An award-winning, critically acclaimed portrait of fatherhood by international theatre company Babakas.
Presents a play about two MI5 agents taking over the home of a family. This publication coincides with a theatre production on a UK tour.
Combining play text with experimental book design, the accident did not take place dissects the broadcast of a plane crash to explore the way we consume information, and the way information consumes us.
A humorous and heartfelt look into the lives of the youth of one northern new town, where the weight of identity, place, and masculinity threaten everything they've ever known.
A true story about the aftermath of sexual assault, dressed. celebrates the power clothes have to define us, to liberate us, to hide us and to embellish us.
Set in the Canadian wilds, The Monstrous Heart is a play about motherhood, the cycle of trauma, and how you can never really leave your past behind.
A darkly comedic coming-of-age solo play, Before I Was A Bear is a modern myth about the power dynamics of sexuality and shame, women's relationships with each other, and an affair with a hot TV detective.
A gripping philosophical clash between Pope Benedict XVI and the future Pope Francis.
Joana Nastari's award-winning debut show Fuck You Pay Me is a love letter to strippers and a surreal collision of comedy and poetry.
A play from award-winning playwright Joanna Laurens, based on the story of the Sophoclean play Tereus.
A new edition following the first London production in 80 years of this work by a renowned West End playwright.
The Sweethearts is a new play about the people we choose to make into our heroes and how we tear them back down...
A comic tale of four men, each from different parts of the globe, all experiencing a moment of revelation.
Two plays from a leading Belgian theatre-maker, playwright and storyteller.
At their stylish country retreat, Freda and Robert Caplan host a dinner party for their colleagues and friends, all executives at a transatlantic publishing company. Young, beautiful and successful they have the world at their feet.Then a cigarette box and and an ill-considered remark spark off a relentless series of revelations and other, more dangerous secrets are painfully exposed. As the truth spills out about the suicide of Robert's clever, reckless brother, and the group's perfect lives begin to crumble, the cost of professional and social success becomes frighteningly plain.
A controversial new musical from an acclaimed team of writers and performers.
A viciously funny and unforgettable play about first love, teenage lust and nature vs nurture.
This funny, life-affirming play is infused with humour and humanity. Tender and touching, Visitors is an elegiac celebration of a lifetime shared.
The first new play in a decade from Chris Chibnall, the writer of ITV's smash success Broadchurch and Torchwood.
Wedekind's play about adolescent sexuality is as disturbing today as when it was first produced
A new Christmas show adapted from the classic German children's novel, first published in the UK in 1931.
Two plays, companion pieces, portraying two different realities of a British White male and a British Asian male.
This powerful and moving drama shares the stories of women whose everyday lives have been touched by the recent conflicts in Iraq and Afghanistan. Winner of The Stage's Best Ensemble at the 2008 Edinburgh Festival.
Written by one of Poland's leading playwrights, Tadeusz Slobodzianek. Based on a tragic, historic event that happened in the town of Jedwabne , Poland in 1941, Our Class chronicles the lives of ten classmates from their childhood in the 1920s to the beginning of the new millennium. Translated by Ryan Craig
Good for youth theatre. "Dynamo of a play-an exuberant tragedy."--Kate Kellaway, The Observer
A riotous journey through four waves of immigration from the seventeenth century to today.
Meet Elling and Kjell Bjarne, the Odd Couple of the dysfunctional world. Given a flat in the centre of Oslo by social services, their mission is to re-assimilate themselves back into society. It's that or return to the asylum. All they have to do is convince their social worker, Frank, that they really are 'normal'.
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