power of suggestion. His act's a disaster. For him, everything now is exactly what it is. For the first time since the accident, these two men meet. They meet when the Father volunteers for the Hypnotist's act. And, this time, he really doesn't know the words or the moves...An Oak Tree is a remarkable play for two actors. The Father, however, is played by a different actor - male or female - at each performance. They walk on stage having neither seen nor read a word of the play they're in...until they're in it. This is a breath-taking projection of a performance, given from one actor to another, from a hypnotist to their subject, from an audience to a person. An Oak Tree is a bold and absurdly comic play about loss, suggestion and the power of the mind.An Oak Tree premiered at the Traverse Theatre, Edinburgh in August 2005.

You're six years old. Mum's in hospital. Dad says she's 'done something stupid'. She finds it hard to be happy.So you start to make a list of everything that's brilliant about the world. Everything that's worth living for.1. Ice Cream2. Kung Fu Movies3. Burning Things4. Laughing so hard you shoot milk out your nose5. Construction cranes6. MeYou leave it on her pillow. You know she's read it because she's corrected your spelling. Soon, the list will take on a life of its own.A new play about depression and the lengths we will go to for those we love.

In 1930s Berlin - an intriguing city of Jazz and overground cabaret overpowered by the rise of Hitler and World War II - the daughter of a Jewish family falls in love with their black shabbes goy (a term used for those who assist Jews on the Sabbath with tasks forbidden to Jews within Jewish law). Fast-forward to the tale of a mixed-race couple in seemingly unprejudiced modern-day Brooklyn, where the same family is coping with a number of calamities. Shalom Baby is a touching and very funny exploration of love, family and friendship.

'Would you ever want to sit with me in the dark? Just sit with the lights out, barely even touching, maybe not touching at all, and just listen to me breathe?'Everybody wants a piece of Stephanie Schwartz. Her son's demanding nuggets, her boyfriend wants her to wax and her best friend's taking her to a stripping class. Now there's a rapist on Sutton Drive, an obscene caller invading her home and a portal to hell beneath her sofa. How far must she go to make it all stop? And how far is too far? A heart-breaking, taboo-busting black comedy by Joshua Conkel, 'the most important queer playwright of his generation' (Doric Wilson, the Co-Founder of Off-Off-Broadway's very first theatre, Café Cino.)

Based on a short story by Somerset Maugham, Before The Party tells the story of a family attempting to return to normal in the wake of the Second World War. With daughter Laura returned from Africa, widowed but not alone, they prepare for the latest social gathering. Amidst the never-ending whirl of hats and dresses and below stairs skirmishes, Laura reveals a shocking secret that threatens to ruin more than one party on the climb to social success.